Crime Week II: Jim Carrey's TV Satire Double Feature: The Cable Guy & The Truman Show (with Chuckin' A Sickie Podcast's Harry Rutner)
The Jacked Up Review Show PodcastApril 11, 2024
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Crime Week II: Jim Carrey's TV Satire Double Feature: The Cable Guy & The Truman Show (with Chuckin' A Sickie Podcast's Harry Rutner)

Harry Rutner (Chuckin' A Sickie Podcast) drops by to address a Jim Carrey television satire double feature of THE CABLE GUY and THE TRUMAN SHOW.

 

Why have both gotten reasonable attention but both been on the shit list at different intervals? Why would the humor be out of whack if you attempted creating this kind of social commentary today? And more deep cultural dives into experimental cinema!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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[00:00:00] Cable Guy!

[00:00:30] How are you Truman?

[00:00:34] Vital signs are good.

[00:00:37] Lights.

[00:00:38] Cure the sun.

[00:00:39] Camera.

[00:00:40] Yeah!

[00:00:41] Hey Truman, sorry Ken stop!

[00:00:43] Truman.

[00:00:44] Say something, you're on television, you're live to the whole world.

[00:00:48] That's amazing.

[00:00:49] Jim Carrey is Truman Burbank.

[00:00:51] Wanna do it again?

[00:00:53] No!

[00:00:54] In the movie Newsweek called another one film to see this summer.

[00:00:57] It's The Miracles!

[00:00:58] The Truman Show, Way to DG.

[00:01:00] In theaters everywhere, Friday June 5th.

[00:01:03] Mr. Discussion is at 5.

[00:01:09] It's a Jacked Up Review Show.

[00:01:13] It's a Jacked Up Review Show.

[00:01:16] Oh, Jacked Up Review Show.

[00:01:20] It's a Jacked Up Review Show.

[00:01:25] It's a Jacked Up Review Show.

[00:01:30] Oh, Jacked Up Review Show.

[00:01:51] Welcome back.

[00:01:53] We got Harry Rutner from Chuckle with a Sickle.

[00:01:58] How you been?

[00:01:59] Good, how are you?

[00:02:01] I cannot deny that we're being experimental.

[00:02:06] We're doing more actor themed specials, get movies that have a similar theme

[00:02:11] that they did throughout their career and in this case we picked a comedic

[00:02:15] semi-dramatic actor, none other than the one, the only Jim Carrey.

[00:02:22] Jim Carrey, one of the best.

[00:02:24] Absolutely.

[00:02:26] You had mentioned a few other movies that were kind of on the same page

[00:02:30] and it was like perfect.

[00:02:31] We could totally do kind of a mixed that in with like a double feature.

[00:02:34] So what was your intro to this complex man?

[00:02:38] It's unpredictable.

[00:02:40] Jim Carrey, it has to be the mask.

[00:02:43] It was the first time that I saw him back when I was a lot younger

[00:02:46] and I always wanted to be, I loved acting

[00:02:51] and so I saw the mask and just the way that he physically acts blew my mind

[00:02:58] and I just was so inspired by just like, just his over-the-top nature

[00:03:04] in the obviously kids movie.

[00:03:06] No fear.

[00:03:07] Yeah, no fear at all.

[00:03:10] And then seeing that and then straight away seeing Ace Ventura straight after,

[00:03:15] I was like, I was hooked.

[00:03:17] I was obsessed.

[00:03:18] Like you can't make this up.

[00:03:20] Yeah, and it's funny, his characters are all pretty similar.

[00:03:24] Like they're based on him in terms of those earlier movies

[00:03:28] and I think they're just so quotable and just hilarious.

[00:03:33] So, so quotable.

[00:03:35] Yeah.

[00:03:37] Good call because basically I don't feel like one of these movies

[00:03:46] exists without the other and given how he's always been so experimental

[00:03:53] all these years, you know, it's just, I can't think of him not doing

[00:03:57] one of these movies down the road at this point.

[00:04:00] If that makes sense.

[00:04:02] Yeah, it does.

[00:04:05] Yeah, so we're going to start off with where it began in chronological order

[00:04:09] in 96, the cable guy.

[00:04:12] The cable guy, yeah.

[00:04:14] This was a favorite.

[00:04:15] I would watch it every time I saw it on TBS, you know, TNT's parent company

[00:04:20] and it just, it's not a critical darling.

[00:04:24] And I had no idea growing up.

[00:04:26] I knew he goes all apeshit at the end but I didn't realize

[00:04:29] they were making fun of Cape Beer, you know, or Hen that rocks the cradle type

[00:04:33] psycho thrillers.

[00:04:34] But I was like, okay, that makes sense.

[00:04:36] You know, by 96 that was all the rage, you know, screaming all.

[00:04:40] But everyone just remembers just how he just goes bonkers and it wasn't easy

[00:04:47] to, it wasn't always ha ha ha funny but since I was already used to other kind

[00:04:51] of wacky stuff at that time like wish mastering rimlins and I was

[00:04:56] able to watch this with family when it was on and interested to my brother

[00:05:00] and he thought it was amusing too, especially because Jack Black does

[00:05:04] younger in his career and he plays the straight guy.

[00:05:07] Yeah, yeah, which is an interesting dynamic.

[00:05:09] I remember from that movie as well, something that always sticks in my memory

[00:05:13] is him walking up to the door just like the way that he struts.

[00:05:17] It's just like, it's just the most Jim Carrey entry that I've ever seen.

[00:05:21] So unnerving.

[00:05:22] I remember when someone on YouTube like rescored it with music from the

[00:05:26] Matrix to make it all look all fancy.

[00:05:29] Yeah, yeah, I just think he's character in that movie as well like starts off

[00:05:33] like you know, he's a little bit irritating but for the most part

[00:05:37] like he seems like eccentric but not what ends up happening at the end

[00:05:41] of the movie where he just does go bonkers.

[00:05:46] Yeah, I and you needed someone like that.

[00:05:53] Who could just bring I mean you understand why you know I'm not a big

[00:05:59] jet apatow guy but I understand why he's had success but like it's just so

[00:06:03] hard to believe that this one just completely flops like no one's funny.

[00:06:08] Yeah.

[00:06:10] Don't get me wrong.

[00:06:11] I've never been much of a Matthew Broderick guy because he kind of just

[00:06:15] other than Ferris Bueller just seemed like he didn't really take advantage of that

[00:06:18] fame.

[00:06:19] Yeah, I mean one of the best movies of all time.

[00:06:23] He's kind of hated now because of his he did a car accident I think back in

[00:06:28] the late 80s.

[00:06:29] Yeah, yeah.

[00:06:31] He didn't ever serve jail time but I think he just didn't really take

[00:06:35] advantage of his fame.

[00:06:36] He kind of just did little low key movies and just played himself

[00:06:39] and everyone but here he's okay like any straight person would work in this one

[00:06:44] just as the guy is like hey he's just weird but very oblivious to just what a

[00:06:51] dumb mistake he's doing.

[00:06:52] Yeah.

[00:06:53] I mean you don't unlike other Ben Stiller movies you really don't have to

[00:06:56] see some of the other movies he's spoofing to get the jokes in this one.

[00:07:00] Yeah, I mean I just love the fact that it's directed by Ben Stiller

[00:07:04] like I think growing up I thought Ben Stiller was more of an actor than he was

[00:07:10] a director but as I go through life my god he's a fantastic director.

[00:07:15] Yeah, Escape of Don Adora is very amazing.

[00:07:18] He spoke very recently on a recent Howard Stern interview that he didn't

[00:07:22] realize that there was even a fan base for this movie because again you know

[00:07:26] this in Zoolander flogged but Zoolander was very big because it was

[00:07:30] a DVD craze and this one was just always kind of the I guess you know I just

[00:07:35] wanted to name for a sitcom sketch show that just got canceled and this was

[00:07:39] like the double slap in the face.

[00:07:41] Yeah.

[00:07:42] And critics aren't caring for it people are only seeing it because Jim Carrey

[00:07:47] is in it but not everyone's finding it funny and because it's not laugh

[00:07:51] a minute kind of Jim Carrey it's not gross out Jim Carrey it's not

[00:07:54] dumb and dumber or Ace Ventura Jim Carrey it's just Jim Carrey goes

[00:07:59] bananas but has a soft spot but still makes fun of he embellishes this

[00:08:06] psycho.

[00:08:07] Yeah.

[00:08:08] This is basically Tarantino if you didn't take enough Ritalin.

[00:08:12] Yeah, yeah and I feel like now it's got a cult following because I know

[00:08:16] like I heard an interview I think with Judd Apatow about how much this

[00:08:20] flopped and then nowadays.

[00:08:22] Yeah, Sony did not promote it too well.

[00:08:24] Yeah, I think nowadays everyone is like you know that was a really great

[00:08:28] film.

[00:08:29] People really enjoy it.

[00:08:30] I think not as much of a classic as some of his other films but definitely

[00:08:35] a cult classic.

[00:08:37] Dolly and you can have limited experience to something but you take it

[00:08:41] with a grain of salt like I knew he was making fun of like Benzler

[00:08:46] cameos as two twin serial killers.

[00:08:49] I knew he was making fun of some fictional thing but I didn't realize

[00:08:52] he was making fun of the Menendez brothers at the time.

[00:08:54] Now I had gone to medieval times about three to five times growing up so I

[00:08:59] knew about that that's a big stable here.

[00:09:01] I don't know if they have it overseas at all.

[00:09:03] No we don't.

[00:09:04] You do practice jousting and it's like Chuck E. Cheese but people are

[00:09:08] just as nice and eating just like medieval food.

[00:09:11] I've been to one in the States but unfortunately hasn't come out

[00:09:14] here yet.

[00:09:15] This was really a thing in Australia.

[00:09:18] Very different culture.

[00:09:19] This is the highlight that they're just going out and hanging out and

[00:09:23] somehow they encourage people to let them in the ring and pretend to be

[00:09:28] knights.

[00:09:29] I love how Jim has watched too much Star Trek so now he's trying

[00:09:34] to imitate the Kirk versus Spock fight.

[00:09:37] He's like imitating the music and again everyone's like what's

[00:09:42] he trying to kill you?

[00:09:44] Is he actually trying to kill you or is he just creeping me out?

[00:09:46] You still don't know it doesn't matter.

[00:09:48] It's just funny.

[00:09:49] His face expresses so much emotion.

[00:09:51] I feel like he's similar to like Rowan Atkinson in that way.

[00:09:54] Just like such an expressive face that you just you're

[00:09:57] mesmerized by it.

[00:09:58] Absolutely.

[00:09:59] I don't have too many complaints.

[00:10:01] I wish Janine Garofalo kind of got to do a little more comedy

[00:10:05] but she's kind of more again like Jack Black kind of the dry

[00:10:08] comedy here.

[00:10:09] Bob Odenberg's in there also is one of the TV producer guys.

[00:10:14] I feel like that subplot was a little explored.

[00:10:16] I completely forgot that Bob Odenberg was on this film.

[00:10:19] Yeah, he's at the fifth stage of his career now after so much

[00:10:22] behind the scenes writing and comedy ensembles.

[00:10:25] Do you have any favorite moments that also just how about

[00:10:29] when he's in the prison cell and he's spraying Matthew Broderick

[00:10:31] for murder somehow?

[00:10:34] Having his man boobs all over them.

[00:10:37] I just I just feel like the entire script was written in

[00:10:41] like a chaotic frenzy and then it was just slammed together.

[00:10:44] It was a frenzy of a movie, yeah, which is why I think that

[00:10:47] like it didn't really get the love that it should have

[00:10:49] gotten but now that people are looking at it, you know,

[00:10:52] 20 years on 30 years on really, you're looking back

[00:10:55] and be like actually there are so many fantastic moments

[00:10:58] from this film.

[00:10:59] I just think like anytime he's he's in someone's house

[00:11:02] and he's really fixing the cables is my favorite bits

[00:11:05] because it's just like his interaction with just like a normie

[00:11:08] and he's just like if I was interacting with this guy

[00:11:11] in real life, I would be completely overwhelmed.

[00:11:13] I'd be like, I don't know which planet you're from

[00:11:15] but whatever is going on needs to chill out.

[00:11:19] Whatever happens next, it better be good.

[00:11:23] Yeah, exactly.

[00:11:25] But yeah, absolutely love that film.

[00:11:28] As I kind of mentioned, Ben Stila as a director

[00:11:31] has really got me hooked but I also think Jack Black

[00:11:36] playing a straight character was quite weird to watch.

[00:11:39] Especially when he's at the basketball court and he's like

[00:11:41] is this a joke? Who invited this guy?

[00:11:43] You did?

[00:11:44] Yeah, and I just think you see the complete opposite

[00:11:47] in every single other of the films that you've ever seen

[00:11:49] with Jack Black.

[00:11:50] He doesn't know how to be normal and the music is perfect

[00:11:53] at the end where it gets all zany and just reminds

[00:11:56] is like, hey this guy is a tragedy.

[00:11:58] He didn't just get here but he still reminds it to kind of laugh

[00:12:02] but I guess it's because it's kind of reminds me

[00:12:04] of Gremlins 2 where they're making fun of another kind of

[00:12:07] hey we're in a TV studio and we're broadcasting Mischief.

[00:12:10] It's kind of...

[00:12:12] I've never seen Gremlins.

[00:12:14] Oh really?

[00:12:15] I know it's a cult classic, that's for sure.

[00:12:18] No, it's fine.

[00:12:19] Just a similar last action hero was kind of another one

[00:12:22] that did this three years prior where it made fun

[00:12:24] of what would happen if you got to meet your on-screen action hero

[00:12:27] and then he met the guy who betrays the off-screen persona.

[00:12:30] Pretty illuminating and freaky all at the same time

[00:12:35] and it's just another movie that flopped.

[00:12:40] It just was people just want it, weren't ready for that.

[00:12:43] Unless it was like Scorsese or Spielberg

[00:12:45] or some bigger name doing it.

[00:12:47] People just weren't ready for that kind of take down

[00:12:50] and other people were like I get the joke perfectly.

[00:12:52] I just don't find it funny.

[00:12:54] I'm such a fan of this.

[00:12:55] I once bought the soundtrack at a first store.

[00:12:58] Oh my god, that's how much you love it.

[00:13:00] And you even hear the Jim Carrey song on there

[00:13:02] that he doesn't cover up so...

[00:13:03] Yeah that's great.

[00:13:04] There's also some great quotes from the movie as well.

[00:13:07] I know one of the most popular ones is about free cable

[00:13:10] being like the ultimate aphorazine,

[00:13:12] which is just like...

[00:13:14] And I could relate.

[00:13:15] I had bootleg cable but it was also one of those

[00:13:17] is like it is interesting on how it's like

[00:13:20] it does go back to the whole you'll melt your brain

[00:13:23] if you do it all day.

[00:13:25] Yeah I think it's funny because in Australia

[00:13:27] we don't have cable.

[00:13:28] We have equivalents like Foxtel

[00:13:30] and other streaming platforms now.

[00:13:32] But even in Australia we were so aware of cable

[00:13:35] and what it all meant.

[00:13:36] Because you watch so many American TV shows

[00:13:38] it makes sense.

[00:13:40] And just seeing this cable guy just being obsessed

[00:13:43] with something that we're like it's like 15 bucks a month.

[00:13:45] Like it's 30, 15 bucks a month.

[00:13:47] And this is your life. This is your livelihood.

[00:13:50] It's just nuts.

[00:13:52] Something you could do without but somehow

[00:13:54] you convinced yourself hey.

[00:13:55] Yeah I also just feel like people keeping a straight face

[00:13:58] throughout this film would have been really difficult.

[00:14:00] Jim Carrey is running up to you completely

[00:14:02] off his head and him being able

[00:14:06] like being the other actor being able

[00:14:08] to just deal with it and be like

[00:14:10] I mean because Jim Carrey also improvises half the time

[00:14:13] like you never know what he's gonna do next.

[00:14:15] Watching their responses has also been great.

[00:14:20] Yeah he is definitely

[00:14:23] but see I kind of like this movie in a falling down way.

[00:14:26] I don't know if you ever saw that one.

[00:14:28] No I haven't seen falling down.

[00:14:30] Really? Okay. What's that about?

[00:14:33] Basically a guy who gets fed up with society

[00:14:36] and decides to become a gunman.

[00:14:38] Oh yeah cool. Sounds chill.

[00:14:40] Joel Schumacher directed starring Michael Douglas

[00:14:44] and Barbara Hershey and Robert DeVall

[00:14:47] as a cop on his last day of the job

[00:14:49] but that's another one.

[00:14:51] Great cast. It was not a hit until it was just

[00:14:53] on HBO all the time and it's

[00:14:56] I mean what are some other movies

[00:14:59] that are kind of dark comedies that

[00:15:01] you've seen throughout the years

[00:15:03] and you're like why didn't this catch up

[00:15:05] like Wildfire?

[00:15:07] Yeah I think there hasn't been many dark comedies

[00:15:10] that I think have come really quickly

[00:15:13] really crazy but I think the one that sticks out to me the most

[00:15:16] I guess it was a dark comedy was for

[00:15:19] Death at a Funeral, the British comedy.

[00:15:22] I love the original yeah.

[00:15:24] Yeah the original one and I watched that

[00:15:26] I remember being in the cinema like not many people had seen it

[00:15:28] because it was a British film so people weren't really getting around it

[00:15:31] and I've never laughed so much in my entire life

[00:15:35] as I did sitting in the cinema watching that film

[00:15:38] just like every aspect of it obviously Peter Dinklage

[00:15:41] was in it as well before he's game of thrones

[00:15:43] and he was just such a hoot yeah.

[00:15:46] Just the cast of it as well I was just like

[00:15:49] every British actor and their dog was in it

[00:15:51] and I loved it I loved every second of it

[00:15:53] but I don't know what the reception was

[00:15:55] because at least when I went to the cinema

[00:15:57] there was like five of us in there and that was it.

[00:15:59] I love the blooper reel at the end where you hear

[00:16:01] director Frank Oz trying to not laugh

[00:16:03] but yeah it's like somehow it didn't

[00:16:05] work for everybody but I

[00:16:09] more people have unfortunately seen the remake

[00:16:12] and I'm like no it doesn't even matter touch it

[00:16:14] No, could not get through the

[00:16:15] I think I got ten minutes into the remake

[00:16:17] and I couldn't I was just like I can't watch this any further

[00:16:20] Yeah it's just not

[00:16:22] kind of a must be

[00:16:24] Yeah you know which movie that I found

[00:16:26] really had an ebb and flow is Zoolander

[00:16:28] I found that I loved it as a kid

[00:16:30] watched it in like my early 20s

[00:16:32] hated it was like this is so

[00:16:34] like I just couldn't get into it

[00:16:36] and then I watched it recently because it was just on TV

[00:16:38] fantastic film

[00:16:40] absolutely hilarious but there was like

[00:16:42] the same way it was very popular

[00:16:44] and I just never caught on to it as much

[00:16:46] because I'm like okay this is when

[00:16:48] spoof movies were becoming too much

[00:16:50] like 500 different jokes

[00:16:52] and

[00:16:54] it was kind of like bad money

[00:16:56] Python fans were people over quoted to

[00:16:58] we're like yeah but do you really get it

[00:17:00] or you're not making it any funnier

[00:17:02] you know yeah yeah

[00:17:04] I just think that was the type of film

[00:17:06] that I think there's a few like that

[00:17:08] where you watch it when you're young you're like oh this is great

[00:17:10] not really understanding what it's all about

[00:17:12] then you watch it a second time you're like

[00:17:14] eh didn't really understand why I loved it

[00:17:16] and then later you're actually thinking about it

[00:17:18] actually there are a lot of elements to this

[00:17:20] film that are absolutely brilliant

[00:17:22] mm-hmm

[00:17:24] yeah it's just one of a kind

[00:17:26] I didn't mind it growing up

[00:17:28] but it is very very dumb

[00:17:30] so you have to really be in the mood

[00:17:32] for it

[00:17:34] yeah I feel like there's a few movies like that

[00:17:36] we're the millers I don't know why

[00:17:38] that movie always stuck out to me

[00:17:40] as something that again in cinema really

[00:17:42] laughing but not the smartest

[00:17:44] movie in the entire world

[00:17:46] no but just very good

[00:17:48] with its off-color humor but I think that was

[00:17:50] another one it was just

[00:17:52] wrong place wrong time

[00:17:54] yeah exactly maybe came out a little

[00:17:56] bit too late in the game

[00:17:58] and those same people I think

[00:18:00] worked on horrible bosses

[00:18:02] oh yeah which I think was

[00:18:04] that was a big hit when it came out

[00:18:06] I feel

[00:18:08] yeah I mean it got a sequel

[00:18:10] that no one needed but

[00:18:12] it's interesting how the movie

[00:18:14] that

[00:18:16] starts the show isn't as well

[00:18:18] known in yet

[00:18:20] yeah that's true

[00:18:22] bigger

[00:18:24] yeah

[00:18:26] you have the kind of a role reversal

[00:18:28] in a way

[00:18:30] yeah I remember watching that one because Charlie

[00:18:32] Day was in it and I was a huge it's always

[00:18:34] sunny in Philadelphia fans

[00:18:36] so I have to watch the movie because Charlie Day

[00:18:38] it's

[00:18:40] not so big I don't know that many people

[00:18:42] that watch it but

[00:18:44] I mean I think it's probably one of the best

[00:18:46] TV shows of all time so

[00:18:48] interesting

[00:18:50] it's big in America and it's like

[00:18:52] South Park people who are

[00:18:54] usually are already going to laugh at it

[00:18:56] but people who get the jokes really really

[00:18:58] relate to it because they're all bad

[00:19:00] people and then they have the real moments

[00:19:02] yeah it's just

[00:19:04] every episode is just absolute

[00:19:06] side-splitting

[00:19:08] totally I

[00:19:10] applaud everyone who works on all those

[00:19:12] long time comedy shows I mean

[00:19:14] yeah and just hearing

[00:19:16] Dave Foley and other people talk about how

[00:19:18] they didn't know how big kids in

[00:19:20] the hall was going to be overseas

[00:19:22] yeah I mean that's the thing you're

[00:19:24] targeting in America but it's

[00:19:26] the pockets that really surprise you across

[00:19:28] the world

[00:19:32] yeah I

[00:19:34] I'll be damned if just

[00:19:36] everything just

[00:19:40] rocks right away because

[00:19:42] it's not easy so

[00:19:44] yeah it's not like a Barbie or an Oppenheimer

[00:19:46] which opening weekend goes

[00:19:48] gangbusters

[00:19:50] yeah

[00:19:54] so I feel like we've covered most

[00:19:56] of the highlights of it I think

[00:19:58] just if you're going to introduce people

[00:20:00] to it like if they've never seen it

[00:20:02] just

[00:20:04] ask them what kind of

[00:20:06] like metahumor they're really into

[00:20:08] yeah

[00:20:10] and for them to be

[00:20:12] watch it with an open mind

[00:20:14] absolutely like

[00:20:16] remind them it's not going to be funny

[00:20:18] haha every minute it's going to be more

[00:20:20] like

[00:20:22] yikes what happens next

[00:20:26] yeah it's like it's so

[00:20:28] gripping in a terrible way

[00:20:30] in some senses

[00:20:36] yeah there's so many ways to go about

[00:20:38] it I

[00:20:40] I just say hey just make use of

[00:20:42] it I mean it

[00:20:44] it did all kinds

[00:20:46] of things here

[00:20:48] and I wouldn't even call it experimentation

[00:20:50] like it knew what it was doing it just wasn't

[00:20:52] not every joke was fast enough for everybody

[00:20:54] yeah it wasn't run in the mill

[00:20:56] but I think looking back

[00:20:58] at you know 30 years later

[00:21:00] I think that it alright

[00:21:02] absolutely

[00:21:04] like compared to any other

[00:21:06] movie or show which just felt

[00:21:08] like they were just

[00:21:10] like I don't think this would work

[00:21:12] even in an internet world now I think

[00:21:14] this would be just

[00:21:16] maybe the technology and effects might be better

[00:21:18] but I don't I think everyone would

[00:21:20] it'd be like one of the lesser

[00:21:22] computer hacking movies the night is where you

[00:21:24] would just be like okay but

[00:21:26] yeah that doesn't happen in real life

[00:21:28] no it doesn't

[00:21:34] but yeah I mean

[00:21:36] so here we got

[00:21:38] another movie to

[00:21:40] pin this up to the one

[00:21:42] the only

[00:21:46] true man show and there was just

[00:21:48] an article on the Atlantic

[00:21:50] done a month ago on this one

[00:21:52] talking about how

[00:21:54] this is a how many metaphors

[00:21:56] this has for America's suburbia

[00:21:58] yeah and once again

[00:22:00] this is almost like the running man minus

[00:22:02] the violence like if people want to do

[00:22:04] reality TV and watch a man whose life

[00:22:06] has literally been a lie

[00:22:08] well we actually

[00:22:10] studied it in school it was one

[00:22:12] of our like main texts that we

[00:22:14] studied to go through

[00:22:16] all the metaphors we probably would have been

[00:22:18] early in our high school studying it

[00:22:20] but one of my favorite movies

[00:22:22] one of the openings for

[00:22:24] the podcast is the Truman show

[00:22:26] on Chuck and a Sikies so you know

[00:22:28] it's a pretty it's

[00:22:30] it's gotta be his most well known

[00:22:32] movie probably

[00:22:34] I've seen people start complaining

[00:22:36] about this rather recently I had last saw it

[00:22:38] in the sociology class

[00:22:40] and I was still just blown away by it

[00:22:42] there's really

[00:22:44] even looking at the professional critics like

[00:22:46] there's like maybe two iffy reviews

[00:22:48] but everybody else is pretty much

[00:22:50] 90s everyone gets it

[00:22:52] I'll admit maybe there's a little bit

[00:22:54] of overacting but that's deliberate

[00:22:56] like that's just showing that

[00:22:58] you know actors pretend to be real

[00:23:00] people who are really just deceiving

[00:23:02] the main guy the Atlantic I think

[00:23:04] this article sums it up really well it

[00:23:06] was released in the years that found the star report

[00:23:08] dominating headlines in series

[00:23:10] like the Jerry Springer show turning voyeurism

[00:23:12] into a way of life it arrived shortly before

[00:23:14] Survivor and Big Brother premiered

[00:23:16] and asked questions about the shape

[00:23:18] American culture would take as we prepared to enter

[00:23:20] a new century and was not terribly optimistic

[00:23:22] about the answers I think that's

[00:23:24] a wonderful write up because

[00:23:26] I got it instantly I was

[00:23:28] I was a teen I saw it with my mother

[00:23:30] you know and

[00:23:32] it was just one of those it's like

[00:23:34] you know dead poet society

[00:23:36] master and commander you know just witness

[00:23:38] he's done all kinds of wonderful

[00:23:40] wonderful character studies much like

[00:23:42] mealus foreman who did cuckoo's nest

[00:23:44] and man on the moon

[00:23:46] coincidentally with Jim Carrey I

[00:23:48] I feel like this is one of his

[00:23:50] not only best performances but like it's a

[00:23:52] sleeper for Paramount it's

[00:23:54] it was just one of those

[00:23:56] it was a critical darling but not everybody

[00:23:58] who was Jim's number one fan went out and

[00:24:00] saw it yeah

[00:24:02] it seems to

[00:24:04] given how crazy the internet is

[00:24:06] I still every once in a while will see people talk

[00:24:08] shit about it and even the most cynical

[00:24:10] people tend to like this one

[00:24:12] because it's an easy

[00:24:14] understand message

[00:24:16] and it's

[00:24:18] you know cable guy is meta while this one

[00:24:20] is more just

[00:24:22] my life is a lie

[00:24:24] so what do I do next

[00:24:26] but yeah it was the first thing I saw Natasha

[00:24:28] Mechahonin she's been everything

[00:24:30] like Solaris

[00:24:32] Desnaid survivor and

[00:24:34] Ronan

[00:24:36] Irish actresses and

[00:24:38] but yeah Ed Harris was wonderful in this

[00:24:40] as the villain because he just

[00:24:42] watching over he was playing God

[00:24:44] and he brought life to it and apparently

[00:24:46] I think on sci-fi channel they did

[00:24:48] around the late 90s early

[00:24:50] 2000s they would do some very meta

[00:24:52] like kind of before

[00:24:54] they would have like

[00:24:56] DVD like Marvel would do

[00:24:58] one shot shorts and other TV shows

[00:25:00] would have like DVD like exclusive

[00:25:02] like

[00:25:04] many prequels before the premiere of the next

[00:25:06] season

[00:25:08] they kind of did that where they had like some characters

[00:25:10] just shut

[00:25:12] the main villain just setting up his whole

[00:25:14] premise and how he has no shame in what he's

[00:25:16] doing exploiting him for

[00:25:18] ratings

[00:25:20] they're not single

[00:25:22] or one dimensional lighter they just

[00:25:24] it reads just like it does on the paper

[00:25:26] and I think what the Atlantic said about

[00:25:28] you know the time that it came out as well

[00:25:30] it was Big Brother before

[00:25:32] it was before Big Brother came out

[00:25:34] I just think everything about

[00:25:36] one of my favorite bits from the movie is

[00:25:38] actually the ads that they have within the movie

[00:25:40] pretty sure it's for serials

[00:25:42] yeah and it's like the little ads in between

[00:25:44] which I don't know if you've seen

[00:25:46] WandaVision they kind of do the same thing

[00:25:48] on the WandaVision TV show

[00:25:50] but I just that really

[00:25:52] resonated with me I was just like

[00:25:54] it was hilarious like what a

[00:25:56] ridiculous concept of having an ad

[00:25:58] for a fake serial in a TV

[00:26:00] show in a movie

[00:26:02] Ben Stiller does that remember at the beginning

[00:26:04] of Tropic Fundary as the fake movie ads

[00:26:06] oh yeah of course

[00:26:08] Jack Black enough

[00:26:10] Eddie Murphy, Sam Lerner

[00:26:12] and Rose Sout comedy we're just playing all the roles

[00:26:14] then they have another one where Robert Downey

[00:26:16] just pretend to be over dramatic and Oscar winning

[00:26:18] Oscar big movies

[00:26:20] well this is the movie as well that I think

[00:26:22] I'd seen it after seeing

[00:26:24] Ace Ventura after seeing the mask

[00:26:26] after seeing Cable Guy where I'm like

[00:26:28] you know so much

[00:26:30] he's such a diverse actor yes

[00:26:32] he's so hilarious the first

[00:26:34] 75% of the film

[00:26:36] is still really funny

[00:26:38] and those interactions like

[00:26:40] good afternoon, good morning if I don't see you

[00:26:42] good afternoon, good evening, good night

[00:26:44] just so many good quotes and like hilarious

[00:26:46] he does have ones like that almost like

[00:26:48] he's doing as many Johnny Carson

[00:26:50] yeah and then you know as soon as

[00:26:52] as soon as he starts working out

[00:26:54] what's happening and then he gets on the boat it's just like

[00:26:56] his versatility

[00:26:58] is just astounding and I think this film

[00:27:00] as well made him at least

[00:27:02] in my mind made him feel like a lot more

[00:27:04] of a serious actor people weren't like oh you're

[00:27:06] just doing this physical comedy in these like movies

[00:27:08] that are rated you know 2.2

[00:27:10] and IMDb or 6 on IMDb

[00:27:12] it's like okay you can do a lot

[00:27:14] you're a lot more than that

[00:27:16] yeah absolutely

[00:27:18] I did

[00:27:20] re-see a 2019 episode

[00:27:22] of Inside the Actor studio a few years back

[00:27:24] it's not the

[00:27:26] newer ones on Ovation

[00:27:28] and

[00:27:30] he's definitely very proud of it still

[00:27:32] but he did one where he talked about how

[00:27:34] later on

[00:27:36] in that interview he talks about his weird

[00:27:38] walk-in

[00:27:40] on scene on the first

[00:27:42] Ace Ventura and

[00:27:44] people have always noted

[00:27:46] how he uses his body kind of as a weapon

[00:27:48] in his performances and I think that's his

[00:27:50] like he's going to town

[00:27:52] with that there he's definitely

[00:27:54] especially athletic and yes man as well but

[00:27:56] like he has always

[00:27:58] viewed much like directors

[00:28:00] he does believe in the staging of everything

[00:28:02] and

[00:28:04] given how woke he's gotten in very recent years

[00:28:06] and talked about different

[00:28:08] conspiracies and health and everything

[00:28:10] just every choice he's done

[00:28:12] just feels justified

[00:28:14] you can understand why he would want to do it

[00:28:16] and this one

[00:28:18] you know

[00:28:20] like you say this is

[00:28:22] where he really just broke the ice

[00:28:24] and then like melt it

[00:28:26] and then build it from the ground up again

[00:28:28] just reminding us hey I can do this

[00:28:30] but I've always wanted

[00:28:32] to do something like this that is

[00:28:34] yeah and I do think

[00:28:36] it's an important movie I don't

[00:28:38] some people might feel it's a little

[00:28:40] outdated with some of the music but

[00:28:42] I think they're just being too cynical

[00:28:44] yeah I mean I still

[00:28:46] look at my mirror some mornings and I think

[00:28:48] am I on the Truman Show like it's just something that

[00:28:50] plagues your mind like

[00:28:52] after that for weeks years

[00:28:54] more of a big better than 1984 at times

[00:28:56] yeah definitely

[00:28:58] a great movie that is kind of a meta

[00:29:00] sub

[00:29:02] kind of mildly science fiction without

[00:29:04] having to be directly like in your face

[00:29:06] like the book of version of

[00:29:08] 1984 like it doesn't

[00:29:10] it doesn't need effects

[00:29:12] to be even better

[00:29:14] most people often mistake that

[00:29:16] yeah and I think

[00:29:18] I mean just the whole concept of it

[00:29:20] I love the fact as well that it really

[00:29:22] got you thinking obviously it's why

[00:29:24] people study it in sociology classes

[00:29:26] they study it at school

[00:29:28] it's a type of movie that

[00:29:30] yeah stayed on my mind

[00:29:32] I would say probably for the next 10 years

[00:29:34] and right

[00:29:36] yeah it's just something you can never stop

[00:29:38] thinking about

[00:29:40] and it's funny as well because I think in the moments where

[00:29:42] I've thought about you know

[00:29:44] am I on the Truman Show

[00:29:46] just like well you know

[00:29:48] who knows could be

[00:29:50] Danny Trejo the

[00:29:52] actor

[00:29:54] character actor

[00:29:56] said in more recent interviews like hey kids

[00:29:58] gotta remember hey the camera is always

[00:30:00] on you when he was talking about people misbehaving

[00:30:02] or having scandals

[00:30:04] now with even phones evolving

[00:30:06] it's not getting any easier so and there's traffic

[00:30:08] lights at every other

[00:30:10] stop that

[00:30:12] can be used to incriminate you so it's like

[00:30:14] if you got nothing to hide it's not a problem

[00:30:16] but if you're known for just being not

[00:30:18] so discreet or embarrassing others

[00:30:20] you're in trouble already

[00:30:22] especially if you want to run for congress so it's interesting

[00:30:24] in that

[00:30:26] it does remind you is like what would I do

[00:30:28] different if I knew

[00:30:30] the nature of my reality was compromised

[00:30:32] if I was in fact

[00:30:34] I would have been a spy to pond illegally

[00:30:36] yeah

[00:30:38] I mean

[00:30:40] the movie boyhood was kind of like that

[00:30:42] except more behind the scenes they filmed it

[00:30:44] over the course of like 10 years

[00:30:46] as an actual kid

[00:30:48] grew up

[00:30:50] and kept a very secret

[00:30:52] and just filmed on a weekend so

[00:30:54] you know I something like this can be experimental but this one is really

[00:30:56] delicate in that

[00:30:58] you know you casted a wonderful cast

[00:31:00] you know Laura Lenny is great

[00:31:02] as the actress hired to play his wife

[00:31:04] Noah

[00:31:06] has made a living being bad guys and I like

[00:31:08] how here this is the first thing I saw

[00:31:10] I mean but here he's like hey

[00:31:12] they paid me to be your friend

[00:31:14] you know and

[00:31:16] it's funny they've been bullshitting long enough

[00:31:18] none of their reactions are sincere you know

[00:31:20] because

[00:31:22] they know what they signed up for it was

[00:31:24] it's kind of like a syntax you put on money

[00:31:26] it's like they're collecting money from

[00:31:28] the devil in the details

[00:31:30] yeah but I think what's interesting

[00:31:32] as well with something that you touched on earlier

[00:31:34] is that I guess the way that the Truman

[00:31:36] show is set up is essentially what our

[00:31:38] society is like now except

[00:31:40] it's less

[00:31:42] we're in this fake reality it's just more like reality

[00:31:44] is constantly being recorded

[00:31:46] yeah and I think you know half the

[00:31:48] time in the Truman show

[00:31:50] he's gonna figure it out like it's gonna happen

[00:31:52] and then it just

[00:31:54] he doesn't know what's real versus fake

[00:31:56] because they've done a good job of hiding it

[00:31:58] I like how they hinted earlier on

[00:32:00] um

[00:32:02] but I think it's a perfect movie

[00:32:04] there might be a few scenes that

[00:32:06] again might be a little over dramatic

[00:32:08] but I think that's just it dating a little bit

[00:32:10] but the theme still stands out

[00:32:12] I would never say hey it's

[00:32:14] a preachy

[00:32:16] well intended but sappy

[00:32:18] movie I would never say it's an Oscar

[00:32:20] bait movie even though it was a critic

[00:32:22] darling and audiences were mixed but

[00:32:24] mostly woke up to it

[00:32:26] after a while I would never call it

[00:32:28] a

[00:32:30] ambitious but underwhelming

[00:32:32] you know mess because again

[00:32:34] it was kind of the smart movie that stood out

[00:32:36] because in 98 we were just burdened with so many

[00:32:38] asteroid movies

[00:32:40] and disaster movies

[00:32:42] and other conspiracy

[00:32:44] thrillers so this was a good

[00:32:46] odd duck out

[00:32:48] that really became

[00:32:50] its own kind of sleeper film

[00:32:52] I still see it occasionally airing on showtime

[00:32:54] or remastered

[00:32:56] because I think just

[00:32:58] I don't know if they've ever done a

[00:33:00] I would like to see a blue ray remaster of either movie

[00:33:02] I'm sure we'll get it

[00:33:04] yeah one day but I think it's interesting

[00:33:06] because this is the type of movie that I

[00:33:08] feel that no matter how far we go

[00:33:10] in the future the concept will

[00:33:12] never be outdated if anything

[00:33:14] it'll just feel more realistic

[00:33:18] absolutely um

[00:33:20] okay so I take it back

[00:33:22] there is a 20th anniversary

[00:33:28] of the cable guy

[00:33:30] he's got some new special features

[00:33:32] and an HBO first look

[00:33:34] and Comedy Central making it

[00:33:36] okay so do they have one for

[00:33:38] the true man show

[00:33:40] let's see if they got one for true man show

[00:33:44] blue ray with special features

[00:33:46] I could see shout factor doing that

[00:33:48] okay so they got

[00:33:50] mine when it first came out

[00:33:52] any special features

[00:33:54] that looks nice

[00:33:56] what type of special features does it have

[00:33:58] let me see

[00:34:06] okay

[00:34:08] looks like it's

[00:34:10] bare bones which is a shame

[00:34:12] but the doby and everything is

[00:34:14] presented well so

[00:34:16] right so it's out there

[00:34:18] definitely makes me want to rewatch the film

[00:34:20] that's for sure

[00:34:22] totally

[00:34:24] but yeah Natasha Mcahom was wonderful

[00:34:26] in that as the fan who actually believes

[00:34:28] in him and wants him to get away

[00:34:30] I think you needed that to have at least

[00:34:32] someone as an audience

[00:34:34] who's looking into it as opposed to implying

[00:34:36] that only the audience

[00:34:38] is just as bad

[00:34:40] as the filmmakers doing this

[00:34:42] unethical show I mean because like

[00:34:44] they've done so many other things years later

[00:34:46] they did

[00:34:48] so the US never had a shortage of

[00:34:50] infamous you know reality TV shows

[00:34:52] they had one that was the moment of truth

[00:34:54] which was very irrelevant where they were just

[00:34:56] like trying to catch people in the lie

[00:34:58] half the time it was embarrassing stuff

[00:35:00] it just wasn't a good quality show

[00:35:02] we made fun of it

[00:35:04] and I think senior year of high school

[00:35:06] where we had to kind of make fun of stuff

[00:35:08] and it backfired because we too were just like

[00:35:10] too ambitious with it because

[00:35:12] there's no point there's no drama

[00:35:14] you're a liar anyway and half the time it was like

[00:35:16] whoa

[00:35:18] how do you find that stuff out

[00:35:20] that should be illegal I think they got some lawsuits

[00:35:22] for it and they just had to cancel it

[00:35:24] because it just wasn't too much

[00:35:26] on one and negative press but

[00:35:28] I feel like

[00:35:30] reality TV I mean I have been on

[00:35:32] on sold TV pilot years ago

[00:35:34] up in like Austin Texas that was like about

[00:35:36] a distilled vodka company and again

[00:35:38] the producers had to encourage hey

[00:35:40] you told me about this and that

[00:35:42] I'm not pulling more into that haven't you guys

[00:35:44] you know a friend to kick each other's ass

[00:35:46] yeah I feel like with this

[00:35:48] movie as well I forgot about

[00:35:50] for a moment I forgot about the people watching it

[00:35:52] on the outside and the person in the bathtub

[00:35:54] oh fantastic

[00:35:56] yeah

[00:35:58] lots of fun

[00:36:00] yeah they do it well

[00:36:04] that is true too

[00:36:06] they do good with all the other mild supporting characters

[00:36:08] like they have like photographers who have wondered

[00:36:10] on the set and who are trying to hide

[00:36:12] them while he's oblivious to it and so

[00:36:14] he always he doesn't think anything else of it

[00:36:16] like that was weird

[00:36:18] yeah and Jim's just really good with his expressions

[00:36:20] in this one

[00:36:22] and who does the cinematographers

[00:36:24] and staging and lighting because

[00:36:26] it sets

[00:36:28] the mood without causing any more confusion

[00:36:30] it never feels like a bad

[00:36:32] Twilight Zone episode

[00:36:34] yeah I think they just do it I mean

[00:36:36] it's subtle but not so subtle so for the view

[00:36:38] obviously it's quite obvious

[00:36:40] but I love how they make it subtle

[00:36:42] for Jim Carrey

[00:36:44] those type of small interactions

[00:36:48] absolutely the small interactions

[00:36:50] and that is it like and then you see

[00:36:52] again Laura Lenny as the actress playing his life

[00:36:54] she really regrets what she's doing

[00:36:56] she's regretting this being her payday

[00:36:58] you know

[00:37:02] and again

[00:37:04] I like how some of the other TV

[00:37:06] are like are you sure you want to do this boss

[00:37:08] they're having to change their heart

[00:37:10] it just feels very

[00:37:12] organic anyone else would be

[00:37:14] just too

[00:37:16] there would probably be too much playing

[00:37:18] to the camera if it was anyone else producing this

[00:37:20] yeah

[00:37:22] I think if this was a very

[00:37:24] over dramatic ego headed star

[00:37:26] this would probably be a very bad vanity project

[00:37:28] if this wasn't any Murphy comedy

[00:37:30] it would probably just

[00:37:32] one thing I noticed about when Eddie does some serious stuff

[00:37:34] is it doesn't always blend well with

[00:37:36] when he eventually has to have that

[00:37:38] dramatic arc and that's a lot for Jim Carrey

[00:37:40] because sometimes he would have that too

[00:37:42] where

[00:37:44] the breaks fall off

[00:37:48] the hinges

[00:37:50] and then

[00:37:52] they

[00:37:54] you are just waiting for the next funny moment

[00:37:56] in the last half

[00:37:58] yeah

[00:38:00] and I think that's why it was surprising

[00:38:02] how well he did this

[00:38:04] because I didn't know whether he would be able

[00:38:06] to have the capacity to do that

[00:38:08] at the time and then watching it really

[00:38:10] yeah it was really inspired

[00:38:12] it was a really inspired

[00:38:14] choice and yeah he was great

[00:38:16] sorry

[00:38:18] Dolly

[00:38:24] much like this one too

[00:38:26] okay well so I think you could

[00:38:28] have more luck

[00:38:30] making it today

[00:38:34] but

[00:38:36] it would still be a little ambitious

[00:38:38] probably for its own good

[00:38:40] because like again someone would want to have

[00:38:42] tons of virtual reality like this is a year

[00:38:44] before the matrix we were doing cyber

[00:38:46] punkish movies but like this is more kind of

[00:38:48] just the cake is a lie

[00:38:50] how do I

[00:38:52] return to reality

[00:38:54] and discover humanity for the first time

[00:38:56] way too much CGI would happen nowadays

[00:38:58] absolutely

[00:39:00] there would be

[00:39:02] overbearing rap music playing

[00:39:04] there would have to be a lot of us to see what I did there

[00:39:06] gags

[00:39:08] produced by Adam McKay and Will Ferrell

[00:39:10] nothing against these guys but it would be a whole different movie

[00:39:14] yeah no it'd be

[00:39:16] such a different kind of oyster

[00:39:18] I don't even think I'm re-casting

[00:39:20] I really hope they don't redo it

[00:39:22] I hope they leave it as the

[00:39:24] the golden nugget of it

[00:39:26] don't make it a TNT miniseries

[00:39:28] please don't

[00:39:30] just leave it as is

[00:39:32] leave it in its perfection

[00:39:34] speed too much

[00:39:36] definitely

[00:39:40] yeah no so like

[00:39:42] cable guy would be a toll on this fire if he did nowadays

[00:39:44] this one could work in a

[00:39:46] different person but I doubt you would have just the beats

[00:39:48] that

[00:39:50] were through injecting to it

[00:39:52] to make the build up pay off

[00:39:54] I just feel as well you did it

[00:39:56] nowadays it would just be

[00:39:58] it would feel a lot more fake

[00:40:00] I think the fact that they did it at a time

[00:40:02] it was perfect

[00:40:04] yeah whereas like when you're watching it

[00:40:06] you know that it's fake but you're drawn into that world

[00:40:08] um

[00:40:10] I guess that's the whole point

[00:40:12] the thing though is running man

[00:40:14] like you had to be there to get what you got back then

[00:40:16] like

[00:40:18] believe it or not Steven Indisoza even

[00:40:20] asked the future producer of American Gladiators

[00:40:22] he's like how'd you get that idea

[00:40:24] he said I got it from

[00:40:26] your movie but I took it literally

[00:40:28] without any of the satire

[00:40:30] now don't get me wrong the running man

[00:40:32] is not a perfect movie but it

[00:40:34] you can't say it's a stupid movie either

[00:40:36] it's just trying to do two things at once

[00:40:38] it's trying to have a cool sci-fi B movie

[00:40:40] plot that would be

[00:40:42] probably worked better in the 70s and it's

[00:40:44] also trying to be a Schwarzenegger

[00:40:46] action film so

[00:40:48] yeah yeah

[00:40:50] this is the same kind of deal where it's just like

[00:40:52] um

[00:40:54] who would you pick nowadays

[00:40:56] because it just seems like

[00:40:58] everybody likes to just

[00:41:00] I don't know who would fit the role

[00:41:02] I have no idea

[00:41:04] who would actually fit it I would say though

[00:41:06] the perfect person would be Jim Carrey but older

[00:41:08] um but

[00:41:10] you know I can't really think of

[00:41:12] you know like a Tom Holland or a Benedict Cumbach

[00:41:14] or who knows

[00:41:16] he's unfortunately retired so

[00:41:18] yeah true but at least he's left us

[00:41:20] with this legacy it never felt like

[00:41:22] he left

[00:41:24] yeah exactly we can watch it for years on

[00:41:26] yeah

[00:41:28] funny how

[00:41:30] it works um

[00:41:32] but

[00:41:34] yeah that's true had it come out like

[00:41:36] post

[00:41:38] survivor in

[00:41:40] yeah it just wouldn't have had the edge

[00:41:42] that it did when it came out I think it was just such

[00:41:44] a unique concept at the time

[00:41:46] that people would be too aware you're trying to

[00:41:48] yeah just it's over done

[00:41:50] at this point

[00:42:02] all together I mean

[00:42:04] we get a good idea

[00:42:10] we just feel like

[00:42:12] nowadays filmmakers like to over explain stuff

[00:42:14] mm

[00:42:16] and

[00:42:18] we always seem to just

[00:42:20] even have producers who feel like audiences are just too dumb

[00:42:22] to get it it's nothing personal

[00:42:24] but they're even overthinking it it's like no

[00:42:28] and and nowadays yeah I just think

[00:42:30] it was a product of its time that worked perfectly

[00:42:32] and I think nowadays I wouldn't be able to

[00:42:34] replicate that

[00:42:36] just have too many controversial hot tags

[00:42:38] or heated moments

[00:42:40] yeah exactly

[00:42:42] well this has been delight thank you ever so much for

[00:42:44] arranging this chat and

[00:42:46] anything you would like to promote Harry

[00:42:50] yeah I'd love to promote the chucking a

[00:42:52] sicky podcast all about your perfect day

[00:42:54] off of course

[00:42:56] Cam you were a guest on the pot as well

[00:42:58] I wonder how that happened yeah

[00:43:00] thank you for having me on that it was great to just vent

[00:43:02] and share some natural comedy

[00:43:04] yeah that's what was weird

[00:43:06] just doing take an improv and cause when you have to

[00:43:08] remind everyone hey don't try to be funny

[00:43:10] just let loose

[00:43:12] yeah life is

[00:43:14] inherently funny

[00:43:16] you know your musings will write themselves

[00:43:18] and it's all organic you can't

[00:43:20] recreate that it's all funny

[00:43:22] yeah if you try to be scripted it's generally not funny

[00:43:24] yeah exactly and so

[00:43:26] yeah it was great having you on the show

[00:43:28] we get a whole bunch of different comedians in

[00:43:30] actors playwrights great stuff

[00:43:32] yeah so thanks so much for having me

[00:43:34] on Jacked Up Review Show podcast

[00:43:36] anytime

[00:43:38] welcome back anytime

[00:43:40] I promise we'll do some other fun crossovers

[00:43:42] and

[00:43:44] man this was too much fun

[00:43:46] thanks so much

[00:43:48] absolutely

[00:43:50] okay

[00:44:08] you

[00:44:10] you

[00:44:12] you

[00:44:14] you

[00:44:16] you

[00:44:18] we'll return after these messages

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[00:44:22] you

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[00:45:14] do you ever find yourself thinking about who would

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[00:45:18] hi I'm James Gavzien on the

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[00:45:30] week and almost always am I the winner

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[00:45:44] and even the Muppets versus Sesame Street

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