Bonus Interview with Comedy Writer Joey Clift
The Jacked Up Review Show PodcastApril 19, 2024
755
44:4440.97 MB

Bonus Interview with Comedy Writer Joey Clift

The Native American comedy genre writer gets to go beyond discussing embracing his heritage into details on gaming, hosting talk show panels, his training Second City & UCB, his brief stint writing for Scare Tactics, finding progressive material, blogging for the Nerdist site and screenplay tips-and-tricks he thinks are useful.

 

We also get a peak behind the curtain with his recurring stint as a judge on the WHO WOULD WIN Podcast and his Navajo themed Comedy Central web animated series, GONE NATIVE.

 

Gone Native can we seen here:

⁠https://gonenative.tv/⁠

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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[00:00:00] Welcome to Jacked Up Review Show!

[00:00:30] review show.

[00:00:45] Welcome all, welcome all to the show.

[00:00:46] I'm your host Sully and with us

[00:00:48] we got another invaluable cartoon

[00:00:51] and sitcom writer in the form of Joey Clift.

[00:00:54] Yeah, how's it going, everybody?

[00:00:55] Thanks so much for having me.

[00:00:56] I'm excited to guest on the show.

[00:00:58] Woo, invisible audience out there.

[00:01:00] We did it.

[00:01:01] So you've been a busy man.

[00:01:04] Been working on all kinds of different platforms

[00:01:07] and writers rooms.

[00:01:09] But first of all, where did it all begin?

[00:01:12] Oh, yeah, for sure.

[00:01:13] Yeah.

[00:01:13] So, yeah, I've most of my career has been kind of in the animation space.

[00:01:17] But I originally got started.

[00:01:21] I would say I went to school for like

[00:01:26] I went to school because I originally thought that I wanted to be like

[00:01:29] a small market TV weather guy.

[00:01:32] Like, you know, yeah, like basically like,

[00:01:35] you know, reporting the weather in a small town,

[00:01:37] they get to have like fun personalities and stuff like that.

[00:01:39] And if you're wrong, you can't be fired.

[00:01:41] Yeah, yeah, totally.

[00:01:42] Yeah, it feels like it's the most

[00:01:44] it feels like it's the hardest to get fired from TV news job.

[00:01:49] But while I was doing all this,

[00:01:51] you know, small TV weather stuff, like basically I was also doing

[00:01:55] a lot of, you know, college TV kind of my college.

[00:01:58] And my professors kind of saw what I was doing and basically pulled me aside

[00:02:01] and said, hey, it's like clear you want to work in comedy.

[00:02:04] Why don't you just do that?

[00:02:05] So, you know, I took their advice, moved to L.A.

[00:02:10] Through alumni connections, got like a really good job

[00:02:12] as the assistant to the guys who created the show Scare Tactics on Sci Fi.

[00:02:17] And that was that was super fun.

[00:02:18] One of your first gigs.

[00:02:20] Oh, yeah, yeah, that was like a month into moving to L.A.,

[00:02:22] which is like I lucked out huge.

[00:02:24] And then just like dove into the L.A.

[00:02:26] comedy scene, like places like, you know, Pritz, it's just a bit theater,

[00:02:28] a second city and all that and just, you know, kind of like

[00:02:30] work my way up from there, basically.

[00:02:33] And those are the stories you kind of remember

[00:02:36] just because they are just so nutty.

[00:02:39] Just.

[00:02:40] Yeah, the entertainment industry, it's like a wild industry

[00:02:43] and that like I feel like if you ask ten different writers

[00:02:47] or actors what their path was, you're going to get ten different answers

[00:02:51] just because it's like there's not like a clear ladder.

[00:02:53] It's like you kind of like, you know, you just like hustle

[00:02:55] until you make it basically.

[00:02:58] And I love how you're also just very proud of your heritage

[00:03:03] and you're just very progressive in the material that you're covering.

[00:03:07] But what tips and tricks do you would you say you have for today's generation

[00:03:10] who have to remind others

[00:03:13] that you should always be proud of your family tree and.

[00:03:17] Never feel like you got to fit into a certain demographic or group.

[00:03:20] Oh, yeah, for sure.

[00:03:21] Yeah, I'm like Native American enrolled cowlits and like

[00:03:25] and like I grew up on the 12 res in Washington State.

[00:03:27] And I'm just somebody that like

[00:03:29] growing up on a res, I was like always surrounded by

[00:03:32] just like really awesome native culture.

[00:03:34] And like my mom is like, you know, she's where I get kind of my cowlits

[00:03:37] side of my family.

[00:03:38] And, you know, she would always like, you know, invite me to pow wows

[00:03:41] and stuff like that when I was a kid.

[00:03:42] Remember, it was the sort of thing where it was like

[00:03:44] where like she would invite me to that and I'd be like, no,

[00:03:47] I'm playing Grand Theft Auto three or whatever.

[00:03:49] And then like I think as I got older, I started to realize like one,

[00:03:54] like, you know, I mean, like Grand Theft Auto three is very fun.

[00:03:58] But like maybe I should have

[00:04:00] gone with my mom to some of those pow wows.

[00:04:02] Yeah.

[00:04:03] And, you know, too, I think that like, I don't know.

[00:04:07] It's like it's

[00:04:09] I think it's cool to be proud of like where you came from.

[00:04:13] And that doesn't necessarily have to mean like, you know, genealogy.

[00:04:16] But it's just like, you know, what state you're from or what country you're from

[00:04:19] or what, you know, what your upbringing is.

[00:04:22] It's just like be proud of who you are, you know?

[00:04:25] And, you know, I kind of found myself in this spot when I like

[00:04:28] started getting involved in the L.A.

[00:04:29] comedy scene where it's like, you know, like I like I was like

[00:04:33] a mentor for the Native Student Center at my college.

[00:04:35] I've like always been just like, you know, involved in like that kind of stuff.

[00:04:40] And, you know, I just noticed that like I knew a lot of really funny

[00:04:44] Native comedians through like kind of Native Hollywood, the collection of like,

[00:04:48] you know, 500 or so Native folks that work in the entertainment industry.

[00:04:51] But like I didn't really know a lot of funny Native comedians who were like

[00:04:54] getting opportunities at kind of big mainstream comedy theaters like

[00:04:57] UCB and stuff like that.

[00:04:59] It's so hard to break in.

[00:05:01] Yeah. Well, it's hard to break in.

[00:05:02] But it's also one of those things where you like you realize,

[00:05:05] oh, part of it's that like if there's never been a Native person

[00:05:09] in that position before, there's never been somebody to like kind of

[00:05:15] let the door open for other Native folks, you know?

[00:05:17] So like, you know, that's something like once I kind of noticed

[00:05:20] that I was one of the few Native folks getting those opportunities,

[00:05:22] I really tried to like, you know, like be very vocal about my heritage,

[00:05:26] just like for visibility and using my position to kind of like give

[00:05:29] other super funny Native comedians opportunities.

[00:05:31] This was around the 2010s or?

[00:05:34] This was like 20 probably like between 20.

[00:05:37] I mean, once I got on a house team at UCB in like 2013, it was like

[00:05:41] I was like trying to get it to happen.

[00:05:44] And then like, it just, I don't know, like the artistic directors

[00:05:48] of theater at the time were really weird.

[00:05:49] And I remember like there was this one time where they like

[00:05:52] or asked if I could do like an all Native comedy showcase.

[00:05:55] And they said that there wasn't room on the schedule for it.

[00:05:58] Meanwhile, they scheduled 12 Star Wars comedy bit shows in one week.

[00:06:01] And I'm like, yo, you couldn't have done 11.

[00:06:04] But, you know, after a few years, like artistic directors changed

[00:06:06] and, you know, new artists directors were more into the idea.

[00:06:10] You're not the only one I hear Andy Richter on his podcast talked about

[00:06:13] how he avoided one of those second city type.

[00:06:17] UCB type things just because he knew the one of the professors

[00:06:20] there just really hated his guts.

[00:06:22] He's like, yeah, I'm not going to go in a class and have this guy,

[00:06:24] you know, demean me in front of everyone.

[00:06:27] Yeah, it's weird.

[00:06:27] I think it gives you like a good comedy education, but it is like,

[00:06:31] but it's like like anything else.

[00:06:33] It's like, you know, it ultimately becomes high school, right?

[00:06:36] You know, where it's just like, and I think that that's just like,

[00:06:39] it's just a new like social thing.

[00:06:40] Isn't it wild?

[00:06:41] I go as in stages because like I went, I did, I studied improv in high school garbage.

[00:06:46] Everyone's just imitating SNL and show, but no one's actually

[00:06:52] if you try to do something, you're not funny.

[00:06:55] And then college was very serious.

[00:06:57] Everyone was like, go for it, man.

[00:06:59] You know, and it people who just wanted to be entrepreneurs or business types

[00:07:03] would also take it because it was kind of like becoming a salesman.

[00:07:07] You wanted to learn acting, persona, where you stand, how you present yourself.

[00:07:13] And so it was a double win.

[00:07:15] I still love improv because it allowed me to just realize

[00:07:20] not just the sky's limit, just the whole make a split decision

[00:07:24] instead of just waiting permission for something to exist or, you know,

[00:07:28] so if, if someone says you got to go, you know,

[00:07:34] buy a ticket to another country,

[00:07:36] I'm just like, I'm going on Spirit.

[00:07:38] Boom.

[00:07:39] It's not do you want American Airlines?

[00:07:41] Do you want that?

[00:07:42] You know, no more of the thinking endlessly, you know, in a pickle.

[00:07:48] Yeah.

[00:07:49] Yeah.

[00:07:49] Well, I think that like the first improv class I took at UCB,

[00:07:52] the class was like half like, you know, actors,

[00:07:54] comedians and half just like lawyers and accountants that like,

[00:07:58] that wanted to be like funnier in meetings when for their accountant jobs.

[00:08:02] Oh, they're all super nice.

[00:08:03] But it's like,

[00:08:04] really, but I, but you, but it's like, you think about it and you're like,

[00:08:08] yeah, improv has a lot of really good tools to just help with like life.

[00:08:12] You know,

[00:08:13] do you ever meet up with some of your classmates on occasion where you're like,

[00:08:16] oh, we, we got to just do a seminar just to catch out.

[00:08:19] Let's go to the next live comedy show you guys are hosting.

[00:08:22] Oh, yeah.

[00:08:23] Yeah.

[00:08:23] Like I still like I took my first improv class, like, you know,

[00:08:26] in 2010 so forever ago and like, yeah, we're, we still like,

[00:08:30] you know, running into each other right here and like, you know, text each other

[00:08:33] and like, we're all friends.

[00:08:35] Lovely.

[00:08:37] And I see that you produced one of the going back on your heritage again,

[00:08:44] and how you got just such a welcoming voice.

[00:08:48] Yeah, you produced one of the reservation dogs making up panels.

[00:08:52] Have you ever, and yet you met some of those actors and everything.

[00:08:55] Have you ever thought of working on very progressive shows like either that or dark

[00:09:00] winds with Zahn and company.

[00:09:03] Yeah, I actually I was a writer consulting producer on a like a Netflix

[00:09:07] series called spirit Rangers that was like, yeah, it's like that was it was

[00:09:11] like the first ever kids animated series like created by a native person,

[00:09:14] but genius shoe mesh TV writer Chris Valencia with like an all native writers

[00:09:17] room and I was part of that writers room.

[00:09:19] So yeah, I've definitely like worked in that space a lot and like,

[00:09:22] I don't know.

[00:09:22] It's like, it's so it's so cool because those shows are like

[00:09:26] the first shows in history created by a native person in the United States.

[00:09:30] No one's exploited.

[00:09:32] No person is whitewashed in a role.

[00:09:34] It's all it's all in the blood.

[00:09:37] Yeah, but it's also just like, it's just a cool experience to like

[00:09:41] go into a writers room full of people who all know who like red bone is,

[00:09:45] you know, or like, you know, like insert native thing, you know.

[00:09:49] And yeah, so it's like I worked on spirit Rangers for two and a half years

[00:09:52] and I definitely, you know, hope to, you know, what is the skin walker?

[00:09:57] Yeah, we all know.

[00:09:57] It's all a GT.

[00:10:00] Yeah, it's like there's not never a point where like somebody's going to call

[00:10:03] a meeting a powwow and we have to just be like, hey, actually a powwow is not

[00:10:07] a meeting like, you know.

[00:10:10] Oh, totally.

[00:10:11] And it's just cool to have these kinds of just pleasant cartoons also,

[00:10:17] you know, because there's just so many other ones you'll look at on TV

[00:10:20] and you're like, whoa, how'd that get a PG rating?

[00:10:23] It's very gross and sexual even, you know,

[00:10:28] talking up to it.

[00:10:29] They've got poop talking on legs.

[00:10:31] That's I don't want to show a kid that I mean, look as a comedy writer,

[00:10:34] that's an A plus joke is talking poop.

[00:10:36] That's that's my go.

[00:10:37] Yeah, I know.

[00:10:39] But I go to nightmarish visuals.

[00:10:42] Give them a few more years before we go into Tim Burton territory, you know.

[00:10:48] What are some other tips and tricks that you recommend to any struggling writer

[00:10:52] on just setting your time management, outlining your vision

[00:10:56] and just figuring out how to pitch?

[00:11:00] Oh, yeah, for sure.

[00:11:00] Yeah.

[00:11:01] So a couple things on that.

[00:11:03] Like such a big question.

[00:11:05] I would say that like at least for myself, I try to look at it

[00:11:09] as like it's important to win the day.

[00:11:10] So it's like that doesn't necessarily mean that every day

[00:11:13] you're going to sit down and write an amazing script.

[00:11:15] But like if you sit down and like, I don't know, spend 20 minutes

[00:11:19] just like making your outline a little bit better or like do it

[00:11:22] we're like working on a script a little bit like eventually you're going

[00:11:25] to like edge the ball down the field to the end zone, you know.

[00:11:29] And like, you know, it's okay if things take you a little while.

[00:11:31] Don't get too discouraged.

[00:11:33] You know, like I think that the more that you do it,

[00:11:37] the more comfortable that you get doing it.

[00:11:39] But that's to say that when you start, it's like it does take

[00:11:42] a little bit to get the motivation up.

[00:11:44] But like, you know, so yeah, just like win the day.

[00:11:46] Like don't be don't feel discouraged if you only do a little bit every day.

[00:11:49] But if you do like five minutes of work, eventually that'll add up

[00:11:52] to like a finished kickass script, you know.

[00:11:54] And then just like be nice to people.

[00:11:56] Like this is like a relationship based industry where like people tend

[00:12:00] to hire people that they, you know, know or work with before.

[00:12:03] Like I think that for me most of the jobs that I get come from

[00:12:07] like people that I did UCB shows with it like 2013 in 2013 or so

[00:12:10] we were doing midnight bit shows in front of six drunk people

[00:12:13] or whatever, you know.

[00:12:16] And yeah, so it's like say be nice to people, you know, definitely

[00:12:20] write like I think that as a writer, the key to success is to like

[00:12:25] create work that you're proud of and then put it out into the world.

[00:12:28] So it's like, you know, if you write a script, make a short film

[00:12:30] and then submit it to festivals.

[00:12:32] If you want to do comedy, try stand up or improv or something like that.

[00:12:35] Just like situations where people can see you actively be funny

[00:12:38] and good at your craft while also having like, you know,

[00:12:41] good scripts to back it up when somebody says like,

[00:12:43] well, you're really funny.

[00:12:44] Do you have like any writing samples or anything?

[00:12:47] And then and then you were talking about this earlier.

[00:12:49] I feel like we skipped past it.

[00:12:51] I was just like, I've just like, you know, writing from place of like

[00:12:54] my heritage and my background and stuff is like,

[00:12:57] I think that what you're ultimately like selling as a writer is like

[00:13:02] you're kind of selling your story.

[00:13:04] So or at least it's like your unique POV based on your story.

[00:13:07] So I think it's like, I think it's important to

[00:13:11] or you're going to get some of your best work

[00:13:13] when you write about stuff that you care about.

[00:13:16] Like, you know, if you really love like I'm a big professional wrestling fan.

[00:13:21] And like, I remember the first time that I did like

[00:13:23] a professional wrestling themed bit in a comedy show.

[00:13:26] And that was like more fun than like any other bit that I'd done before that.

[00:13:30] Because it's like, oh, I really care about pro wrestling.

[00:13:33] And these are all like deep nerd pro wrestling references.

[00:13:35] And like, yeah, that's pro wrestling.

[00:13:37] And, you know, like I also feel, you know,

[00:13:39] maybe more intensely about writing from like,

[00:13:41] you know, about native stuff.

[00:13:42] But it's just like that.

[00:13:43] That was my upbringing, something that I really care about

[00:13:45] and I'm passionate about.

[00:13:46] And like, it's never going away.

[00:13:49] Yeah. And I'm just and I just feel like

[00:13:51] it's so much more fulfilling to write, to tell those stories.

[00:13:54] So it's like, I would just think about like as a writer, like,

[00:13:57] what do you care about?

[00:13:58] Like, what do you like really give a shit about?

[00:14:01] And like, write about that and try to write jokes about that.

[00:14:04] And like what you write is going to be so much more unique

[00:14:07] than if you were just trying to write like the best Batman joke or whatever.

[00:14:10] Unless Batman is something you desperately care about,

[00:14:12] then write a Batman joke, you know?

[00:14:15] Lovely.

[00:14:17] So and that's a mouthful to.

[00:14:25] Why do you think you're as organized as you are, too?

[00:14:28] Because, you know, some people like to kind of just

[00:14:31] ride all night until the jokes finally emerge and other times,

[00:14:35] like you say, you had a lot of spacing out techniques.

[00:14:39] I'm.

[00:14:42] Why do you think so many will just kind of just stress on the deadline

[00:14:46] while realizing, you know, hey, you know, you got to make it,

[00:14:49] but it's not going away.

[00:14:52] Yeah, well, I think that for me, it's like it's like 50% necessity.

[00:14:56] Like, I'm a writer. That's like how I pay my bills.

[00:14:58] So it's like for me, like, like I had a deadline

[00:15:02] an hour before we jumped on the zoom and I was definitely like rushing today

[00:15:05] to like get it out the door by six p.m., you know, and I dare.

[00:15:09] And I hit it right at six p.m.

[00:15:12] But I think that like so I think that once you've written

[00:15:15] like a certain type of thing a few times, like, you know,

[00:15:17] a half hour sitcom or like a quarter hour comedy

[00:15:20] or animation script or whatever, you start to learn

[00:15:22] like how long it takes for you to write that sort of thing.

[00:15:25] So it's like for me, like I know how many days

[00:15:28] it takes for me to write like a first draft of a kid's quarter hour script

[00:15:31] or like a first draft of like a half hour sitcom.

[00:15:34] So it's like in that case, I just know to carve out

[00:15:37] a couple of days or a week or whatever for that kind of thing.

[00:15:39] And then it's just like if my deadline is, you know,

[00:15:43] today at six p.m., then I just back time it.

[00:15:45] I'm just like, OK, so I need to start on this

[00:15:47] or I need to put like X amount of days on it.

[00:15:49] So that means to get it done by that deadline.

[00:15:52] I need to start it on this day at this time, you know?

[00:15:55] And that's just like, you know, to pay my bills and do jobs

[00:15:59] so that they keep hiring me.

[00:16:01] But, you know, as far as personal stuff goes

[00:16:03] where there's not necessarily a deadline,

[00:16:05] I think it's just like I feel like I'm in a fortunate position where,

[00:16:12] like, you know, I feel like I'm at a point in my career

[00:16:14] where I get like offered a lot of stuff

[00:16:17] that I don't necessarily say yes to.

[00:16:19] And so I think that for me, it's like reminding myself

[00:16:24] like when I wake up in the morning, like,

[00:16:26] OK, I turned down a job that would have paid me this much money

[00:16:31] so that I could have time to write this script that I just want to write.

[00:16:34] So like, make sure that I do that, because if I didn't,

[00:16:37] then I just wasted all of the money

[00:16:39] that was offered for the job I turned down, you know?

[00:16:42] So it's like those are kind of motivators.

[00:16:44] It's just sort of like understanding that when it gets to it,

[00:16:47] kind of all you have is time and like making sure

[00:16:49] that like you are using your time wisely, you know?

[00:16:54] Totally.

[00:16:56] It can be made easier, but there's always some distraction going on.

[00:17:01] Oh, yeah, yeah.

[00:17:02] Well, I mean, I've got like just like practical stuff of like I like

[00:17:05] I listen to like when I'm writing a lot of like

[00:17:09] like I'm looking at a YouTube video right now

[00:17:11] that's like three hours of gentle night rain,

[00:17:14] rain sounds for sleeping.

[00:17:16] And it's like I listen to that while writing.

[00:17:18] And it's just like, oh, man, the sound of rain on a YouTube video

[00:17:21] or it's like meditation music.

[00:17:23] Yeah. Or like, I don't know.

[00:17:24] It's like I listen to like Final Fantasy guitar

[00:17:28] covers over the sound of a fireplace or like something.

[00:17:32] So it's like, you know, you kind of find stuff like that

[00:17:35] to just like what's the if you need that to help you

[00:17:38] like zone in and sit down and write like, you know, go for it

[00:17:41] or like something I used to do is like

[00:17:43] I would just like go to Denny's and like order

[00:17:46] like a skillet or something like that.

[00:17:48] And then I would just like know, okay, they've got like free Wi-Fi at Denny's.

[00:17:52] So I'm just like I'm paying for this skillet,

[00:17:54] but I'm also paying to be at this Denny's for like 90 minutes

[00:17:57] to get some writing done.

[00:17:58] So I better not just look at Twitter while I'm at this Denny's.

[00:18:01] There you go.

[00:18:02] So it's like you just kind of find like what's the thing

[00:18:06] that gets that helps you write and then like

[00:18:10] and then just do that thing, you know, it sounds it's been that takes

[00:18:13] I think that takes a little bit for people

[00:18:15] because I feel like everybody works a little bit differently

[00:18:17] as to like what's the thing that helps them focus.

[00:18:19] But it's like once you find it, it's like for me,

[00:18:22] that's kind of key and just getting the shit done.

[00:18:25] It goes back to the whole form of improv.

[00:18:27] Don't try to be funny, just listen, observe.

[00:18:30] Yeah, well, just like listen to yourself.

[00:18:32] And it's just like what works for you

[00:18:33] because like, you know, what works for you

[00:18:35] might not work for somebody else.

[00:18:36] But like once you find what works for you,

[00:18:38] it's easier to kind of get the wheels turning.

[00:18:41] Essentially it.

[00:18:43] And it's just also cool that you found a form of happiness

[00:18:47] instead of, well, I'm going to keep doing this

[00:18:50] until you know, the roof goes up in flames.

[00:18:53] Oh, I mean, I definitely do feel that way

[00:18:56] about the entertainment industry that it's just like,

[00:18:57] maybe it's a second ship.

[00:18:59] Who knows?

[00:18:59] Don't get too comfy.

[00:19:02] Yeah, well, I think it's just like the entertainment industry.

[00:19:04] It's just like it's just like built on a foundation of sand

[00:19:08] and it's like, you know, new companies

[00:19:10] and new streamers and new networks

[00:19:11] like will spring up and then collapse three years later.

[00:19:14] And it just happens ad nauseam.

[00:19:17] So it's like for me, it's just like, oh, you know,

[00:19:20] I like telling stories and I like writing.

[00:19:22] And I hope Netflix doesn't screw the food,

[00:19:25] John and spirit Rangers.

[00:19:27] Netflix is great.

[00:19:28] We got a new season coming out next year.

[00:19:30] All right, good because they've been doing it

[00:19:32] for so many others.

[00:19:33] Where you're just like, seriously,

[00:19:35] you could have told them.

[00:19:37] It's like, no, we definitely have a season three

[00:19:38] that's coming out next year.

[00:19:39] I love cartoons, but they're so mean to live action.

[00:19:46] So what you were talking about,

[00:19:48] what scared tactics earlier,

[00:19:51] do you have any hysterical Tracy Morgan stories?

[00:19:56] Okay. So like honestly, I don't think I have

[00:19:57] any hysterical Tracy Morgan stories.

[00:19:59] I was like, so they shot that show in New York

[00:20:03] and I was in office in Los Angeles.

[00:20:05] So like they shot all Tracy Morgan's,

[00:20:07] you know, like host bits in New York

[00:20:08] because that's where he lives.

[00:20:09] And so it's like my hilarious Tracy Morgan stories

[00:20:14] are that I wrote bits for the show

[00:20:17] and he said the bits and I was excited

[00:20:19] that he said the bits.

[00:20:22] It doesn't matter if it wasn't the best take

[00:20:24] or if you didn't say it believably,

[00:20:25] you're like, oh yeah, at that point,

[00:20:27] at that point I'd been in LA for like two months.

[00:20:29] So that I was writing jokes for Tracy Morgan

[00:20:31] is like insane, you know.

[00:20:33] That's lovely.

[00:20:34] I was able to interview Matt Galant,

[00:20:35] ESPN, MTV News, you might know him best

[00:20:38] from Planet's Funniest Animals, that Pat.

[00:20:41] And he talked about how, you know, half the time

[00:20:44] it's just like, it doesn't matter

[00:20:45] the pun you're about to say on the teleprompter

[00:20:47] wasn't worth the shit.

[00:20:48] It's just like, I'm going to say it.

[00:20:50] I'm going to kick ass at it.

[00:20:51] That's kind of just the mentality

[00:20:52] you have after a while.

[00:20:53] Something's got to go in the can

[00:20:55] and it's easy to be a little workman-like

[00:20:57] but you let everyone else worry about that, you know.

[00:20:59] Yeah, well that's like,

[00:21:00] that's what's so cool about like

[00:21:02] writing for good hosts is like,

[00:21:05] like I wrote, I was a writer for Nerdist.

[00:21:08] I'm working with a really good host

[00:21:09] named Jessica Chobot for a while

[00:21:11] and she's just like this fantastic

[00:21:13] host personality person.

[00:21:15] They're very comedian friendly.

[00:21:17] Yeah, yeah and it's like,

[00:21:18] I remember I would like write jokes

[00:21:19] for Nerdist News for her to say

[00:21:21] and I would think while writing it like,

[00:21:23] oh this is like, this joke is like not great

[00:21:25] but it's, you know, like I have an hour to write it

[00:21:27] and we've got to turn around quick

[00:21:28] so it's like I'm not, you know,

[00:21:30] I'm doing my best.

[00:21:31] And then she would like,

[00:21:32] and then we would go to record it

[00:21:34] and she would just like sell the F out of that joke

[00:21:37] and like I would see her perform and I'd be like,

[00:21:39] oh that actually was a pretty good joke.

[00:21:42] So like hosting is like a good,

[00:21:43] it's like a, it's a specific skill set.

[00:21:45] Whenever I work with hosts that are good,

[00:21:47] I'm just like, oh you're like a different breed, you know?

[00:21:51] And that's it, like the cooperation

[00:21:54] and collaboration, you know,

[00:21:55] anything can misfire, you know,

[00:21:57] and at half the time you'll talk to actors

[00:22:00] and some of them got such a big head,

[00:22:02] oh I liked it until I got cut out.

[00:22:04] I'm like, yeah but you still got to be part

[00:22:05] of a major motion picture.

[00:22:06] Then there's other ones where it's like,

[00:22:08] yeah they said it, but you know,

[00:22:12] we'll leave it to history on whether or not,

[00:22:15] you know, it was a wonderful ensemble

[00:22:18] or if it was too many cooks in the kitchen, you know?

[00:22:19] It's just-

[00:22:20] Yeah, what I think that like,

[00:22:22] like I mentioned earlier,

[00:22:23] it's like, I feel like Hollywood,

[00:22:25] it's just such a,

[00:22:27] I think that it's an industry where like

[00:22:29] a lot of things happen,

[00:22:32] like, you know, you might get rejected from a role

[00:22:34] or not get a writing job

[00:22:35] or you act in something and you're cut or whatever.

[00:22:37] And like, nine times out of 10,

[00:22:40] probably more than that,

[00:22:40] probably like 99 times out of 100,

[00:22:42] that has nothing to do with your performance

[00:22:44] or how you did.

[00:22:45] It's just like,

[00:22:47] the movie was like two hours and 10 minutes long

[00:22:50] and like they needed it to get under two hours

[00:22:52] so like they had to cut something,

[00:22:53] you know, and like you had like a funny side scene

[00:22:57] with the main character

[00:22:57] but you didn't like drive the main story forward.

[00:22:59] So it's like, I don't know,

[00:23:01] we just got to lose something,

[00:23:02] you know, like something.

[00:23:03] And that's not like as an actor,

[00:23:05] it's like that's not,

[00:23:07] like that's not a thing that you should like take

[00:23:09] as an ego hit.

[00:23:10] It's just like,

[00:23:11] yeah, you know, we're all,

[00:23:12] there's a thousand people working together

[00:23:14] to make this movie and just,

[00:23:15] you know, it should happen sometimes.

[00:23:19] It will.

[00:23:20] Yeah.

[00:23:21] So you have a wonderful voice.

[00:23:23] Every time I heard you on Who Would When,

[00:23:25] have you ever thought of doing a,

[00:23:29] just some voice acting in an audio drama

[00:23:31] or podcast or cartoon?

[00:23:34] You did like a few voiceovers,

[00:23:35] but it's been miniscule.

[00:23:37] Oh, thanks.

[00:23:38] Yeah, I appreciate that.

[00:23:39] Yeah, that's the sort of thing where like

[00:23:41] my voice has been like this since I was like 14.

[00:23:44] Like, like I, so like my voice has always been this,

[00:23:47] I don't know, deep or whatever.

[00:23:49] And I remember like a lot of people have said,

[00:23:52] I mean, like, you know,

[00:23:54] kind of going through the news path

[00:23:55] of trying to be a TV weather guy.

[00:23:56] It's like that sort of, you know,

[00:23:58] that or radio news,

[00:23:59] this kind of like leads into that.

[00:24:01] I've definitely thought I should get into voice acting,

[00:24:05] but I just like haven't.

[00:24:08] I haven't like actually sat down

[00:24:10] and like pursued those kinds of roles.

[00:24:11] But like, you know,

[00:24:12] I get asked to do stuff here and there.

[00:24:13] And like, I've kind of voiced

[00:24:15] a few things here and there.

[00:24:17] What would you like to voice a dream role?

[00:24:21] Okay.

[00:24:22] What is, what is I'm going to say Homer Simpson,

[00:24:24] because actor makes so much money.

[00:24:27] There you go.

[00:24:28] I can see you being a vampire hunter

[00:24:33] or possibly just a historical store manager

[00:24:36] in a mockumentary.

[00:24:38] We have the worst customers ever at this Home Depot.

[00:24:42] Okay, thanks.

[00:24:42] I will type it in the video for you.

[00:24:46] Yeah.

[00:24:46] Yeah.

[00:24:47] I mean, you know,

[00:24:47] it's one of those things that it's like,

[00:24:49] I'm primarily a writer.

[00:24:51] Like I'm a writer comedian,

[00:24:52] but I'm like primarily a writer,

[00:24:53] but I'm definitely like, oh, I should,

[00:24:54] I should do more voice acting or something.

[00:24:57] Totally.

[00:24:59] You know, I mentioned that.

[00:25:00] Thanks for listening to me on Who Would Win?

[00:25:02] Such a fun show to guest on.

[00:25:03] Absolutely.

[00:25:04] I was going to so ask you,

[00:25:06] how ever did you,

[00:25:07] there's a lot of UCB guys on there,

[00:25:09] but how did you meet them

[00:25:11] on the LA comedy scene?

[00:25:13] Okay.

[00:25:13] So I actually, Robert Chan,

[00:25:16] the producer of that show and I came up.

[00:25:18] Love him.

[00:25:19] Yeah.

[00:25:19] He's, he's the nicest guy.

[00:25:21] We, we came up around the same time

[00:25:24] in sort of the LA comedy scene.

[00:25:25] We just, you know,

[00:25:26] have been friends for the past,

[00:25:27] you know, 10, 11, 12, 13 years or whatever.

[00:25:30] And he produces the show and he just like knows

[00:25:32] that I guest on a lot of podcasts.

[00:25:33] So he hit me up and said like,

[00:25:34] oh, do you want to guest on it?

[00:25:35] And I, you know,

[00:25:36] met Ray and James through just like

[00:25:39] being on the show and they're,

[00:25:40] you know, like, look,

[00:25:41] I know they've got tough personas,

[00:25:42] but they're very,

[00:25:43] they're very nice people

[00:25:44] when they're not arguing about which hero would win the fight.

[00:25:46] It's an act guys, obviously.

[00:25:49] They're all going to disagree on it,

[00:25:50] but they know at the end of the day,

[00:25:51] it's just a game and then gambling.

[00:25:54] That's weird.

[00:25:55] It's weirdly such a high pressure show to guest on

[00:25:58] because like I feel like they're so intense.

[00:26:01] So because of that, I have to be really intense.

[00:26:04] Oh, when I was interviewing Gapshy,

[00:26:06] I just about shat my pants.

[00:26:07] I was just like, I got to be on his level.

[00:26:10] I got to make James happy.

[00:26:11] I don't know why I don't even know James.

[00:26:13] Well, and like they turn it on where it's like

[00:26:15] as a judge on that show,

[00:26:17] like you know,

[00:26:18] you ultimately have to choose a winner or a loser.

[00:26:20] In infectious energy.

[00:26:21] And like the last time I was on it,

[00:26:23] that was my third time guesting.

[00:26:25] And the first two, I think I went with James as the winner.

[00:26:29] And like so Ray kind of like tried to cut me down.

[00:26:32] And I was like, and I argued back

[00:26:33] as to why I made the choices that I made.

[00:26:35] And like James was like pretty nice the entire time.

[00:26:38] And this time I chose Ray as the winner

[00:26:40] and James cut me down like 15 times harder than Ray ever did.

[00:26:43] I'm just like, I'm sorry.

[00:26:45] I thought you were the nice one.

[00:26:47] But they're nice guys.

[00:26:48] They're just passionate about the show.

[00:26:50] They just got to brag on it

[00:26:51] because they're like, what I do.

[00:26:54] It's like when you see people at a party

[00:26:57] and they're saying, I got to go.

[00:26:58] I'm like, whoa, did I say something?

[00:27:00] Yeah.

[00:27:02] Oh, and it's just so funny how it goes in waves and forms.

[00:27:10] Yeah.

[00:27:11] But yeah, that's such a fun show to guest on.

[00:27:13] And I like I'm happy to be, you know, in the family.

[00:27:16] And I think I won like best rookie judge

[00:27:19] or something like that last year,

[00:27:20] which is like cool.

[00:27:22] Yeah, I think I'm the best.

[00:27:23] I think I won the best new judge.

[00:27:25] They need to do a mock award show then each year.

[00:27:27] Yeah, I know.

[00:27:28] Where's my trophy?

[00:27:29] That's what I'm asking.

[00:27:31] Ding, ding, ding.

[00:27:31] And then Crystal Storm comes out or presents it.

[00:27:36] Robert inserts fake crowd noises or something.

[00:27:40] Right, right.

[00:27:41] Oh yeah, it's a fun collective

[00:27:43] and the fans are even more just wild

[00:27:46] because some of them are on like the sister shows too.

[00:27:48] It's a very fun collective.

[00:27:52] Yeah, and like and I it's really cool to see

[00:27:55] how like passionate the fan base is too.

[00:27:57] It's not even about the versus matches at the time.

[00:27:59] Half the times it's just about wacky things

[00:28:01] like I wonder what would happen

[00:28:02] if James or Ray rep this character.

[00:28:05] Yeah, totally, totally.

[00:28:09] All together, just are you going to make

[00:28:14] any other podcast appearances possibly in the future?

[00:28:17] Oh yeah, for sure, for sure.

[00:28:18] Yeah, I've got a digital series

[00:28:21] that was distributed by Comedy Central earlier this year

[00:28:24] called Gone Native that like I was right about to start

[00:28:28] like going through and touring podcasts

[00:28:31] and stuff like that.

[00:28:33] Like around May,

[00:28:37] that's like when we like finished our website

[00:28:38] gonenative.tv but that was like

[00:28:40] right when the writer's strike happened

[00:28:42] and I felt like I probably

[00:28:46] I would feel really weird if I even though the show

[00:28:49] was not WGA so like the show is not struck work.

[00:28:52] I was like, oh I'd feel really weird

[00:28:54] while my friends are hitting the picket lines

[00:28:57] when I'm you know being on podcasts

[00:28:59] and being like and you should support this thing

[00:29:01] by a company that is being picked at it, you know?

[00:29:04] But so I'm definitely going to like kind of go through

[00:29:07] and you know probably do a big podcast tour

[00:29:11] and start promoting that in the near future

[00:29:13] and I'm really excited to do that.

[00:29:14] I did see that in the art gave it some attention

[00:29:16] so that was good.

[00:29:17] Oh yeah, yeah, yeah.

[00:29:18] Yeah, I feel really lucky.

[00:29:21] It's like I think I sort of like a lot of people found it

[00:29:25] and wrote stories about it and like interviewed me about it

[00:29:27] but I feel like I have a lot of friends

[00:29:29] in the podcasting space

[00:29:31] and like really was like ready to start

[00:29:33] gusting on friends podcasts to talking about it

[00:29:35] but it was like oh I should probably wait until after

[00:29:36] the WGA strike to talk.

[00:29:39] Do it in waves.

[00:29:40] Yeah, totally, totally, totally.

[00:29:42] So yeah, I don't know.

[00:29:43] I'm always on podcasts.

[00:29:44] The videos are on Vimeo as well.

[00:29:47] I saw some of the ones on there

[00:29:48] and it's just again it's just a feel good kind of animation

[00:29:53] too it just no one's ever put down

[00:29:56] and why do you think you're just so good at just

[00:29:59] kind of an inclusive kind of chat?

[00:30:03] Honestly nobody's ever asked me that.

[00:30:06] I think I'm like I think I try to not be a jerk to people.

[00:30:14] I don't know it's like yeah that's such a good question

[00:30:16] about like because all those shorts like they're gone native

[00:30:20] it's a series of digital shorts

[00:30:21] about just like weird microaggressions

[00:30:23] that native folks deal with

[00:30:24] and like I try to not be finger pointy

[00:30:27] with that kind of stuff.

[00:30:28] I try to kind of treat it like

[00:30:30] we both agree this was this is bad right?

[00:30:33] You know that way people can feel like they're kind of in

[00:30:36] on the joke instead of being like lectured at.

[00:30:39] You know you kind of you get more bees with honey

[00:30:41] that kind of thing and yeah so yeah it's just

[00:30:47] I think it's just it's just like a tone

[00:30:50] that I find really funny

[00:30:52] that I kind of realized as I was doing it

[00:30:54] also this is useful to teach people things you know.

[00:30:58] As a comedy writer it's like I write stuff

[00:30:59] to crack myself up and then you realize

[00:31:01] oh wait a second I could use this for good.

[00:31:05] Don't have to be snobby

[00:31:06] and it doesn't always have to be a college humor

[00:31:08] Adam ruins everything format either

[00:31:10] it can be whatever's in the moment you know.

[00:31:13] Yeah for sure for sure

[00:31:15] if you're still with me

[00:31:16] I'm gonna hit you with this other little jib jab.

[00:31:19] Yeah when I think it's like that's the sort of thing

[00:31:22] where I was talking about earlier about like you

[00:31:25] just like the more that you do comedy

[00:31:28] and like the more that you do it

[00:31:28] the more that you figure out what your comedic voice is

[00:31:31] and it's like it's like what do you like to tell jokes about

[00:31:34] and also just like what is the tone at which you tell jokes

[00:31:38] and it's like that's just by doing it you know

[00:31:40] and yeah just like whatever whatever that is

[00:31:43] of just like be doing stuff that's kind of like funny

[00:31:46] but informative in a way that's like not threatening

[00:31:49] or whatever it's like I don't know it's a fun

[00:31:52] that's a pocket I like to exist in I guess.

[00:31:54] Isn't it wild though I don't know if you ever

[00:31:56] listen to any health or fitness trip tips and tricks

[00:31:59] it seems wild how the main key thing for

[00:32:03] when we encounter people who are mean or bullying

[00:32:08] or just snobby but not even funny anymore is often insecurity

[00:32:13] it's like people get feel threatened by someone else

[00:32:17] and it's like well you shouldn't feel mad

[00:32:20] at someone who knows something you don't

[00:32:21] or as good at something you're awful at you know.

[00:32:26] Yeah when I think that for me it's like

[00:32:30] like I've been doing like live comedy stuff

[00:32:32] since I was in like high school and.

[00:32:34] So you're already kind of fearless in a way.

[00:32:36] Yeah well it's more just like oh it's like anything

[00:32:39] that anybody could tell me I've definitely had said

[00:32:42] to me via a YouTube comment at some point in my life

[00:32:45] so it's like you know.

[00:32:47] Bring it.

[00:32:48] Yeah it's just I think it's just like

[00:32:50] I think it's just like learning the difference between like

[00:32:56] if like somebody is making a constructive comment

[00:32:59] or if they're just being a troll because it's like you know

[00:33:02] it's not that you shouldn't listen to every bit of feedback

[00:33:04] that you get about you know your comedy

[00:33:06] or your work you're writing or whatever

[00:33:08] it's like if I write a script I send it to my manager

[00:33:10] and friends my literary manager and friends

[00:33:12] to like give me notes on it and like

[00:33:14] I don't expect them to come back and say like

[00:33:16] this is perfect you know.

[00:33:19] But it's like I'm not going to look at like random

[00:33:22] 12 year old commenting on a YouTube video

[00:33:24] saying that my voice sounds dumb or whatever

[00:33:27] because it's like shut up your 12 you know.

[00:33:29] Right you guys are mean anyway so what does it matter?

[00:33:33] Yeah it's just like you can't please any everybody

[00:33:36] so it's important to like I don't know just like

[00:33:41] you don't have to take you don't have to like

[00:33:42] take every bit of criticism that you get

[00:33:45] and also just like.

[00:33:46] On the serious ones from you should be able to tell

[00:33:49] all the difference between someone who's.

[00:33:53] Yeah.

[00:33:53] Talking shit behind the scenes versus someone who

[00:33:56] actually said something threatening to you at a party

[00:33:58] you know it's like okay I'm taking that seriously

[00:34:01] because that was Fred versus.

[00:34:02] Yeah that was like.

[00:34:04] Nine year old and I don't know in Norwegian

[00:34:08] who just wanted to comment on a random video

[00:34:11] he didn't like.

[00:34:12] Yeah well and I think that it's like

[00:34:14] I don't know some people are just haters

[00:34:16] so it's like you kind of can't you can't like

[00:34:18] you can't please everybody like so it's like

[00:34:21] ultimately like if you're proud of the stuff that

[00:34:24] you're doing and like people who you respect

[00:34:27] think that what you're doing is good work

[00:34:29] then you know you're doing fine

[00:34:31] that doesn't mean that like I mean I don't know

[00:34:33] it's like if you think about something like

[00:34:36] what is the most universally liked thing in the world

[00:34:39] I don't know.

[00:34:39] Yeah.

[00:34:40] Like Star Wars.

[00:34:41] Like any movie that's 100% on Rotten Tomatoes

[00:34:44] is going to have at least 50% of people

[00:34:46] who legit do not understand that.

[00:34:48] Yeah it's like there's nothing that exists in the world

[00:34:51] but every person in the world is going to be like

[00:34:54] love it you know like so are you going to

[00:34:58] so you know if you make something and like

[00:35:00] you know 50% of the YouTube commenters

[00:35:02] or whatever or Twitter commenters

[00:35:04] or people on social media.

[00:35:05] They've said that on like five other gaming videos.

[00:35:08] Yeah it's like if they say I hate this

[00:35:10] this is bad but then half of them are like

[00:35:13] I love this this is great it's like

[00:35:15] are you going to listen to the people who hate it

[00:35:16] if you saw people like it you know.

[00:35:18] It's already one year out the other.

[00:35:20] I had one guy who was a prick on Facebook

[00:35:22] and then went so far as to copy that comment

[00:35:25] on both Apple and another podcast forming site

[00:35:29] and I was just like okay so what

[00:35:32] I doubt anyone saw any of those comments

[00:35:34] and he felt nothing in his power to be helpful.

[00:35:42] That's also like you hear that

[00:35:45] and you're like dude get a hobby.

[00:35:47] You have too much free time.

[00:35:49] Yeah why is that guy like

[00:35:51] feel so passionate about a podcast

[00:35:53] that he's going to do a negative comment

[00:35:55] the same negative comment on Spotify and Apple

[00:35:58] and it's just like at a certain point

[00:35:59] like I don't know like get a just like get a job.

[00:36:04] Those guys were not going to be part

[00:36:06] of your demographic anyway really.

[00:36:08] Yeah 100%.

[00:36:09] Now if you're getting some behind the scenes

[00:36:11] where you can improve you know

[00:36:12] I'm going to take it seriously

[00:36:13] is like okay I couldn't hear you last one.

[00:36:16] Okay I'm going to record on this audio format

[00:36:18] and see if the audio increases

[00:36:21] the wave levels on that one versus this

[00:36:23] where you couldn't hear us.

[00:36:25] Yeah it's like that kind of thing

[00:36:27] that's like real criticism

[00:36:28] that's like real like good criticism.

[00:36:30] They're serious as opposed to vague.

[00:36:32] I didn't know what you're talking about

[00:36:34] like I have an aunt who wants to listen to my podcast

[00:36:36] and I'm like I've said politely a few times

[00:36:38] ratings or not that you don't follow video games

[00:36:41] or politics so I don't think you would be the audience for this.

[00:36:44] Yeah for sure yeah that's the thing too is like everything.

[00:36:46] Where can I find you?

[00:36:50] Like everything that you make doesn't have to be for everybody

[00:36:53] it could just be it's like you know

[00:36:58] it's like like Spear Rangers is a show for like

[00:37:02] you know like a younger kids so it's like

[00:37:06] and it's like a show that I'm really proud of

[00:37:07] and I think that we did a really good job.

[00:37:08] A lot of adults are cartoon fans too

[00:37:10] they would gladly watch that with their kid.

[00:37:13] But it's like but if somebody were to comment on Spear Rangers

[00:37:16] you know like a 40 year old dude or whatever

[00:37:18] to be like this or like or it's just like

[00:37:22] this feels like it's kids stuff and it's like yeah it's for kids like you know

[00:37:27] it's just like it's sort of yeah nothing

[00:37:31] you are not the target audience for every single thing.

[00:37:34] Oh yeah everybody you know.

[00:37:35] There are people trying to just do other trends

[00:37:39] and you can kind of tell like what kind of radical audience

[00:37:43] without naming a particular one that they're a part of

[00:37:45] and I mean it's just like if there is nothing

[00:37:51] what do you hope to accomplish from posting this?

[00:37:54] I used to take that so seriously

[00:37:56] and then it became I'm one of many assholes with an opinion

[00:37:59] so there's nothing I'm gonna I'm not going to change the world

[00:38:03] in the next 50 seconds.

[00:38:04] I don't even feel passionately about what I'm typing up so.

[00:38:06] Oh yeah for sure.

[00:38:08] Stop right here unless I actually really think

[00:38:12] I want to put some time into this right now.

[00:38:15] Yeah well yeah and just I don't know some people are just haters

[00:38:17] and it's like yeah you know.

[00:38:21] Yeah and isn't it wild too how half the time

[00:38:25] reviewers will claim oh someone is upping you know

[00:38:29] it's an inside job upping all the ratings is like

[00:38:31] or maybe that's just where it landed.

[00:38:33] Yeah well I think that that's the thing is like

[00:38:37] it's possible that other people like the thing that you don't like

[00:38:41] like you know it's like it's like your opinion

[00:38:44] is not everybody's opinion.

[00:38:47] And the final user rating is not the final remark either.

[00:38:53] Yeah for sure.

[00:38:56] Well this has been a very engaging and detailed summary of

[00:39:03] just how to make it in any kind of atmosphere.

[00:39:07] I feel like most of it was just us trash talking bad YouTube commenters.

[00:39:11] There's that too but I mean part of the whole

[00:39:14] getting a thick skin and no 100%

[00:39:17] but I really hope for when doing these chats.

[00:39:20] Anything else you want to tease or?

[00:39:24] No you know I think we pretty much got everything I would say.

[00:39:26] Yeah definitely check out my Comedy Central Digital series.

[00:39:29] Definitely check out my Comedy Central Digital series at gonnative.tv

[00:39:33] and then you can follow me on social media

[00:39:37] at Joey Tainment on Twitter

[00:39:40] Blue Sky and TikTok

[00:39:41] and then at Joey Clift with five or six eyes on Instagram and threads.

[00:39:45] There are so many social media sites and I keep on forgetting which is which.

[00:39:55] And half the time we don't even know.

[00:39:57] Yeah yeah.

[00:39:58] It won't be here tomorrow there'll be something else that takes its place.

[00:40:01] I feel like there were like two days where I was like and you could follow me on Mastodon

[00:40:05] at and I'm like I'm logging out Mastodon in four months you know.

[00:40:12] Oh and I'm just glad you're staying positive because I see so many others who just kind of

[00:40:18] want to let the world eat them up and we can't have that man.

[00:40:23] Yeah I think that that's the thing too is like it's important to stay positive.

[00:40:27] Especially like speaking you know as writing and creatives and stuff like that it's like

[00:40:33] you know like you're you might not necessarily see fruits from your labor tomorrow but it's like

[00:40:39] if you just like work hard and are nice and like just keep pushing and creating work that

[00:40:43] you're proud of and then putting it out into the world and like you know on stage at

[00:40:48] comedy shows or making films or making funny TikToks or whatever like you'll eventually be

[00:40:52] rewarded for it. You just got to kind of keep grinding and it takes a while but you know

[00:40:56] it pays off eventually.

[00:40:58] Hopefully man but more importantly as long as you don't feel compromised

[00:41:05] yeah mentally or physically I just battled insomnia and I recommend anyone you know just

[00:41:12] instead of just getting all caught up in and the different ways just don't treat it as a

[00:41:19] battle that's what everyone else who was doing with it also told me and it's literally that

[00:41:24] find a way to even it out. It's easier said than done and it's going to take a few months but

[00:41:29] worth it. Yeah for sure it's all a process.

[00:41:35] Yeah and you do a little something different each year you know it's kind of wild how we

[00:41:42] even if we know our life is going to change we still it's easy for us to get spoiled and

[00:41:47] want to just do the same thing each time every day and it's like well that's not going

[00:41:52] to happen. You won't be at the same workplace you won't even be living in the same area.

[00:41:57] Yeah for sure this has been a godsend and keep turning those wheels.

[00:42:01] Awesome yeah thanks again for having me this is super fun. Absolutely.

[00:42:05] We'll return after these messages.

[00:42:14] The Jacked Up Review Show podcast is honored to be part of the Blind Knowledge Podcast

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[00:42:33] Hey it's Brent Pope the host of Brentfest with Brent Pope. You've seen me on some of

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[00:42:40] On Brentfest with Brent Pope I sit down with guests from the entertainment world and

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[00:43:03] who would win a fight between Goku and Superman? Hi I'm James Gavsey and on the

[00:43:08] Who Would Win Show me and my co-host Ray ignore anything important happening in the

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[00:43:27] versus the Iron Giant, classic matchups like RoboCop versus Terminator and even the Muppets

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