Transformers Vs. The Terminator Comic Book Review (with Oreo Brewer)

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[00:00:56] So tonight, we are talking about Transformers vs. The Terminator. That's right.

[00:01:06] It's a good crossover.

[00:01:09] On paper, it sounds dorky, and yet I was loving reading this just because the illustrators showed, to Oreo's point, behind the scenes, you know, artwork, but they...

[00:01:23] It's just so tongue-in-cheek. Like, I'm not saying it's Deadpool-level, but I mean, they are making fun of why does this robot sound like a German barking orders.

[00:01:32] I love how... It's very sarcastic, like an actual, like, Transformers fan.

[00:01:39] So I think it'll, you know, it hits the nail on the head for them, but I love how it also just goes all other kinds of ways.

[00:01:50] And I love how Sarah Connor gets roped in the action. This is before she's even seen any of these killer bots, and she's like,

[00:01:57] Oh, well, I guess I'm not going back to my waitress job right now.

[00:02:01] It's just...

[00:02:02] It's just...

[00:02:03] It's just...

[00:02:03] It's so rich.

[00:02:04] It's so nutty, and...

[00:02:07] You know, for...

[00:02:08] The plot list, too.

[00:02:10] Oh, well, you gotta...

[00:02:11] Yeah, so spoiler, spoiler, spoiler.

[00:02:14] Spoiler, spoiler.

[00:02:16] Fuck you.

[00:02:17] Spoilers.

[00:02:18] Um...

[00:02:18] Yeah, so I really dug how Skywatch,

[00:02:24] you know, the corporation that the Transformers try to battle against.

[00:02:30] Yeah.

[00:02:30] They were connected to Cyberdyne before it, and they helped launch the whole Skynet takeover.

[00:02:36] That was perfect.

[00:02:38] I thought, perfect, you know, because why all...

[00:02:41] You know, Megatron's going to find a reason to go and, you know, send a message to Earth that he's here to, you know, attack various ones.

[00:02:48] So, yeah, how perfect it is that people...

[00:02:51] Skywatch is, you know, in the middle of, like...

[00:02:54] This is basically like a third-party contractor with the development of Cyberdyne products.

[00:03:00] And meanwhile, Cyberdyne's doing a tour for visitors and tourists.

[00:03:03] I'm like, see, that's awesome.

[00:03:04] It's give them a reason to have a hostage takeover.

[00:03:07] Don't just happen to be at any random mountain resort, you know?

[00:03:10] Yeah.

[00:03:11] Don't.

[00:03:13] And just the battles were awesome and easy to follow.

[00:03:17] I loved how a lot of it, when people are jumping midair, they're jumping onto literally the other side of the page.

[00:03:24] So awesome to whoever stenciled, outlined, and colored all of that.

[00:03:30] That was awesome.

[00:03:32] I love how RT-800 is having second thoughts and everything all the time.

[00:03:38] You never know if he's going to turn or not.

[00:03:40] And he stills, you know...

[00:03:43] Well, he doesn't still.

[00:03:44] He is given one of the Transformer weapons.

[00:03:47] And he's here because, you know, Skynet views, you know, the Autobots as a Fred.

[00:03:54] And he's come in to a whole different scenario of it.

[00:03:56] And he's like, oh, well, technically, Megatron, you know, the...

[00:04:02] Yeah.

[00:04:03] And, you know, his whole faction is going to decimate the Earth and Fred and Mankind.

[00:04:12] So, yeah.

[00:04:15] Those Decepticons, they are the real Fred.

[00:04:17] And I love how they try to turn him against it.

[00:04:20] I forget who it is.

[00:04:21] I think it's Starscream.

[00:04:22] Fucks with him a bunch.

[00:04:23] And then there's a bunch of others.

[00:04:24] And it's just...

[00:04:26] The dialogue, though, is perfect.

[00:04:27] So, anyone who wants every single bot accounted for, don't say they didn't hit some kind of a home run.

[00:04:36] Like, they give as much screen time as they can while moving the story along.

[00:04:39] And it's not thin.

[00:04:41] It really is very interactive.

[00:04:44] I would watch it as a literal movie by Hasbro and Lionsgate.

[00:04:48] And then I would also watch it as a...

[00:04:50] In fact, technically Paramount owns it right now.

[00:04:53] So, technically, if they wanted to, they could.

[00:04:56] But I hear that's not the case.

[00:04:58] They got an anime planned, actually, I think, for either Paramount or HBO Max.

[00:05:02] Anyway, that doesn't matter.

[00:05:04] We're talking about why this comic rules.

[00:05:06] But I've talked too long.

[00:05:09] So, did you see this when this came out?

[00:05:10] Or did you read it in more recent years like me?

[00:05:14] I read Transformers Terminator a few years ago.

[00:05:21] Nice.

[00:05:22] Yeah, because I was looking for Comics 3 at the library.

[00:05:26] Found it and was like, cool.

[00:05:28] So, grabbed it up.

[00:05:32] I enjoyed it.

[00:05:33] Good shit.

[00:05:35] Yeah, I wasn't familiar with these authors.

[00:05:37] Had you read anything else by them?

[00:05:39] Let me see.

[00:05:43] Comics Terminator.

[00:05:44] Yes, guys.

[00:05:45] Sometimes we research while we're recording.

[00:05:47] But yeah, I had no idea it was a co-production between Dark Horse.

[00:05:50] But that makes better sense.

[00:05:51] I did see their logo.

[00:05:52] But I was mainly distracted by the IDW thing.

[00:05:56] Yeah, because Transformers is under IDW.

[00:05:59] That makes better sense.

[00:06:00] Okay, so.

[00:06:01] John Barber.

[00:06:03] David Marlott.

[00:06:04] And Tom Waltz.

[00:06:06] So, they are the main minds behind it.

[00:06:09] J. Kim Wood did the lettering.

[00:06:12] Penciling was done by Alex Milne.

[00:06:16] And Barber.

[00:06:16] Alex, I know he's cool.

[00:06:18] Oh, really?

[00:06:19] Is he on social media?

[00:06:20] Yeah, he's on...

[00:06:23] He's not insensitive like one of those other comic book decks you've come on.

[00:06:26] No.

[00:06:27] No, no.

[00:06:28] I'm not saying he is.

[00:06:29] I just find it funny.

[00:06:32] We always have a habit of running into him.

[00:06:34] Like, I accidentally insulted, for instance, one time at one of those ILM visual effects artists.

[00:06:41] Because I was just pretty much just saying, yeah, none of these Jurassic World movies are going to be good.

[00:06:45] And he's like, oh, geez, thanks, man.

[00:06:48] I'm like, I didn't know you're in the fucking chat.

[00:06:50] Fuck off.

[00:06:51] You are only worried about getting money for making crappy effects.

[00:06:56] Don't tell me.

[00:06:57] You should like the movie.

[00:06:59] It was like the one dude when Zack Snyder was in a chat.

[00:07:03] And this dude comes in.

[00:07:06] He just would not shut the fuck up about Charlie Hunnam as Green Arrow.

[00:07:10] And he kept asking and asking and asking and asking.

[00:07:13] And after, like, 15 minutes, Zack left the fucking chat because of him.

[00:07:20] I'm like, Jesus Christ, kid.

[00:07:23] But yeah, I know Alex.

[00:07:24] And why do they ask for rumors when they're just going to be told I can't answer?

[00:07:28] Because that's how every fan is.

[00:07:30] They're like, I need to know this.

[00:07:32] I need to know that.

[00:07:33] And it doesn't go anywhere.

[00:07:35] It's so dumb.

[00:07:37] It's like if it's a rumor, 100% it's not going to happen.

[00:07:40] And then they're always acting like, oh, so-and-so was rude to me.

[00:07:44] I'm like, he didn't tell you to fuck off.

[00:07:46] He told you to drop it.

[00:07:47] Big ass difference.

[00:07:48] I see people doing that whenever an actor says something out of line.

[00:07:51] And they're like, we'll see the co-stars or producers basically essentially shutting them up.

[00:07:57] I'm like, well, that's their job.

[00:07:59] They are not promoting the product.

[00:08:02] If you're my mascot and you're making a scene at the grocery store where you're supposed to sell insurance or tickets to see a ball game.

[00:08:10] Yeah, I'm going to call you out and say, shut the fuck up.

[00:08:14] Yeah, Alex is a good guy.

[00:08:16] He sells a lot of his art on Twitter now and then.

[00:08:19] Like, I forget his name.

[00:08:21] He used to totally form a Patreon.

[00:08:23] It's just, so this gets out of five stars, 5,000 stars.

[00:08:30] It's so crispy.

[00:08:31] I would frame it.

[00:08:34] So David Garcia Cruz was the colorist.

[00:08:38] The editors were Megan Brown, Riley Fowler, and Tom Waltz.

[00:08:43] Yeah, he's going to be a toxic guy.

[00:08:44] Hey, we made a good for something.

[00:08:46] Fuck you, dude.

[00:08:47] Oh, I read another one yesterday.

[00:08:49] The Witchblade Obaki Mono from 2002.

[00:08:55] Done by Fiona K. Avery, I think.

[00:09:02] Hmm.

[00:09:02] Yeah.

[00:09:04] Yeah.

[00:09:04] I swear to you, I will catch up on the Witchblade comics.

[00:09:07] I've been meaning to for a while.

[00:09:08] I was more familiar with the adaptation.

[00:09:10] Yeah, it's a spin-off comic, though.

[00:09:13] I like it, though.

[00:09:14] But it's aged really well for being 22 years old.

[00:09:17] Oh.

[00:09:19] Do you think this did pretty well, considering this came out in the middle of COVID?

[00:09:24] Yeah, definitely.

[00:09:26] Like, that's the thing.

[00:09:27] Everybody likes things.

[00:09:28] Timing sucks for everything, man.

[00:09:30] It goes back to the last decade, too.

[00:09:33] From March to September, it was four issues.

[00:09:36] Surprisingly, the overall rating is a 6.8, which, I'm sorry.

[00:09:39] Fuck you.

[00:09:41] It is more than just decent.

[00:09:43] A 6 out of 10 is going to be something...

[00:09:48] That would be Kill Human, the less Terminator Robocop thing.

[00:09:52] Again, that was good until the divisive ending, but it had good artwork, and it was an involving story for four issues.

[00:10:00] This, like, I would see an anime of this.

[00:10:02] I would see a cartoon of this.

[00:10:04] And it's set in 1984, so it's cool seeing them kind of catch the retro California kind of look.

[00:10:11] Well, then you'd like Transformers Back to the Future, too.

[00:10:14] That's why it worked even better.

[00:10:16] It's complementing their various chaotic adventures and how they're an 80s product.

[00:10:21] So it made sense to set it that way.

[00:10:26] The editor-in-chief of John Barber, who worked for IDW, he apparently said that it just...

[00:10:35] The visual terror of the first Terminator, it got his pulse running, and he worked on Transformers a lot.

[00:10:41] And he just...

[00:10:42] He had to...

[00:10:45] It was inevitable.

[00:10:48] Inevitable, yeah.

[00:10:49] So the Autobots represented here are RC, Bumblebee, Cosmos, Gears, Glith, Huffer, Jazz, Mirage, Optimus Prime, of course.

[00:11:00] Power Glide, Prowl, Ratchet, Sidesweep, Trail Breaker, Velocity, and Wheeljack.

[00:11:07] I was mainly following Wheeljack and Ratchet and definitely Jazz.

[00:11:11] And Bumblebee's the main one, of course, because isn't he always?

[00:11:16] Yeah.

[00:11:17] The Decepticons represented here, other than Megatron and Starscream, are Thundercracker, Soundwave, Skywarp, Shrapnel, Refractor, Ravage, and Kickback.

[00:11:29] So it is awesome seeing them...

[00:11:34] Bombshell.

[00:11:35] Bombshell especially.

[00:11:36] It is awesome seeing them get blown the fuck apart.

[00:11:39] It's like...

[00:11:41] You would like the infestation there, too.

[00:11:46] Which is Transformers, Star Trek, Teenage Mutant Ninja Turtles.

[00:11:53] Yeah, yeah.

[00:11:54] I've been meaning to read that IDW comic for a while.

[00:11:56] It was back in 2011.

[00:11:59] I've got lucky.

[00:12:00] I bought the Omnibus set, which is small.

[00:12:04] It's really small, which surprised me.

[00:12:06] It's as tall.

[00:12:07] It's a little bit taller than a Funko Pop box.

[00:12:10] People bash crossovers, but I love it.

[00:12:13] I love when people can just fuck around and just have fun.

[00:12:17] I mean, you've got the licenses for it also, you might as well.

[00:12:20] Mm-hmm.

[00:12:21] As opposed to we're doing it just for ratings.

[00:12:25] We've got five shows on the same network.

[00:12:27] Let's have them all cross over, even though the tones...

[00:12:31] Marvel.

[00:12:33] NCIS would do it, and it would suck.

[00:12:34] I would love the first two parts, and then the third part would be a total just nothing.

[00:12:39] You know, like, what a chicken shit way to end that.

[00:12:42] All that fun.

[00:12:43] I hope you don't even air it together when it syndicates.

[00:12:47] Um...

[00:12:47] We'll return after these messages.

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[00:14:13] I mean, pretty hard to ruin this.

[00:14:18] True.

[00:14:19] Yeah, it's very involving.

[00:14:21] I love how, again, you're not sure if the Terminator is going to betray them, but he's always...

[00:14:26] I always like how he's like,

[00:14:28] Rumi, Rumi, no.

[00:14:31] Blasting them in the air, and he's already decimating half his body.

[00:14:35] And it's cool to give them some kind of persona instead of them just continually trying to emulate, you know, redraw Arnold's look as he slowly, inevitably demolished.

[00:14:47] It would have been awesome had he reprogrammed, like, the T-1000 or something, but that would have been too much.

[00:14:52] It would have been too much.

[00:14:55] So I love how they just went straight into, yeah, no, here's what we're doing.

[00:15:02] That was my chainsaw bazooka machine gun.

[00:15:05] I killed the fucking father of the ding dong.

[00:15:08] Yeah, thank you.

[00:15:09] I know the coordinates.

[00:15:11] I will help you.

[00:15:12] I'm going to be your best friend.

[00:15:13] I'm going to be in the band.

[00:15:14] I'm going to be newly in singer of the band.

[00:15:15] I'm going to write lyrics for you.

[00:15:17] It's going to be tenacity with me.

[00:15:19] It's going to be the best.

[00:15:20] We're going to be the best.

[00:15:20] We're going to be our brothers.

[00:15:21] We're going to be like three masketeers.

[00:15:23] Yeah.

[00:15:25] No.

[00:15:26] I mean, a lot of that sounded good, but...

[00:15:28] Yeah, yeah.

[00:15:29] I don't know.

[00:15:31] I'm sorry to say it, Terminator.

[00:15:33] You're just coming on a little strong.

[00:15:35] Me and KG are a duo.

[00:15:36] We're not really used to this.

[00:15:38] Thanks.

[00:15:39] Thank you.

[00:15:39] Appreciate your help.

[00:15:40] For everything you've done.

[00:15:41] Thank you for the coordinates.

[00:15:43] This is where we part ways,

[00:15:45] but thank you for fucking everything you did.

[00:15:49] Yeah, man.

[00:15:50] It really is dynamite.

[00:15:52] It really is.

[00:15:54] That's why I always get hooked on IDW stuff

[00:15:56] more than Marvel or DC.

[00:15:59] Them and Image,

[00:16:00] they have kind of figured out how to just be nutty.

[00:16:03] I mean, they did one where they had both

[00:16:05] universes of Battlestar Galactica facing off.

[00:16:09] Yeah.

[00:16:11] And it was by Peter David,

[00:16:13] who's, you know,

[00:16:14] missed a lot with Marvel and Star Trek.

[00:16:17] But I love how they'll just...

[00:16:24] I think it's more than just the risk-taking

[00:16:25] and the coloring and...

[00:16:28] It's just a great opportunity

[00:16:30] because they're there

[00:16:32] and it's cheaper to do it in a comic

[00:16:34] versus trying to make a movie out of it.

[00:16:37] Mm-hmm.

[00:16:38] Because if you try to do a movie,

[00:16:40] it doesn't always pan out like it should.

[00:16:42] Correct.

[00:16:43] A movie...

[00:16:44] There's going to be too many cooks.

[00:16:45] There's going to be Stallones or Eddie Murphys

[00:16:48] who come in and are like,

[00:16:49] hey, can I, you know...

[00:16:51] That's why I'm, like,

[00:16:52] anxious for G.I.G.

[00:16:53] versus Transformers.

[00:16:54] But I'm also like,

[00:16:57] okay, if this actually pans the fuck out,

[00:17:01] it can't open the door

[00:17:02] for other crossover films to happen.

[00:17:06] Mm-hmm.

[00:17:06] But it's a very thin line

[00:17:09] and that all depends on whether or not

[00:17:10] it actually fucking works.

[00:17:17] Yeah.

[00:17:18] I don't know.

[00:17:18] Yeah, no, very much so

[00:17:20] because they lean so much into the hype

[00:17:24] to where you're like,

[00:17:25] I don't want to be disappointed again,

[00:17:28] so I'm not looking forward to it.

[00:17:31] Like, it's not the same

[00:17:33] as when it would happen in the 80s

[00:17:34] where someone did something

[00:17:35] that had never been done before on TV

[00:17:37] or in the 90s

[00:17:38] where they would take a risk

[00:17:41] and have a rapper or sports star

[00:17:43] or TV host, you know,

[00:17:46] do their own movie, you know.

[00:17:48] This is not like...

[00:17:50] And everyone went to see it

[00:17:51] even though it was poorly reviewed,

[00:17:53] you know.

[00:17:53] This is not...

[00:17:54] This is not like...

[00:17:55] It's like Space Jam.

[00:17:57] Space Jam.

[00:17:58] Space Jam is a good example

[00:17:59] Space Jam is pretty much the pinnacle

[00:18:00] and having seen it like 20 times,

[00:18:02] I am surprised I never wore

[00:18:04] that fucking VHS out.

[00:18:05] Like, I really am.

[00:18:07] Because everything else,

[00:18:07] we were having to adjust tracking

[00:18:09] or it got used

[00:18:10] and it's like somehow

[00:18:12] I never broke that damn clamshell VHS.

[00:18:17] Yeah, Space Jam is a perfect example

[00:18:19] for all server done right at the right time.

[00:18:22] It's a cool fight to the death

[00:18:23] and sports fans love it.

[00:18:26] Cartoon fans love it.

[00:18:27] And as a movie,

[00:18:30] it goes from point A to B

[00:18:31] so fast without...

[00:18:33] Yeah, there's like no break.

[00:18:35] Like, it took me years, dude,

[00:18:37] to notice the various references

[00:18:38] to Pulp Fiction and...

[00:18:42] They're so obvious too.

[00:18:43] That's the best part.

[00:18:45] That's why I faceball myself.

[00:18:47] I'm like, even if I didn't know,

[00:18:48] I shouldn't know.

[00:18:49] But yeah, I mean,

[00:18:50] it's literally almost...

[00:18:52] I love it when people do a Bloodsport

[00:18:54] or Running Man kind of scenario

[00:18:55] and then they put in basically all...

[00:18:58] They should do that just with a movie now

[00:19:00] and just get...

[00:19:02] They should do something better

[00:19:03] than the actual Expendables.

[00:19:04] Just get all your favorite personas

[00:19:05] and put them in a room together.

[00:19:07] Like, I think Jumanji movie sequels

[00:19:09] have kind of done something like that.

[00:19:10] Just get five likable geeky icons,

[00:19:14] add a few other comedians for the sequel

[00:19:16] and then just have them be in crazy mazes

[00:19:18] and don't be too kiddy

[00:19:21] and don't be too adult.

[00:19:23] Just that safe, easy-going PG-13 popcorn net.

[00:19:28] I hate PG-13.

[00:19:30] I'm sick of it.

[00:19:31] I like it when it's not like forced.

[00:19:35] Like, it's like...

[00:19:37] Marvel.

[00:19:38] Yeah.

[00:19:39] Be more like Born Identity

[00:19:41] or, you know,

[00:19:43] even the American versions of Taken

[00:19:45] and Transporter

[00:19:45] and, you know,

[00:19:47] all the James Bonds were just like,

[00:19:48] yeah, I can still show blood

[00:19:49] but not, you know, on my shirt.

[00:19:52] But it didn't get the R

[00:19:53] because we didn't focus on it too much

[00:19:55] in every scene, you know.

[00:19:56] Or you can be like Lord of the Rings

[00:19:58] where it's still brutal

[00:19:58] but because they're monsters

[00:20:00] and the blood's green or black,

[00:20:02] it didn't get a, you know, R rating.

[00:20:05] Unless the blood had been red.

[00:20:07] And don't have it look fake, too.

[00:20:10] That's my main deal.

[00:20:11] Like, there are plenty of movies

[00:20:12] where there's gore in every minute

[00:20:13] but because it's so poorly shot or dark,

[00:20:16] it's not exciting or awesome.

[00:20:17] Evil Dead Rise.

[00:20:20] Ouch.

[00:20:22] I hated the remake, though.

[00:20:23] Fuck that 2020 movie.

[00:20:25] Literally, you watch that

[00:20:27] and then you watch Rise

[00:20:28] and it's just literally copy-paste.

[00:20:32] I like The Scissor Death

[00:20:33] but it's all good.

[00:20:36] There's plenty of bad movies out there, though,

[00:20:39] that the hype kills it

[00:20:41] to where I'm having to force myself

[00:20:43] to wait a year.

[00:20:44] And I hate that.

[00:20:45] I should be able to watch it now

[00:20:47] without any interference

[00:20:48] and tickets are just...

[00:20:50] God damn it, I hate the prices.

[00:20:52] I'm just like...

[00:20:55] That's why I say a kid price.

[00:20:57] Well, I'd try that, too.

[00:20:59] But it's still...

[00:20:59] It's gotta be

[00:21:00] $40, $50 outing

[00:21:02] to where...

[00:21:03] It's like...

[00:21:04] If the movie's not good...

[00:21:04] How much are you spending

[00:21:05] $40 or $50?

[00:21:06] Jesus Christ.

[00:21:08] These AMC theaters suck ass, dude.

[00:21:10] Oh, that's where you go.

[00:21:12] I go to RC

[00:21:14] which is...

[00:21:15] It's its own chain

[00:21:17] and they don't care

[00:21:19] what you pay for the tickets

[00:21:20] as long as they get the tickets.

[00:21:22] So I always pick kid price

[00:21:25] and it's used to...

[00:21:26] I try kid prices, too

[00:21:27] but there's gotta be

[00:21:27] at least one at all

[00:21:28] because of the movie

[00:21:29] we're going to do, so...

[00:21:30] Yeah.

[00:21:31] I'm sure they know.

[00:21:33] They just don't keep up with it.

[00:21:34] That's true.

[00:21:36] And...

[00:21:36] How much about prices?

[00:21:37] There's a workaround.

[00:21:38] You can save more

[00:21:39] if it's digital

[00:21:41] or...

[00:21:42] You can just...

[00:21:43] Comixology

[00:21:44] where they do the whole...

[00:21:46] Or just go to the library.

[00:21:48] That's the easiest way to do it.

[00:21:48] Or the library.

[00:21:49] That's just it.

[00:21:50] Yeah.

[00:21:50] You can always wait

[00:21:51] as long as you get to see it

[00:21:52] without interference.

[00:21:54] That's...

[00:21:54] That's why I always...

[00:21:55] I never buy issues anymore.

[00:21:57] I don't.

[00:21:57] I literally don't want to buy issues.

[00:22:00] Wait for it.

[00:22:00] I wait.

[00:22:01] Yeah, exactly.

[00:22:02] And that's like a month

[00:22:03] or so...

[00:22:04] That's a year wait.

[00:22:05] I don't mind that.

[00:22:06] I'm like, fuck it.

[00:22:07] I can wait a year.

[00:22:08] I don't give a shit.

[00:22:09] And then it comes out

[00:22:10] and it's like,

[00:22:11] oh, it's really worth the wait.

[00:22:14] I think the biggest arc

[00:22:16] that I killed

[00:22:16] the most...

[00:22:17] Biggest arcs I killed

[00:22:19] were on

[00:22:21] the original Civil War,

[00:22:24] House of M,

[00:22:29] Power Rangers run,

[00:22:31] volumes 1 through 15,

[00:22:34] plus Draken's arc

[00:22:36] by himself.

[00:22:38] Yeah, that was tiring.

[00:22:41] Holy shit.

[00:22:42] But it was so good.

[00:22:43] But it was so much

[00:22:44] to take in

[00:22:46] and my head was like...

[00:22:49] Seriously?

[00:22:51] Yeah, but it was fun.

[00:22:52] Like, shit.

[00:22:54] It's easy stuff.

[00:22:54] Kudos to Comixology

[00:22:55] and all those other apps

[00:22:56] for allowing basically

[00:22:58] the equivalent of a rental.

[00:23:00] And I just view it discounted.

[00:23:03] Yeah.

[00:23:04] And of course,

[00:23:04] I write everything out of order.

[00:23:06] So it's like,

[00:23:07] I remember this

[00:23:08] and then I have to go back.

[00:23:09] I remember someone...

[00:23:11] I used to know someone

[00:23:12] who would do that

[00:23:13] with TV shows.

[00:23:14] He would watch stuff

[00:23:15] like Supernatural

[00:23:15] and Reverse Order

[00:23:16] just based on...

[00:23:18] I'm like,

[00:23:18] that's got to be confusing.

[00:23:20] Yeah, that's a note.

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[00:23:45] It's a jacked up review show.