Episode 265 - Blumhouse Blues

[00:00:04] [SPEAKER_05]: It's time to feel the rage! Welcome to Film Rage, where we talk movies.

[00:00:11] [SPEAKER_05]: And theater streaming and cool ass, films as well. Directors and actors beware as you cannot hide from the rage.

[00:00:18] [SPEAKER_05]: My name is Bryson Part of Film Rage crew, which also includes...

[00:00:21] [SPEAKER_05]: ...chip, either Jim.

[00:00:22] [SPEAKER_03]: Hey, hey, brass.

[00:00:26] [SPEAKER_05]: And also...

[00:00:27] [SPEAKER_05]: ...do this is Bruce Merman.

[00:00:28] [SPEAKER_03]: He is working at the Calgary International Film Festival,

[00:00:34] [SPEAKER_03]: getting it ready for all the people that are going to be attending.

[00:00:38] [SPEAKER_03]: It's all on Murray shoulders.

[00:00:39] [SPEAKER_05]: Really? Yep.

[00:00:41] [SPEAKER_05]: Murray fails the festival fails.

[00:00:43] [SPEAKER_03]: Exactly, but you know what, Murray never fails.

[00:00:46] [SPEAKER_03]: So never worries what I'm gonna say.

[00:00:48] [SPEAKER_05]: Ever's a big word.

[00:00:49] [SPEAKER_03]: Yeah.

[00:00:50] [SPEAKER_03]: Well, when you're Murray, that's just what happens.

[00:00:52] [SPEAKER_05]: So what the introduction is out of the way?

[00:00:55] [SPEAKER_05]: Let's rage on!

[00:00:58] [SPEAKER_03]: Well, thanks to Alvin's sporting ass if you love or independent podcast.

[00:01:02] [SPEAKER_03]: Please like, subscribe, share and give us a fast hour rating on your listening platform.

[00:01:06] [SPEAKER_03]: Or support us enjoying the Film Rage community by joining our membership at bimieacoffee.com

[00:01:11] [SPEAKER_03]: For more information about film Rage Y-Wasey.

[00:01:13] [SPEAKER_03]: If you cannot commit to membership, you can still buy us a movie rental

[00:01:16] [SPEAKER_03]: and dare us to see a terrible film.

[00:01:18] [SPEAKER_03]: And we'll watch it!

[00:01:19] [SPEAKER_03]: Play to anywhere in the world!

[00:01:22] [SPEAKER_03]: Now...

[00:01:22] [SPEAKER_03]: Let's get to the right now!

[00:01:26] [SPEAKER_00]: The mass of my moped...

[00:01:33] [SPEAKER_00]: The mass of moped...

[00:01:35] [SPEAKER_00]: Moped...

[00:01:36] [SPEAKER_00]: Moped...

[00:01:37] [SPEAKER_00]: Moped...

[00:01:38] [SPEAKER_00]: The mumbled...

[00:01:39] [SPEAKER_00]: The mumbled...

[00:01:40] [SPEAKER_00]: The soul that came in the bright side of the movies.

[00:01:44] [SPEAKER_00]: Wait!

[00:01:45] [SPEAKER_00]: The man is not here.

[00:01:47] [SPEAKER_00]: But here he comes and wait, swimming to you.

[00:01:51] [SPEAKER_00]: Swim...

[00:01:53] Swim...

[00:01:54] [SPEAKER_05]: Swim...

[00:01:55] [SPEAKER_00]: Swim...

[00:01:56] [SPEAKER_00]: Swim...

[00:01:57] [SPEAKER_05]: Swim...

[00:01:58] [SPEAKER_05]: Swim...

[00:02:00] [SPEAKER_00]: Swim...

[00:02:02] [SPEAKER_00]: Swim...

[00:02:03] Swim...

[00:02:04] [SPEAKER_05]: Swim...

[00:02:05] [SPEAKER_05]: It was a merman of sad and sad...

[00:02:08] [SPEAKER_05]: ...that you sent you a little...

[00:02:09] [SPEAKER_05]: That's right.

[00:02:10] [SPEAKER_05]: That's right.

[00:02:10] [SPEAKER_03]: Your name is predictions.

[00:02:12] [SPEAKER_03]: And the amazing merman prediction.

[00:02:15] [SPEAKER_03]: We are seeing three movies this week.

[00:02:17] [SPEAKER_03]: One was Speak No Evil, which he said,

[00:02:21] [SPEAKER_03]: Rage Rage.

[00:02:23] [SPEAKER_03]: And he said, because it's bloom house.

[00:02:25] [SPEAKER_03]: Which is often a pretty good guess.

[00:02:27] [SPEAKER_05]: For you!

[00:02:28] [SPEAKER_03]: For me!

[00:02:29] [SPEAKER_03]: That's right.

[00:02:29] [SPEAKER_05]: Who else is fine?

[00:02:31] [SPEAKER_03]: Here, making me rage already.

[00:02:36] [SPEAKER_03]: Uh, the critic, which he said double-man, he says I'm sure Sir Ian is golden, but it looks

[00:02:44] [SPEAKER_03]: too light and uplifting for both of you.

[00:02:47] [SPEAKER_03]: Boy, he didn't even see this one.

[00:02:48] [SPEAKER_05]: No, you could not be any more awesome.

[00:02:51] [SPEAKER_00]: This is like the least.

[00:02:53] [SPEAKER_05]: This is a dark movie.

[00:02:54] [SPEAKER_05]: It's so dark.

[00:02:56] [SPEAKER_05]: Not uplifting at all.

[00:02:57] [SPEAKER_05]: So it's my mother, literally said I really liked it, but it was depressing.

[00:03:03] [SPEAKER_03]: And I, well we'll talk about that later when I thought because of its depression.

[00:03:08] [SPEAKER_03]: And the last one is called M.I. racist and he said Mando Mando, assuming Bryce stayed awake

[00:03:15] [SPEAKER_03]: for this movie, you both probably loved how wacky it was.

[00:03:20] [SPEAKER_03]: I'm sure I would have hated it.

[00:03:23] [SPEAKER_03]: And that is probably 100% true.

[00:03:25] [SPEAKER_03]: Merman would have absolutely hated this movie.

[00:03:31] [SPEAKER_03]: Wacky?

[00:03:32] [SPEAKER_03]: Well, the trailer makes it look more wacky than the last one.

[00:03:35] [SPEAKER_05]: I didn't watch the trailer.

[00:03:37] [SPEAKER_05]: Yeah, I don't know what else to say.

[00:03:39] [SPEAKER_05]: I didn't know that I was supposed to prepare myself for wackiness.

[00:03:42] [SPEAKER_05]: Yeah, well.

[00:03:43] [SPEAKER_02]: It was a bit of wacky.

[00:03:45] [SPEAKER_05]: Yeah, there was a bit of...

[00:03:46] [SPEAKER_02]: There was a little bit of wacky.

[00:03:48] [SPEAKER_05]: Oh, I call wacky, but...

[00:03:50] [SPEAKER_02]: Alright.

[00:03:51] [SPEAKER_05]: Some loose stuff in it, should've ever heard one.

[00:03:54] [SPEAKER_03]: Yeah, you know what?

[00:03:57] [SPEAKER_03]: Mamer.

[00:03:58] [SPEAKER_05]: That was it, right?

[00:04:00] [SPEAKER_05]: We're done with the Merman.

[00:04:01] [SPEAKER_05]: Yeah, no.

[00:04:02] [SPEAKER_05]: No, that was the Merman.

[00:04:03] [SPEAKER_03]: That was the amazing Merman predict.

[00:04:06] [SPEAKER_05]: Amazing Merman predicts.

[00:04:09] [SPEAKER_03]: So our first film we saw was Speak No Evil.

[00:04:17] [SPEAKER_03]: So James McVoy is creepy as hell.

[00:04:20] [SPEAKER_05]: Yeah.

[00:04:21] [SPEAKER_03]: Like in general.

[00:04:24] [SPEAKER_03]: Okay.

[00:04:25] [SPEAKER_03]: Even as Professor X, this is actually, by the way, Merman's review.

[00:04:30] [SPEAKER_05]: Oh, you should probably say that.

[00:04:31] [SPEAKER_03]: I know, but I just want to know if you could catch that.

[00:04:35] [SPEAKER_05]: Oh, yeah.

[00:04:36] [SPEAKER_05]: Yeah, because that's actually what I thought I'd read Merman's review.

[00:04:39] [SPEAKER_05]: And I'm like, wow, that's what Merman said too.

[00:04:41] [SPEAKER_05]: You're a Merman or it's a particle.

[00:04:43] [SPEAKER_03]: No, it's actually Merman's.

[00:04:45] [SPEAKER_03]: So, like in general, even as Professor X,

[00:04:49] [SPEAKER_03]: there was something creepy and sinister about him.

[00:04:52] [SPEAKER_03]: Maybe it was that blue kid that he took in as a sister, but was really pissed when she left with Michael Fassbender.

[00:05:04] [SPEAKER_03]: In any case, everyone performance he gives is unnerving and sinister.

[00:05:10] [SPEAKER_03]: Unfortunately, that's pretty much the only good part of this film.

[00:05:13] [SPEAKER_03]: As it was pointed out to me, this is a remake of a Danish film.

[00:05:20] [SPEAKER_03]: So you know that one is going to be much better.

[00:05:23] [SPEAKER_03]: For this film, it had a nice slow build of suspense only because you know McVoy goes dark from the trailer.

[00:05:32] [SPEAKER_03]: But the ending really got more and more redonculus.

[00:05:37] [SPEAKER_03]: Let me talk about the house guests from London for a minute.

[00:05:42] [SPEAKER_03]: This film basically became a battle between three evil, sadistic, meat-eating humans and a vegetarian piece-loving woman.

[00:05:53] [SPEAKER_03]: And in her wimp of a husband.

[00:05:56] [SPEAKER_03]: They had multiple opportunities to put an end to their cruel hosts,

[00:06:01] [SPEAKER_03]: but they wouldn't even pick up a gun for God's sakes.

[00:06:05] [SPEAKER_03]: The husband seriously had no balls whatsoever.

[00:06:09] [SPEAKER_03]: I think he was castrated by his wife and she kept it in her purse.

[00:06:16] [SPEAKER_03]: I absolutely despise that character.

[00:06:18] [SPEAKER_03]: The CLF's were okay, except as per the title of the film, the boy did not talk at all.

[00:06:26] [SPEAKER_03]: Overall, I didn't mind the first 90 minutes of the film, but the last 25 minutes were just freaking ridiculous.

[00:06:33] [SPEAKER_03]: We were laughing at the absurdity of how all this ended.

[00:06:39] [SPEAKER_03]: As I've said before, anything bloom house starts as a rage with me and has to work its way up from there.

[00:06:48] [SPEAKER_03]: This one didn't.

[00:06:49] [SPEAKER_03]: Sorry, Mr. McVoy.

[00:06:51] [SPEAKER_03]: It's a hard rage from the murder.

[00:06:56] [SPEAKER_03]: Do you want to add some salt and pepper on that?

[00:07:00] [SPEAKER_03]: Or do you want me to talk about what I thought of it?

[00:07:03] [SPEAKER_05]: You can, that doesn't matter.

[00:07:05] [SPEAKER_05]: Let's go ahead.

[00:07:06] [SPEAKER_03]: Alright, well this is what I thought of Speak No Evil.

[00:07:09] [SPEAKER_03]: So just like Bloom House, it takes a foreign film that was made only two years ago,

[00:07:17] [SPEAKER_03]: which actually almost 100% was already in English,

[00:07:22] [SPEAKER_03]: and a mirror spleen everything to us, the exact same story.

[00:07:27] [SPEAKER_03]: But it's all a mirror spleen.

[00:07:29] [SPEAKER_03]: But no, it reaches a wider audience.

[00:07:30] [SPEAKER_03]: Change the ending and add 20 minutes of extra time.

[00:07:36] [SPEAKER_03]: What's that term I was using?

[00:07:39] [SPEAKER_03]: Amaris spleen?

[00:07:40] Hmm.

[00:07:40] [SPEAKER_03]: Think man spleen, but where they take a movie and over-explain absolutely everything to the

[00:07:47] [SPEAKER_03]: Enth degree.

[00:07:48] [SPEAKER_03]: I mean the original of this and the beginning of this one, we're very similar up until about halfway through.

[00:07:55] [SPEAKER_03]: And then it takes a hard turn into Mercville, or Mercville, or Mercville.

[00:08:03] [SPEAKER_03]: Where the entire ending was a feat of annoyance where complete idiots fight professional

[00:08:09] [SPEAKER_03]: killers and the whole last 20 minutes is apparently what they added to expand the original

[00:08:15] [SPEAKER_03]: into a Bloom House hot mess of an ending.

[00:08:18] [SPEAKER_03]: In addition, a perfectly great rated R horror film from the Danes with full frontal nudity

[00:08:27] [SPEAKER_03]: and for all sexes to enjoy goes to the usual PG-13 poop fest that Bloom House now has.

[00:08:35] [SPEAKER_03]: On top of that, what accent did James Macavoy have?

[00:08:40] [SPEAKER_03]: Can someone please explain that to me?

[00:08:41] [SPEAKER_03]: Was it British?

[00:08:42] [SPEAKER_03]: Was it American?

[00:08:43] [SPEAKER_03]: Was it American?

[00:08:44] [SPEAKER_03]: I have no clue what accent every time he talked, he had a different accent.

[00:08:51] [SPEAKER_05]: Oh, that accent was fine.

[00:08:53] [SPEAKER_03]: Oh my god.

[00:08:54] [SPEAKER_03]: How do you not overlook these things?

[00:08:56] [SPEAKER_03]: Okay, so knowing the original before seeing this was not a help because watching this, I think

[00:09:05] [SPEAKER_03]: had I not seen the original?

[00:09:08] [SPEAKER_03]: Maybe I might have liked this a little bit more.

[00:09:11] [SPEAKER_03]: I mean, there were two funny parts in this in the entire movie.

[00:09:14] [SPEAKER_03]: That made me laugh.

[00:09:15] [SPEAKER_03]: No, there was two.

[00:09:17] [SPEAKER_03]: Unlike the original, but because I know this did not need to be made and the ending was horrible

[00:09:25] [SPEAKER_03]: still makes it a rage and I've got Bloom House just stop already.

[00:09:31] [SPEAKER_03]: And I got unpacking, but I want to hear, I got lots of unpacking, but I want to hear what you thought

[00:09:34] [SPEAKER_03]: of this hot mess of a Bloom House poop fest.

[00:09:37] [SPEAKER_03]: Who's all right?

[00:09:42] [SPEAKER_03]: Are you freaking kidding me right now?

[00:09:43] [SPEAKER_05]: I'm not.

[00:09:44] [SPEAKER_05]: I didn't know I've got no reference to compare it to, I didn't see the original.

[00:09:49] [SPEAKER_05]: But on the basis of performance, it was fine.

[00:09:51] [SPEAKER_05]: On the basis of story, it was fine.

[00:09:54] [SPEAKER_05]: On the basis of, you know, the humor that was infused into it.

[00:09:59] [SPEAKER_05]: It was pieces of humor?

[00:10:00] [SPEAKER_05]: There is more than two.

[00:10:01] [SPEAKER_05]: No, it was fine.

[00:10:02] [SPEAKER_05]: It was, you know, I laughed a few times.

[00:10:05] [SPEAKER_05]: I thought Mac avoided a fine job.

[00:10:08] [SPEAKER_05]: I thought that it started stronger than it finished, but, you know,

[00:10:16] [SPEAKER_05]: it's a, it's a Bloom House movie.

[00:10:19] [SPEAKER_05]: So I guess maybe the bar get, does get lowered a little bit on Bloom House movies.

[00:10:23] [SPEAKER_03]: So just so we're clear and our listeners know, is this going to be a Gerard Butler Curves scenario?

[00:10:29] [SPEAKER_03]: Is now Bloom House have its own turn?

[00:10:30] [SPEAKER_05]: I think Bloom House may be getting a curve.

[00:10:33] [SPEAKER_05]: I'm not, I'm not given, I'm not rating this one on a curve.

[00:10:37] [SPEAKER_03]: You are definitely rating this on a curve.

[00:10:39] [SPEAKER_05]: But eventually, I might start doing the Bloom House curve because I think they're capable of better.

[00:10:44] [SPEAKER_05]: So I don't, I don't want to fail them every time.

[00:10:47] [SPEAKER_05]: I don't want them to get down on themselves.

[00:10:48] [SPEAKER_05]: I want to build them up a little bit.

[00:10:49] [SPEAKER_03]: Well, I don't want to because they keep doing things like this.

[00:10:53] [SPEAKER_03]: Okay.

[00:10:54] [SPEAKER_03]: So let me unpack some of the stuff that.

[00:10:56] [SPEAKER_03]: Anyway, it's, let me feel like.

[00:10:57] [SPEAKER_03]: They got more than, what more can you say?

[00:11:00] [SPEAKER_03]: It was, it was me.

[00:11:03] [SPEAKER_03]: Okay.

[00:11:04] [SPEAKER_03]: There we go.

[00:11:05] [SPEAKER_03]: So here's my unpacking.

[00:11:08] [SPEAKER_03]: How many guns do the killers have to leave on the ground before the family finally fucking grabs one?

[00:11:16] [SPEAKER_03]: They'll take down a killer and the guns lying right there and they go,

[00:11:20] [SPEAKER_03]: Scurry, scurry, scurry, scurry.

[00:11:22] [SPEAKER_03]: When they could pick up a fucking gun and blow his head off or a rock.

[00:11:25] [SPEAKER_03]: But that's more to come on that.

[00:11:28] [SPEAKER_03]: Why did they change the ending from the original?

[00:11:31] [SPEAKER_03]: Now you don't know.

[00:11:32] [SPEAKER_03]: I don't know the original.

[00:11:33] [SPEAKER_03]: And I'm not going to tell you, so I won't spoil it.

[00:11:35] [SPEAKER_05]: I didn't understand why you have such a problem with this ending.

[00:11:38] [SPEAKER_05]: I guess that I now need to watch your original because apparently the original ending is so unbelievably good

[00:11:44] [SPEAKER_05]: that compared to this ending on the end.

[00:11:47] [SPEAKER_05]: That this ending seems terrible.

[00:11:49] [SPEAKER_05]: I was like, it was fine.

[00:11:50] [SPEAKER_03]: The ending was not fine.

[00:11:52] [SPEAKER_03]: I'm not even finished telling you why.

[00:11:54] [SPEAKER_03]: But I can tell you, they changed the ending which made the original movie.

[00:11:59] [SPEAKER_03]: I'm not saying the original movie was a Mando.

[00:12:02] [SPEAKER_03]: The original movie was a high map for me.

[00:12:04] [SPEAKER_03]: But the ending was a Mando because it's exactly the way it should have happened in,

[00:12:09] [SPEAKER_03]: if you can imagine it.

[00:12:10] [SPEAKER_03]: Whereas this, because the mirror explains everything to us,

[00:12:14] [SPEAKER_03]: it's like it has no hope for it to be anything but a happy ending for all of those involved.

[00:12:22] [SPEAKER_03]: Now where was I?

[00:12:23] [SPEAKER_03]: Oh yeah, because Americans love happy endings.

[00:12:25] [SPEAKER_05]: You know, this movie was nice movie to watch because I've seen it all before.

[00:12:31] [SPEAKER_05]: It was comfortable.

[00:12:33] [SPEAKER_05]: It was familiar.

[00:12:35] [SPEAKER_03]: This doesn't even sound like something that you're like,

[00:12:38] [SPEAKER_03]: this is not who you're selling this to.

[00:12:40] [SPEAKER_03]: Are you selling it to me or who are selling it to?

[00:12:42] [SPEAKER_03]: Because it's like the originality of this film.

[00:12:45] [SPEAKER_05]: I love the unear盡 for you.

[00:12:46] [SPEAKER_03]: Okay, so what about how you've got an eight year old boy who's been

[00:12:53] [SPEAKER_03]: to use his a CGI rock to get his trauma out?

[00:12:56] [SPEAKER_03]: How was that scene?

[00:12:57] [SPEAKER_03]: How do you like that CGI rock?

[00:12:59] [SPEAKER_03]: There was a CGI rock?

[00:13:01] [SPEAKER_03]: Yeah, the rock he was murdering the guy with.

[00:13:03] [SPEAKER_03]: That's he was like he wasn't barely lifting anything.

[00:13:06] [SPEAKER_03]: And a giant rock in his hand that he was basically looking like.

[00:13:09] [SPEAKER_03]: I just saw he was really strong.

[00:13:11] [SPEAKER_03]: Okay, let's just go with that.

[00:13:15] [SPEAKER_03]: Yeah, okay, but picking that stuff.

[00:13:17] [SPEAKER_03]: Okay, then how about we talk about how the boy

[00:13:20] [SPEAKER_03]: who's been in the scene.

[00:13:21] [SPEAKER_03]: How's been so awful?

[00:13:22] [SPEAKER_03]: Many hours alone is his awful.

[00:13:25] [SPEAKER_03]: Many hours alone with the daughter and not until the very end as he decided to start trying

[00:13:30] [SPEAKER_03]: to explain to them.

[00:13:32] [SPEAKER_03]: And he can't talk very well, but he knows how to write.

[00:13:35] [SPEAKER_03]: He knows how to write.

[00:13:36] [SPEAKER_03]: I mean, he tried writing a little bit and she's like,

[00:13:39] [SPEAKER_03]: I don't understand what you're doing.

[00:13:41] [SPEAKER_03]: But you know what I was like, okay, well, I'll ignore it now.

[00:13:43] [SPEAKER_05]: Until the next day.

[00:13:44] [SPEAKER_05]: Trust is the scene.

[00:13:47] [SPEAKER_05]: Trust isn't just given.

[00:13:49] [SPEAKER_05]: And it's earned.

[00:13:50] [SPEAKER_05]: Oh my God.

[00:13:51] [SPEAKER_05]: He did to get their trust first and then he could go in and explain.

[00:13:56] [SPEAKER_05]: No, he's out of the table as far as he's concerned.

[00:14:00] [SPEAKER_03]: Hey, because he had parents.

[00:14:02] [SPEAKER_03]: And he saw how they saw right from day one.

[00:14:04] [SPEAKER_03]: He was a cow.

[00:14:06] [SPEAKER_03]: How these parents were treated with their daughter.

[00:14:08] [SPEAKER_03]: And he remembers how he was.

[00:14:10] [SPEAKER_03]: No, it's kid.

[00:14:11] [SPEAKER_03]: This kid would have told her.

[00:14:13] [SPEAKER_03]: Absolutely what it told her.

[00:14:14] [SPEAKER_05]: If you got her in trust.

[00:14:16] [SPEAKER_05]: Yeah, I do.

[00:14:17] [SPEAKER_05]: No, just don't go walking up to people.

[00:14:19] [SPEAKER_05]: It's starting to blab and about everything.

[00:14:20] [SPEAKER_05]: You gotta get their trust first.

[00:14:22] [SPEAKER_03]: Okay, here's okay.

[00:14:23] [SPEAKER_03]: Here's another point.

[00:14:24] [SPEAKER_03]: They go to another part of Italy where they meet these people.

[00:14:28] [SPEAKER_03]: They bring the kid with them.

[00:14:29] [SPEAKER_03]: Yeah.

[00:14:30] [SPEAKER_03]: He sleeps alone in a room.

[00:14:32] [SPEAKER_03]: They're out doing whatever for hours on end.

[00:14:35] [SPEAKER_03]: Well, we don't know the people.

[00:14:35] [SPEAKER_03]: He could have escaped then too.

[00:14:37] [SPEAKER_03]: They'd be tied up.

[00:14:38] [SPEAKER_03]: We don't know.

[00:14:39] [SPEAKER_03]: They, he wasn't.

[00:14:40] [SPEAKER_03]: They showed these things.

[00:14:41] [SPEAKER_03]: How many holes in this?

[00:14:43] [SPEAKER_03]: They, they showed it.

[00:14:45] [SPEAKER_03]: Hit them putting him down and heard down.

[00:14:46] [SPEAKER_03]: They were together.

[00:14:48] [SPEAKER_03]: And then they go out.

[00:14:49] [SPEAKER_05]: Well, they were together.

[00:14:50] [SPEAKER_03]: There's your explanation.

[00:14:51] [SPEAKER_03]: Okay.

[00:14:51] [SPEAKER_03]: There.

[00:14:52] [SPEAKER_03]: You know what?

[00:14:52] [SPEAKER_03]: It's just this.

[00:14:54] Okay.

[00:14:56] [SPEAKER_05]: It wasn't a great movie but it wasn't that bad.

[00:14:59] [SPEAKER_05]: It was okay.

[00:15:02] [SPEAKER_05]: I'm tired.

[00:15:03] [SPEAKER_05]: Yeah.

[00:15:05] [SPEAKER_05]: What else you got?

[00:15:06] [SPEAKER_05]: Let's unpack some more stuff.

[00:15:14] [SPEAKER_03]: It.

[00:15:15] [SPEAKER_03]: These people are not.

[00:15:17] [SPEAKER_03]: Don't have nobody following them too.

[00:15:19] [SPEAKER_03]: So, the, the whole scheme is that they're going to kill these people.

[00:15:24] [SPEAKER_03]: Transfer hundreds of their entire savings out of their bank account which, you know, why

[00:15:32] [SPEAKER_03]: are you can be traced?

[00:15:33] [SPEAKER_03]: In fact, that's how you catch a lot of fraud internationally.

[00:15:37] [SPEAKER_03]: So, they basically take all their money and then they're going to kill them and

[00:15:40] [SPEAKER_03]: they're going to disappear.

[00:15:44] [SPEAKER_03]: And then they're not going to go back and apparently they're going to find out what.

[00:15:47] [SPEAKER_05]: They've been hanging out at the same place like forever because they've got all the

[00:15:50] [SPEAKER_03]: watches set up and it was like, yeah, I'm talking about the people they planned on killing

[00:15:54] [SPEAKER_03]: after they took their money.

[00:15:56] [SPEAKER_03]: So, okay.

[00:15:57] [SPEAKER_03]: If you and Kim got murdered, let's just say by me.

[00:16:00] [SPEAKER_03]: And then afterwards we find out that your entire bank account was cleared out and

[00:16:05] [SPEAKER_03]: it was deposited to my bank account.

[00:16:07] [SPEAKER_03]: And then you're both dead or missing.

[00:16:09] [SPEAKER_03]: Do you think that's not going to be a red flag to interpol?

[00:16:12] [SPEAKER_05]: I think it might be suspicious.

[00:16:14] [SPEAKER_03]: Yeah.

[00:16:14] [SPEAKER_03]: But this movie is suspicious.

[00:16:16] [SPEAKER_03]: Every single thing they didn't, man's blamed it.

[00:16:19] [SPEAKER_03]: Sorry, I'm mirror-splained it to everybody to a point that it was nauseating.

[00:16:23] [SPEAKER_03]: The original has clever things that they do and a contrast to that scene, there is no

[00:16:29] [SPEAKER_03]: money that takes place in the Danish film.

[00:16:32] [SPEAKER_05]: The money doesn't make sense to me.

[00:16:33] [SPEAKER_05]: Yeah, there's there's that's what they're in.

[00:16:35] [SPEAKER_05]: I thought they were in it just purely for the, you know, the kill and this, which is what happens

[00:16:39] [SPEAKER_05]: in your original.

[00:16:40] [SPEAKER_05]: Well, deal.

[00:16:41] [SPEAKER_05]: Like that makes sense.

[00:16:42] [SPEAKER_05]: Once the money came in, it's like, oh, what's that?

[00:16:44] [SPEAKER_03]: That's the original movie.

[00:16:45] [SPEAKER_05]: But yeah, no, it was good.

[00:16:47] [SPEAKER_05]: It was man.

[00:16:49] [SPEAKER_05]: You're out.

[00:16:49] [SPEAKER_05]: I didn't see the original.

[00:16:51] [SPEAKER_05]: So, I didn't hate it.

[00:16:55] [SPEAKER_03]: I just couldn't understand James McAvoy the whole movie.

[00:16:57] [SPEAKER_03]: I couldn't, didn't know what country he was from or what accent he had and it lost me from

[00:17:02] [SPEAKER_03]: like second scene with him in it.

[00:17:04] [SPEAKER_05]: Yeah, he's in different countries.

[00:17:07] [SPEAKER_05]: Sometimes you have dropped the accent a little bit.

[00:17:09] [SPEAKER_03]: So.

[00:17:09] [SPEAKER_03]: Well, then why was he speaking Italian?

[00:17:11] [SPEAKER_03]: James, don't.

[00:17:12] [SPEAKER_03]: Don't say why he's speaking Italian.

[00:17:13] [SPEAKER_03]: Oh, baby, he was sometimes I couldn't tell.

[00:17:16] [SPEAKER_03]: There you go.

[00:17:17] [SPEAKER_03]: All right.

[00:17:19] [SPEAKER_03]: Well, see it out your own risk.

[00:17:20] [SPEAKER_03]: If you see the original and you watch this, you will absolutely hate this film because

[00:17:25] [SPEAKER_03]: of it.

[00:17:27] [SPEAKER_03]: Maris blaming everything to us.

[00:17:30] [SPEAKER_03]: All right.

[00:17:31] [SPEAKER_03]: We saw the critic.

[00:17:34] [SPEAKER_05]: Oh, critic.

[00:17:35] [SPEAKER_03]: Which is a happy soft film in Murray's opinion.

[00:17:38] [SPEAKER_05]: Yeah, so it was so light and airy.

[00:17:41] [SPEAKER_03]: And frothy.

[00:17:42] [SPEAKER_03]: All right.

[00:17:43] [SPEAKER_03]: So the critic dressed up in the trailer as a biopic about famed gay theater critic Jim

[00:17:52] [SPEAKER_03]: Erskine real life events.

[00:17:55] [SPEAKER_03]: It was inspired by the critic James Agut.

[00:17:59] [SPEAKER_03]: This takes a very dark turn as the story progresses.

[00:18:03] [SPEAKER_03]: Here's a fantastic example of a trailer that has absolutely awesomeness and gives nothing

[00:18:12] [SPEAKER_03]: away.

[00:18:12] [SPEAKER_03]: Ian McKellen gives a performance of his life time.

[00:18:15] [SPEAKER_03]: This goes to show you that sometimes you have to fight for your job as you start

[00:18:21] [SPEAKER_03]: to get old and bosses start thinking, you might not be relevant anymore.

[00:18:27] [SPEAKER_03]: This is one of those stories that mystery writers should read and learn from.

[00:18:33] [SPEAKER_03]: You know, like all those awful, pure-row films with Kenneth Brana in them, they should probably watch this movie.

[00:18:40] [SPEAKER_03]: The writing, especially McKellen's dialogue, is satirical and cleverly written and it's dark.

[00:18:46] [SPEAKER_03]: And a lot of times it's actually quite evil.

[00:18:48] [SPEAKER_03]: This thriller which takes us to places and maybe shows us the difference between how people from the 1930s

[00:18:56] [SPEAKER_03]: react to guilt, which may be a little differently than how we see it often portrayed today.

[00:19:03] [SPEAKER_03]: Also shows us that people, in fact, are all not that much different from the 1930s.

[00:19:10] [SPEAKER_03]: You know, where people cheat, people do things and show business to further their career.

[00:19:15] [SPEAKER_03]: And people at the top play games with people's lives in ways that make game of thrones look like a recess at kindergarten.

[00:19:24] [SPEAKER_03]: This may be the best mystery thriller I've seen in the last year.

[00:19:28] [SPEAKER_03]: I love this film, it was Mando.

[00:19:31] [SPEAKER_03]: Oh, loved it.

[00:19:34] [SPEAKER_05]: So yeah, and I could understand why you loved it.

[00:19:38] [SPEAKER_05]: It's actually kind of weird. You're either going to go into, and honestly, if somebody other than Ian McKellen was playing lead character,

[00:19:44] [SPEAKER_05]: I'm not sure it would have been anywhere near as good.

[00:19:47] [SPEAKER_05]: But because he is so mesmerizing in this, and because he is just so, so good in this role.

[00:19:55] [SPEAKER_05]: And just seeing Ian McKellen, you know what?

[00:19:58] [SPEAKER_05]: I'm so glad is that Ian McKellen, in his advanced years, gets a juicy, juicy role like this.

[00:20:06] [SPEAKER_05]: Oh, totally!

[00:20:07] [SPEAKER_05]: That he can just do his thing.

[00:20:09] [SPEAKER_05]: And he can eat up the scenery, if he wants.

[00:20:14] [SPEAKER_05]: And just it's I'm just so glad that he got this role because if someone deserves to just go out there on the screen and just lay it all out and have...

[00:20:26] [SPEAKER_05]: And I guarantee he had a fantastic time being this character.

[00:20:30] [SPEAKER_05]: Absolutely. He deserves this. Like he deserved to be in this film.

[00:20:35] [SPEAKER_05]: And just on that basis alone, the despicableness of this character.

[00:20:43] [SPEAKER_05]: And the way that Ian McKellen played it, that alone makes this worth watching.

[00:20:49] [SPEAKER_05]: Someone else in the... and I kept that, and that's what the thing after I watch out.

[00:20:52] [SPEAKER_05]: It's trying to think if someone else was in this role, would I have enjoyed it as much?

[00:20:56] [SPEAKER_05]: And obviously I wouldn't have.

[00:20:58] [SPEAKER_05]: And then I'm trying to think, was this really Mando or am I just so enamored with McKellen?

[00:21:05] [SPEAKER_05]: But at the end of the day, yeah, even if McKellen wasn't in it, I still think it would have been very least a high map, maybe a Mando.

[00:21:16] [SPEAKER_05]: This movie was Mando for all the reasons you said, but you can't get over the fact that this was like Ian McKellen's maybe the best he's ever been.

[00:21:24] [SPEAKER_05]: And the fact that he got to play this guy, and probably, I mean, let's face facts.

[00:21:31] [SPEAKER_05]: He's not getting any younger and probably one of his last roles.

[00:21:34] [SPEAKER_02]: Yeah, it could be.

[00:21:35] [SPEAKER_05]: It's just fantastic. I'm so happy for him that he got to do this.

[00:21:38] [SPEAKER_05]: Yeah, for sure.

[00:21:39] [SPEAKER_05]: And yeah, this was totally Mando.

[00:21:40] [SPEAKER_03]: You know, it's interesting.

[00:21:43] [SPEAKER_03]: We talk about some of these actors that have stayed true to their performances over the years.

[00:21:49] [SPEAKER_03]: Like, I made me think of Christopher Plummer in his last few years where he did remember and was it beginners?

[00:21:57] [SPEAKER_03]: Is that what it's called?

[00:22:00] [SPEAKER_03]: I want to say beginners, but maybe it was, but two performances that he did kind of his last 10 years.

[00:22:09] [SPEAKER_03]: Why don't I think it's, it is beginners.

[00:22:12] [SPEAKER_03]: Yeah, like, like, we're, they haven't got the level of appreciation.

[00:22:19] [SPEAKER_03]: That they deserved and giving them these side meaty roles in their later years.

[00:22:24] [SPEAKER_03]: Because, you know, how many times have we said it with some actors?

[00:22:27] [SPEAKER_03]: Where they just start taking everything.

[00:22:29] [SPEAKER_03]: And then it gets to Robert De Niro.

[00:22:31] [SPEAKER_03]: Robert De Niro, like James Con, Christopher Walker, Christopher Walker, right?

[00:22:37] [SPEAKER_03]: Like, they're just taking anything to still be working.

[00:22:40] [SPEAKER_03]: And you think to yourself, you know what?

[00:22:42] [SPEAKER_03]: How the little bit more class like, certainly in McKellen and just pick those roles.

[00:22:46] [SPEAKER_03]: Now, the other thing is my understanding is that Ian McKellen is also gay.

[00:22:50] [SPEAKER_03]: So playing this character for him would have been pretty cool.

[00:22:54] [SPEAKER_03]: And then you think about it that the gay character is evil, which is a very 1930s thing to throw in there.

[00:23:02] [SPEAKER_03]: Which made it even more, but, you know, it's also the most incredible character that I've seen in a long time.

[00:23:08] [SPEAKER_03]: And I kind of have this debate that goes on in my head.

[00:23:11] [SPEAKER_03]: Is it fair to play the gay character that's so evil?

[00:23:14] [SPEAKER_03]: But maybe he became so evil because he couldn't come out.

[00:23:17] [SPEAKER_03]: Everybody, right? He's like, you know what? Fuck off.

[00:23:20] [SPEAKER_03]: I'm not sure if you are because I can't come out.

[00:23:23] [SPEAKER_05]: Well, he couldn't come out, but he was, he was about as out as you could be at that time.

[00:23:28] [SPEAKER_00]: Yeah, I think everybody knew he was gay.

[00:23:30] [SPEAKER_05]: Andy didn't care.

[00:23:32] [SPEAKER_00]: Yeah.

[00:23:32] [SPEAKER_03]: Yeah, well, he probably should have cared a little bit more.

[00:23:36] [SPEAKER_03]: Maybe.

[00:23:37] [SPEAKER_03]: Yeah, but yeah.

[00:23:39] [SPEAKER_03]: And your mom, would your mom have given this a mando, do you think?

[00:23:41] [SPEAKER_05]: My mother watched it and she said, and these are her exact words.

[00:23:46] [SPEAKER_05]: I really enjoyed that, but I wish it didn't.

[00:23:49] [SPEAKER_05]: It wasn't so depressing.

[00:23:51] [SPEAKER_03]: Oh, I thought it was so deliciously.

[00:23:52] [SPEAKER_05]: Yes, and I'm like, yeah, that's why it was fantastic.

[00:23:58] [SPEAKER_05]: Because I tell you.

[00:24:00] [SPEAKER_03]: Yeah, this is, don't go see this when expecting being mirror-splane to you about how, you know,

[00:24:07] [SPEAKER_03]: which a lot of these other crappy mystery thrillers are.

[00:24:11] [SPEAKER_03]: Yes.

[00:24:11] [SPEAKER_03]: I don't even know if you can classify it as a mystery thriller.

[00:24:13] [SPEAKER_05]: Yeah, not really.

[00:24:14] [SPEAKER_03]: It's just more like an evil.

[00:24:17] [SPEAKER_05]: It's got a definite, you know, sort of film noir, you know, look about it and feel.

[00:24:24] [SPEAKER_05]: But it's really not that type of movie.

[00:24:26] [SPEAKER_05]: It's, it's its own thing.

[00:24:28] [SPEAKER_03]: I think the director too does a good job capturing that era of the 1930s.

[00:24:36] [SPEAKER_05]: Indeed.

[00:24:38] [SPEAKER_03]: All right, our last film, wow, this is a, this is a bit of a loaded film.

[00:24:45] [SPEAKER_05]: I don't even know what to say about this film, but you go first.

[00:24:48] [SPEAKER_03]: All right, so I am, or sorry, am I a racist?

[00:24:54] [SPEAKER_03]: So first off, this has a black producer on this project.

[00:24:58] [SPEAKER_03]: In fact, there are more than one black producers as this.

[00:25:01] [SPEAKER_03]: There's a lot of producers on this.

[00:25:03] [SPEAKER_05]: Sure, there is.

[00:25:04] [SPEAKER_03]: Yeah, half the time as I was watching this, I wasn't sure where the film was going.

[00:25:12] [SPEAKER_03]: Other than Matt Walsh putting himself in difficult situations that cause most of the audience

[00:25:17] [SPEAKER_03]: to feel uncomfortable, keeping in mind that every single person in our audience when we went was white.

[00:25:25] [SPEAKER_03]: Some of the situations were staged and some of the situations seemed unnatural.

[00:25:30] [SPEAKER_03]: And there is a lot of funny and nothing really gets resolved by the end.

[00:25:34] [SPEAKER_03]: But I think what I learned is there is now an entire economy in the US that is built on making white people feel guilty

[00:25:42] [SPEAKER_03]: and everyone is in on it, making money on it.

[00:25:45] [SPEAKER_03]: That's what I got from this.

[00:25:47] [SPEAKER_05]: That's the message you was trying to portray.

[00:25:50] [SPEAKER_03]: I think so, but I mean, there's so many misfires on this.

[00:25:53] [SPEAKER_03]: There are times in this, you will, that'll make you uncomfortable.

[00:25:57] [SPEAKER_03]: There's times you will laugh your ass off, at least it did for me.

[00:26:01] [SPEAKER_03]: And there are times you will wonder what the fuck is actually happening and why certain things happened in this movie.

[00:26:08] [SPEAKER_03]: It does not have a clear message or a story, Ark.

[00:26:11] [SPEAKER_03]: But it is, I think people might want to see this.

[00:26:17] [SPEAKER_03]: I didn't really hate it, but it's not a great movie.

[00:26:21] [SPEAKER_05]: It's not a great movie, I question its intentions.

[00:26:25] [SPEAKER_05]: Was it where they're entertaining bits?

[00:26:27] [SPEAKER_05]: Absolutely.

[00:26:29] [SPEAKER_05]: The fact that everything so muddled is not good.

[00:26:32] [SPEAKER_05]: The fact that it's produced by the daily wire, alter conservative.

[00:26:36] [SPEAKER_03]: Yeah, I've got more to say about that.

[00:26:39] [SPEAKER_03]: That's...

[00:26:40] [SPEAKER_03]: So, the question is though, is it a rage?

[00:26:43] [SPEAKER_05]: Well, I think I laughed enough.

[00:26:45] [SPEAKER_05]: Here's the thing.

[00:26:46] [SPEAKER_05]: I laughed enough that I'm glad I saw it and it is not a rage.

[00:26:51] [SPEAKER_05]: It is a mess.

[00:26:52] [SPEAKER_05]: However, I honestly don't want to recommend this to anybody.

[00:26:58] [SPEAKER_05]: If you think the way I do and you can take everything with a grain of salt and you can take the entertaining bits for entertainment,

[00:27:07] [SPEAKER_05]: then sure.

[00:27:08] [SPEAKER_05]: See it?

[00:27:09] [SPEAKER_05]: But I don't know...

[00:27:10] [SPEAKER_05]: I don't know everybody in the world personally.

[00:27:12] [SPEAKER_05]: And there's things in this that might point you towards thinking a certain way that I don't think is a good thing.

[00:27:19] [SPEAKER_05]: So, I don't know what to say about it.

[00:27:21] [SPEAKER_05]: I'm going to say it's a low man.

[00:27:23] [SPEAKER_05]: I want to say it's a rage, but for me personally was a low man.

[00:27:27] [SPEAKER_03]: Yeah, because I think the part, the points...

[00:27:31] [SPEAKER_03]: But I just...

[00:27:31] [SPEAKER_03]: That we're trying to be made at least for...

[00:27:33] [SPEAKER_03]: It's a hard movie to talk about.

[00:27:34] [SPEAKER_03]: It's a hard movie to talk about.

[00:27:36] [SPEAKER_03]: So now I want to put it disclaimer in here.

[00:27:38] [SPEAKER_03]: Just because I found this actually that I didn't hate it.

[00:27:46] [SPEAKER_03]: Because I found the satire in this.

[00:27:50] [SPEAKER_03]: But it starts Matt Walsh.

[00:27:53] [SPEAKER_03]: Here's the thing.

[00:27:54] [SPEAKER_03]: It does not...

[00:27:55] [SPEAKER_03]: It does not mean I find his beliefs on genre or sorry, on gender in any way correct.

[00:28:04] [SPEAKER_03]: What is a woman?

[00:28:06] [SPEAKER_03]: Okay, I started to watch what is a woman.

[00:28:08] [SPEAKER_03]: The film before he was in before this.

[00:28:11] [SPEAKER_03]: It is a whole other film.

[00:28:14] [SPEAKER_03]: And just like that, this also has the whole...

[00:28:18] [SPEAKER_03]: And I'm going to say Michael Moore documentary bias model in a very heavy way.

[00:28:23] [SPEAKER_03]: There is a lot...

[00:28:24] [SPEAKER_05]: On the other side of the space.

[00:28:25] [SPEAKER_03]: Yeah, exactly.

[00:28:26] [SPEAKER_03]: I've played Comboers left and this guy's all right.

[00:28:31] [SPEAKER_03]: And there is not a lot of both sides of the story in this.

[00:28:34] [SPEAKER_03]: There are not a ton of people interviewed.

[00:28:38] [SPEAKER_03]: And what we see is in a gender they wanted us to see and feel.

[00:28:42] [SPEAKER_03]: Which for the most part is confusing and not clear.

[00:28:45] [SPEAKER_03]: So I just wanted to put that out there.

[00:28:47] [SPEAKER_05]: And it wasn't...

[00:28:48] [SPEAKER_05]: And the way that the interviews were conducted and the way they were edited made everybody look so stupid.

[00:28:54] [SPEAKER_05]: And that made me uncomfortable because and it wouldn't have had there been the other side shown as well.

[00:29:00] [SPEAKER_05]: But he's pushing through one side of the gender.

[00:29:02] [SPEAKER_05]: And that's why that movie makes me uncomfortable.

[00:29:06] [SPEAKER_05]: It's not equal at all.

[00:29:09] [SPEAKER_03]: No, it's not about...

[00:29:11] [SPEAKER_03]: I mean, we've seen some of the...

[00:29:12] [SPEAKER_03]: It's not a documentary.

[00:29:12] [SPEAKER_03]: It's not a documentary.

[00:29:15] [SPEAKER_03]: Films that do get to see the actual facts of the situation.

[00:29:21] [SPEAKER_03]: This is...

[00:29:22] [SPEAKER_05]: The lot of grandstanding, a lot of...

[00:29:25] [SPEAKER_05]: Yeah.

[00:29:26] [SPEAKER_05]: And it's just... I don't know.

[00:29:27] [SPEAKER_05]: What?

[00:29:28] [SPEAKER_05]: You know what?

[00:29:28] [SPEAKER_05]: I'm changing it.

[00:29:29] [SPEAKER_05]: It's a rage.

[00:29:30] [SPEAKER_05]: But more I'm talking about it, the more I'm like...

[00:29:32] [SPEAKER_05]: Did I find some parts entertaining?

[00:29:34] [SPEAKER_05]: But at the end of the...

[00:29:35] [SPEAKER_05]: It's a mess.

[00:29:37] [SPEAKER_05]: And it's a rage because it's just...

[00:29:40] [SPEAKER_05]: You could have taken some stuff out of it and it would have been fine.

[00:29:44] [SPEAKER_05]: You know what?

[00:29:45] [SPEAKER_05]: He's got an agenda.

[00:29:46] [SPEAKER_03]: You've convinced me as well.

[00:29:48] [SPEAKER_03]: And normally...

[00:29:50] [SPEAKER_03]: Because after seeing it, I still felt...

[00:29:53] [SPEAKER_05]: Just weird.

[00:29:55] [SPEAKER_05]: I don't know it.

[00:29:55] [SPEAKER_03]: So the answer to the question in my racist...

[00:29:58] [SPEAKER_03]: I think he is racist.

[00:29:59] [SPEAKER_05]: Oh yeah.

[00:30:00] [SPEAKER_03]: But then again, I think he was trying to say that everybody's racist.

[00:30:04] [SPEAKER_03]: So...

[00:30:05] [SPEAKER_05]: But yeah.

[00:30:06] [SPEAKER_05]: Like you can't tell me that he didn't go to that bike or bar knowing the responses he was getting.

[00:30:09] [SPEAKER_05]: Oh totally like...

[00:30:11] [SPEAKER_03]: You could probably went to 25 bike or bars.

[00:30:13] [SPEAKER_03]: He got punched out at 24 of them.

[00:30:16] [SPEAKER_03]: And then he gets one.

[00:30:16] [SPEAKER_05]: One gets one where there's...

[00:30:20] [SPEAKER_05]: You know...

[00:30:20] [SPEAKER_05]: It just...

[00:30:21] [SPEAKER_05]: So stagey.

[00:30:23] [SPEAKER_03]: Every...

[00:30:24] [SPEAKER_03]: That...

[00:30:25] [SPEAKER_03]: Yeah.

[00:30:25] [SPEAKER_03]: So is it really a talking victory?

[00:30:27] [SPEAKER_03]: That's...

[00:30:27] [SPEAKER_05]: No, it's not.

[00:30:29] [SPEAKER_05]: You know, if this was...

[00:30:30] [SPEAKER_05]: If this was done in the style of Borat where it's just ridiculous and stupid

[00:30:34] [SPEAKER_05]: Yeah.

[00:30:35] [SPEAKER_05]: And it wasn't trying to just hammer home a message.

[00:30:38] [SPEAKER_05]: It was just trying to be idiotic.

[00:30:41] [SPEAKER_05]: Great.

[00:30:42] [SPEAKER_05]: It would have been really entertaining.

[00:30:43] [SPEAKER_05]: But the fact that it's trying to hammer home a message to me that...

[00:30:46] [SPEAKER_05]: We don't know what that is.

[00:30:48] [SPEAKER_05]: It's like...

[00:30:49] [SPEAKER_05]: No.

[00:30:50] [SPEAKER_05]: Just no.

[00:30:51] [SPEAKER_03]: Alright.

[00:30:52] [SPEAKER_03]: There we go.

[00:30:52] [SPEAKER_03]: So we started out working our way through a low-mah and then got us to a rage.

[00:30:58] Yeah.

[00:30:58] [SPEAKER_05]: More we talked about it.

[00:31:00] [SPEAKER_05]: Well, how am I given this a little bit?

[00:31:02] [SPEAKER_05]: This is a rage.

[00:31:03] [SPEAKER_01]: Well, mostly because of the beliefs of the dude.

[00:31:05] [SPEAKER_03]: Yeah.

[00:31:06] [SPEAKER_03]: And then...

[00:31:07] [SPEAKER_03]: Yeah.

[00:31:08] [SPEAKER_03]: And that was probably one of the best scenes in the movie.

[00:31:11] [SPEAKER_03]: Whereas that he gets kicked out of this group.

[00:31:15] [SPEAKER_03]: Because they find out who he is.

[00:31:16] [SPEAKER_03]: And he's like...

[00:31:18] [SPEAKER_03]: Dude, you're like...

[00:31:19] [SPEAKER_03]: All right.

[00:31:19] [SPEAKER_03]: So...

[00:31:19] [SPEAKER_03]: But they don't say that.

[00:31:21] [SPEAKER_03]: They never say that.

[00:31:22] [SPEAKER_03]: They never say...

[00:31:23] [SPEAKER_03]: Why they're kicking him out?

[00:31:24] [SPEAKER_03]: So you have to go do your research after the fact...

[00:31:27] [SPEAKER_03]: Alright.

[00:31:28] [SPEAKER_03]: Well, don't see this then.

[00:31:34] [SPEAKER_05]: Oh no, I forgot to hit record.

[00:31:36] [SPEAKER_05]: I'm just kidding.

[00:31:38] [SPEAKER_03]: Ha ha ha ha.

[00:31:39] [SPEAKER_03]: Hey, Mermaid.

[00:31:39] [SPEAKER_03]: We miss you, Mermaid.

[00:31:41] [SPEAKER_03]: Price has barely hold on here.

[00:31:44] [SPEAKER_03]: And speaking of Mermaid...

[00:31:51] [SPEAKER_03]: Alright.

[00:31:52] [SPEAKER_03]: Well, the Mermaid not only gave us his predictions.

[00:31:56] [SPEAKER_03]: He gave us his review.

[00:31:57] [SPEAKER_03]: He also gave us the Mermaid Minute.

[00:32:00] [SPEAKER_03]: Which I'm going to try and keep it right to...

[00:32:03] [SPEAKER_05]: Oh, we finally agreed on something.

[00:32:06] Rage!

[00:32:08] Rage!

[00:32:10] [SPEAKER_05]: Better wait than never.

[00:32:11] [SPEAKER_03]: Alright, late than never.

[00:32:13] [SPEAKER_03]: Alright, so this is the Mermaid Minute.

[00:32:16] [SPEAKER_03]: And track me.

[00:32:17] [SPEAKER_03]: See if I can get it into a minute.

[00:32:20] [SPEAKER_03]: Okay.

[00:32:21] [SPEAKER_03]: So, Speak No Evil was horrible.

[00:32:23] [SPEAKER_03]: This was James McAvoise.

[00:32:24] [SPEAKER_03]: This wasn't James McAvoise fault.

[00:32:26] [SPEAKER_03]: He is usually the best thing about the film he is in.

[00:32:30] [SPEAKER_03]: So, I have to give a little love to the lad from Scotland.

[00:32:34] [SPEAKER_03]: And this is the Mermaid's top seven...

[00:32:39] [SPEAKER_03]: James McAvoise films where he actually is the best thing in it.

[00:32:44] [SPEAKER_03]: Exman, days of future past.

[00:32:46] [SPEAKER_03]: And X-Men first class.

[00:32:48] [SPEAKER_03]: The last king of Scotland, atomic blonde, split.

[00:32:52] [SPEAKER_03]: The Chronicles of Narnia, the line, the witch and the wardrobe.

[00:32:56] [SPEAKER_03]: My film is a film, or...

[00:32:59] [SPEAKER_03]: Filth?

[00:33:00] [SPEAKER_03]: I guess he's in film.

[00:33:01] [SPEAKER_03]: A movie called Filth.

[00:33:02] [SPEAKER_03]: And the last is glass.

[00:33:04] [SPEAKER_05]: James and Phil.

[00:33:06] [SPEAKER_03]: This was obviously an inferior third film in the series of Shamanalan.

[00:33:13] [SPEAKER_03]: But this wasn't McAvoise fault.

[00:33:15] [SPEAKER_03]: Bad writing is bad writing.

[00:33:17] [SPEAKER_03]: But he was still creepy.

[00:33:19] [SPEAKER_05]: Yes, right.

[00:33:20] [SPEAKER_03]: So he loves the McAvoise.

[00:33:22] [SPEAKER_03]: Alright.

[00:33:22] [SPEAKER_03]: How's that to get in in a minute?

[00:33:24] [SPEAKER_05]: Yeah, a minute and like one second.

[00:33:26] [SPEAKER_05]: Oh, so close.

[00:33:27] [SPEAKER_05]: I'm a gamer dog, but I'm slightly interrupted you, so we'll give it to you.

[00:33:31] [SPEAKER_03]: Alright.

[00:33:32] [SPEAKER_03]: The Mermaid and minute coming out to you live.

[00:33:35] [SPEAKER_03]: Coming out to you live.

[00:34:03] [SPEAKER_03]: So no surprise, because I've been kind of talking about this since the first time I saw

[00:34:09] [SPEAKER_03]: the trailer.

[00:34:11] [SPEAKER_03]: Speak no evil.

[00:34:12] [SPEAKER_03]: The trailer.

[00:34:14] [SPEAKER_03]: Once you see the trailer, you don't need to see the film.

[00:34:17] [SPEAKER_03]: Because everything in the trailer is as predictable as the movie.

[00:34:21] [SPEAKER_03]: No, you don't.

[00:34:23] [SPEAKER_03]: The trailer is all you need.

[00:34:24] [SPEAKER_03]: You need a minute.

[00:34:25] [SPEAKER_03]: I think it's actually two minutes.

[00:34:26] [SPEAKER_03]: So it's like already that film is bloated to almost two hours.

[00:34:31] [SPEAKER_03]: And then the trailer itself is bloated at two minutes.

[00:34:35] [SPEAKER_03]: And I'm just like they pretty much tell us everything that's going to happen.

[00:34:40] [SPEAKER_03]: No surprises.

[00:34:41] [SPEAKER_03]: The film is horrible and it didn't need to be made because the original was two years ago for

[00:34:47] [SPEAKER_03]: God's sake, two freaking years ago.

[00:34:51] [SPEAKER_03]: So and they spoke English.

[00:34:54] [SPEAKER_03]: So just release the original in cinemas in the US.

[00:34:58] [SPEAKER_03]: But oh, you know what?

[00:34:59] [SPEAKER_03]: It doesn't have the same sweet, sacrum filled ending where a little boy uses a CGI rock to kill somebody.

[00:35:07] [SPEAKER_03]: I just thought he was really strong.

[00:35:09] [SPEAKER_03]: Yeah, you're an idiot.

[00:35:10] [SPEAKER_05]: Because I was doing it.

[00:35:12] [SPEAKER_05]: Wow, that's a big rock.

[00:35:13] [SPEAKER_05]: I can't believe he can lift it up so easily.

[00:35:15] [SPEAKER_03]: Yeah, considering he couldn't do anything else with the whole movie.

[00:35:18] [SPEAKER_03]: No, he did a good job doing it.

[00:35:20] [SPEAKER_03]: I'm not saying that.

[00:35:21] [SPEAKER_03]: I'm just saying this movie was horrible.

[00:35:24] [SPEAKER_03]: And the trailer was also annoying for many times I watched it.

[00:35:27] [SPEAKER_03]: It wasn't the worst.

[00:35:28] [SPEAKER_03]: You know what?

[00:35:29] [SPEAKER_03]: That the plus side of this is, is that every time I saw the trailer of this, I got to see

[00:35:34] [SPEAKER_03]: two Olympic commercials.

[00:35:36] [SPEAKER_05]: Yes.

[00:35:36] [SPEAKER_03]: So there you go.

[00:35:37] [SPEAKER_03]: That is, that is how you can turn a rage into a positive.

[00:35:43] [SPEAKER_05]: I knew if anybody could do a gym.

[00:36:01] [SPEAKER_05]: Hey, let's get on with it.

[00:36:03] [SPEAKER_05]: So yeah, my rage this week.

[00:36:05] [SPEAKER_05]: Yeah, I'm just too tired to really do anything.

[00:36:08] [SPEAKER_03]: Sorry, this is a rage.

[00:36:09] [SPEAKER_05]: Well, no, no, that's not my rage.

[00:36:11] [SPEAKER_05]: But I don't have a good rage because I'm exhausted.

[00:36:15] [SPEAKER_05]: I apologize to everybody for my performance this week.

[00:36:19] [SPEAKER_05]: On the podcast, I've been ill-prepared.

[00:36:23] [SPEAKER_05]: I've been dealing with just a lot of stuff.

[00:36:27] [SPEAKER_03]: And your body is falling apart.

[00:36:28] [SPEAKER_03]: My body is falling apart.

[00:36:30] [SPEAKER_05]: Like, and that's just the busy.

[00:36:31] [SPEAKER_05]: And I'm not talking dealing with like stuff stuff.

[00:36:34] [SPEAKER_05]: It's all stuff that I've just enjoyed dealing with.

[00:36:38] [SPEAKER_05]: It's just there's so much of it this week.

[00:36:41] [SPEAKER_05]: It's a busy, busy week and it's I'm not as young as I used to be.

[00:36:45] [SPEAKER_05]: I used to be able to burn the candle at both ends.

[00:36:47] [SPEAKER_05]: That's an expression they say.

[00:36:49] [SPEAKER_03]: I'm not the old people say.

[00:36:51] [SPEAKER_03]: Yeah, but what do you think young people say now?

[00:36:53] [SPEAKER_05]: Oh, something stupid or stupid.

[00:36:56] [SPEAKER_03]: Yeah, that.

[00:36:56] [SPEAKER_05]: Or FTG QA RP.

[00:36:59] [SPEAKER_05]: I don't know.

[00:36:59] [SPEAKER_05]: Well, when is like, you know what?

[00:37:00] [SPEAKER_05]: That's my rage.

[00:37:01] [SPEAKER_05]: Everybody abbreviated.

[00:37:02] [SPEAKER_05]: I got an idiot that works at work.

[00:37:05] [SPEAKER_05]: Sorry, dude.

[00:37:07] [SPEAKER_05]: You know who you are.

[00:37:09] [SPEAKER_05]: And if you happen to listen to it, I'm sorry.

[00:37:11] [SPEAKER_05]: I just called you an idiot.

[00:37:14] [SPEAKER_05]: Perbs.

[00:37:14] [SPEAKER_05]: Like what the hell is that?

[00:37:16] [SPEAKER_03]: It's like the Perbs.

[00:37:17] [SPEAKER_05]: Like, no, suburbs.

[00:37:19] [SPEAKER_05]: When he goes for a break, he says Perbs.

[00:37:20] [SPEAKER_05]: Because he'll be right back.

[00:37:23] [SPEAKER_03]: What?

[00:37:24] [SPEAKER_05]: Yeah, exactly.

[00:37:25] [SPEAKER_03]: I always thought the Perbs was like, you're the suburbs.

[00:37:28] [SPEAKER_05]: Okay, anyway, here's what my rage actually.

[00:37:30] [SPEAKER_05]: So it's not a rage either.

[00:37:32] [SPEAKER_05]: It's just a, it's just an annoyance.

[00:37:34] [SPEAKER_05]: Calgary, and Revatt, National Film Festival

[00:37:36] [SPEAKER_05]: Starting this week.

[00:37:37] [SPEAKER_05]: I kind of want to stay at the globe.

[00:37:39] [SPEAKER_05]: But they're not doing any four o'clock movies at the globe.

[00:37:41] [SPEAKER_05]: They're only doing four o'clock movies at the, at the Chinook.

[00:37:45] [SPEAKER_05]: So then I'm going to have to go to Chinook.

[00:37:46] [SPEAKER_05]: Yep.

[00:37:46] [SPEAKER_05]: Watch four o'clock movie and then truck down to the globe or stay at Chinook.

[00:37:50] [SPEAKER_05]: Which I really don't want to do.

[00:37:51] [SPEAKER_05]: I'd rather, I'd rather hang out with the boys at the boys and girls at the globe.

[00:37:55] [SPEAKER_02]: Yep.

[00:37:56] [SPEAKER_05]: And people at the globe.

[00:37:57] [SPEAKER_05]: And people at the globe.

[00:37:59] [SPEAKER_05]: And but now I'm forced to like stay at, well,

[00:38:03] [SPEAKER_05]: I don't even know what I'm going to do.

[00:38:04] [SPEAKER_05]: We're going to drive all over the city.

[00:38:06] [SPEAKER_05]: Then we're going to, yeah, drive all over the city.

[00:38:08] [SPEAKER_05]: Burn a whole lot of fossil fuel.

[00:38:10] [SPEAKER_05]: It's not cool.

[00:38:12] [SPEAKER_03]: So your rage is fossil fuel burnage.

[00:38:15] [SPEAKER_03]: Yeah.

[00:38:15] [SPEAKER_03]: All right.

[00:38:16] [SPEAKER_03]: That's a good one.

[00:38:17] [SPEAKER_05]: I guess.

[00:38:18] [SPEAKER_03]: Is that my rage?

[00:38:19] [SPEAKER_03]: Sure.

[00:38:19] [SPEAKER_03]: I don't know what.

[00:38:20] [SPEAKER_03]: I would say my rage is you this time, but I feel sorry for you because it's like,

[00:38:24] [SPEAKER_03]: It's been like four solid weeks of your body having different things follow off of it.

[00:38:30] [SPEAKER_05]: By the way, I can only hear out of my left ear, right?

[00:38:34] [SPEAKER_05]: I don't even know what's going on for some reason.

[00:38:38] [SPEAKER_05]: My right ear just doesn't do the thing anymore, but now what can you do?

[00:38:45] [SPEAKER_00]: Which, some sight.

[00:38:48] [SPEAKER_00]: Puss, sight.

[00:38:51] [SPEAKER_00]: Hingering, thinking.

[00:38:53] [SPEAKER_03]: All right.

[00:38:54] [SPEAKER_03]: Wow.

[00:38:55] [SPEAKER_03]: Oh, actually.

[00:38:56] [SPEAKER_03]: We're too early.

[00:38:57] [SPEAKER_03]: No, no, no, no.

[00:38:58] [SPEAKER_05]: That's the music for this.

[00:38:58] [SPEAKER_05]: I forgot.

[00:39:01] [SPEAKER_03]: Okay, let's hear it.

[00:39:03] [SPEAKER_03]: It's coming.

[00:39:04] [SPEAKER_03]: Oh, there we go.

[00:39:05] [SPEAKER_05]: So it fades in.

[00:39:07] [SPEAKER_03]: So part of our episode this week is a little compacted due to the fact that we are getting prepared for

[00:39:19] [SPEAKER_03]: Calgary International Film Fest.

[00:39:21] [SPEAKER_03]: And it's their 25th Calgary International Film Fest.

[00:39:24] [SPEAKER_03]: So it's a big, big event.

[00:39:27] [SPEAKER_03]: There's tons of Q&A.

[00:39:30] [SPEAKER_03]: There's tons of visitors and guests.

[00:39:33] [SPEAKER_03]: So if you haven't got your tickets, go to

[00:39:40] [SPEAKER_03]: CIFCALGRIE.CA.

[00:39:42] [SPEAKER_05]: Is it Thoughtsia?

[00:39:43] [SPEAKER_03]: Yeah.

[00:39:45] [SPEAKER_03]: CIFCALGRIE.CA.

[00:39:46] [SPEAKER_03]: Check out everything that's happening in the festival.

[00:39:48] [SPEAKER_03]: You will see us every day at the festival for the entire time it's on.

[00:39:54] [SPEAKER_03]: It runs from September 19th to September 29th.

[00:40:00] [SPEAKER_03]: And there are so many great films I can't tell you.

[00:40:03] [SPEAKER_03]: Plus we have a few directors who are going to be interviewing.

[00:40:06] [SPEAKER_03]: We're going to have some CIFC that greatests that we've seen so far.

[00:40:11] [SPEAKER_03]: So the next week and a half, two weeks is going to be an exciting time for us.

[00:40:15] [SPEAKER_03]: So we hope to hear from you all on the social media.

[00:40:19] [SPEAKER_03]: I'm not going to use an acronym for that because

[00:40:22] [SPEAKER_03]: Bryce will get more upset.

[00:40:23] [SPEAKER_05]: Yes.

[00:40:24] [SPEAKER_05]: Yes, I will.

[00:40:26] [SPEAKER_03]: All right.

[00:40:27] [SPEAKER_03]: Well.

[00:40:29] [SPEAKER_03]: Thanks.

[00:40:31] [SPEAKER_03]: Ragers for listening.

[00:40:33] [SPEAKER_03]: Thanks, extended film range family,

[00:40:34] [SPEAKER_03]: who you can find in our showdowns.

[00:40:36] [SPEAKER_03]: Thanks to Casey, the Nerdy for Drug and Furth,

[00:40:38] [SPEAKER_03]: our voice of Rager Dare and our God of Rage.

[00:40:42] [SPEAKER_03]: Find us in social media everywhere.

[00:40:43] [SPEAKER_03]: Filming.

[00:40:44] [SPEAKER_03]: Why? Why?

[00:40:46] [SPEAKER_03]: See?

[00:40:46] [SPEAKER_03]: On all the socials, check out everything.

[00:40:49] [SPEAKER_03]: Filming.

[00:40:50] [SPEAKER_03]: Check out our website for webbubble and two-public.

[00:40:54] [SPEAKER_03]: We're going to make this region glass for all of us.

[00:40:56] [SPEAKER_03]: So please comment, like and subscribe for send us emails to filmage coverage.

[00:41:00] [SPEAKER_03]: And on the com, there's a sea of terrible movies to fuel our range.

[00:41:04] [SPEAKER_01]: But no matter what you do, please please please please please please.

[00:41:10] [SPEAKER_01]: I'll make us a ranch.

[00:41:11] [SPEAKER_01]: That's it for this week.

[00:41:15] [SPEAKER_01]: Raise your.

[00:41:16] [SPEAKER_01]: Rager.