Favorite Moments in David Ayer's East L.A. Movies (with Oreo Brewer)

[00:00:00] This podcast is a production of Unfiltered Studios. If you would like to know more about joining Unfiltered Studios, please visit our website at unfpod.com for more information.

[00:00:14] L.A.'s always been a hunting ground. I've been hunting armed men through this city since O.J. was doing Hertz commercials. And I can tell you, one thing never changes. Nobody sees it coming.

[00:00:28] Okay, everybody, listen up. This franchise officially closed due to numerous fire code violations.

[00:00:35] You think it's easy maintaining a professional standard down here?

[00:00:38] Yeah, well, as a great philosopher once said, mo' money, mo' problems.

[00:00:49] You get in a car with Frank Rourke and it'll never be simple again.

[00:00:54] I'll be alright.

[00:00:55] Promise me you won't get lost out there.

[00:01:01] Detective Rourke. Kyle Craig.

[00:01:04] Who the hell's Kyle Craig?

[00:01:07] I'm your new trainee?

[00:01:08] Well, come on. Might as well get this over with.

[00:01:13] Sir, somebody's in the trunk.

[00:01:15] Frank!

[00:01:15] Say with observation skills like that, you're gonna make a fine detective.

[00:01:19] Alright, this isn't a training day. It's more of a trial by fire.

[00:01:24] If you ever have a son, I have to warn him about cops like you.

[00:01:34] Sue first and who cares if you're wrong? You can always make something up, right, Frank?

[00:01:38] Wrong. You gotta warn him about the ones who don't care.

[00:01:40] We hunt the city's most dangerous game.

[00:01:43] Heavily armed and highly motivated and they will kill you, Kyle.

[00:01:46] Bullets either go in the bad guys or you wind up wearing them.

[00:01:49] I'm a cop, Frank.

[00:01:50] Cops have rules. We have limits.

[00:01:53] Building up is hard.

[00:01:54] So, you're gonna what? Rehabilitate this guy?

[00:01:57] I'm gonna train him.

[00:02:49] Crooked motherfucker.

[00:02:53] Tell that money.

[00:02:55] Hide behind a patch.

[00:02:58] So, we've been talking about just covering all sorts of shit and revisiting other stuff.

[00:03:04] And one episode was not good enough for David Iyer's East LA Prime Films.

[00:03:09] And now, you know, it's unfortunate that now people only seem to know him as the divisive superhero movie guy

[00:03:18] or now the guy working with Jason Statham and Kurt Wimmer, guys he meant to work with for a while

[00:03:23] and now finally is working with.

[00:03:25] And I'm just like, he will always be Mr. East LA Crime Fiction Guy.

[00:03:32] I don't know why this...

[00:03:35] People are dumb.

[00:03:36] They just don't look at scripts or they think, oh, he's not that great.

[00:03:40] I'm like, whatever.

[00:03:43] Nah, true story.

[00:03:46] He's doing pretty good for a guy who started off reworking movies like Taking Lives and a Steven Seagal film.

[00:03:53] And now he's...

[00:03:55] And not getting credited for a lot of the stuff he did in the first place.

[00:03:58] Right, and the Fast and Furious is like, I don't count that as his East LA movies, but he came up...

[00:04:04] Like, you can tell.

[00:04:05] Like, there's such a difference with the style and dialogue along compared to where the franchise later goes.

[00:04:13] True.

[00:04:16] That's why he was so vocal against Suicide Squad when it came out, because he's like, that's not what I worked on.

[00:04:27] And the studio put out these...

[00:04:28] I knew people who worked on the Fantastic Four movie from 2015.

[00:04:32] Same deal.

[00:04:32] I love that fucking movie.

[00:04:35] It's unfinished, but it's got some ideas.

[00:04:38] But either way, I was just like, I would like to see a director, a producer's cut versus...

[00:04:44] What's wrong with Josh's take?

[00:04:47] Apparently, they shot a lot of different stuff.

[00:04:50] Like, he had a very valuable crew, but truth be told, the stars were being toxic, and he was high as a kite, just saying, oh, good.

[00:05:00] I don't know.

[00:05:01] So, I'm like...

[00:05:02] So, I would call this the editor's cut.

[00:05:05] I want to see what the competent crew he had, you know, put together.

[00:05:10] Because think of it like with Waterworld, where the director and star are too close to it, and the studio abandoned it.

[00:05:17] So, we want to see what, again, people put together using both takes.

[00:05:23] You know, and kudos to Iyer.

[00:05:26] He's established his own production company called Cedar Park Entertainment.

[00:05:30] And I'm glad he's moved on.

[00:05:32] For a while, they were trying to get him to do remakes of stuff like Scarface and The Wild Bunch.

[00:05:39] And I'm just like, yeah, don't...

[00:05:41] You can't really replicate all that shit.

[00:05:45] That's too much.

[00:05:46] They wanted him to do a version of The Dirty Dozen.

[00:05:49] I'm like, ah, how's that going to work?

[00:05:51] We'll just call it The Baker's Dozen.

[00:05:54] The Baker's Dozen.

[00:05:55] The Half-Baked Dozen.

[00:05:56] There you go.

[00:05:57] Jim Brewer and Dave Chappelle.

[00:06:00] So, we're going to be discussing Training Day, Dark Blue, SWAT, Horse Times, Street Kings, End of Watch, Sabotage, and The Tax Collector.

[00:06:16] The best undercover agents in the DEA.

[00:06:22] Say I'm a killer.

[00:06:24] Make her ass strike.

[00:06:36] Cartel's got the wife and kids.

[00:06:38] We're here to bring him home.

[00:06:50] You're learning the future and you the past.

[00:06:54] Got your kids.

[00:06:55] You want to buy them back?

[00:06:57] You don't think he wants to spill blood?

[00:06:58] He wants to cut your heart off.

[00:07:00] Can't run.

[00:07:01] What's left?

[00:07:02] I got a 380 on each ankle, 38 on my right, 25 on my left, chopper in the trunk, black on my belt.

[00:07:08] I'm on here.

[00:07:17] Took my kids, man.

[00:07:18] I'll ride with you to the wheels for all of us.

[00:07:21] You're bad.

[00:07:22] You ain't that bad, all right?

[00:07:33] Open your mouth.

[00:07:34] He'll splatter your brains out.

[00:07:35] I don't want that.

[00:07:36] I do.

[00:07:37] I want that.

[00:07:40] All movies I've seen except Tax Collector.

[00:07:43] It's all good.

[00:07:43] So the Tax Collector doesn't like it or hate it, but the only connection is...

[00:07:47] Does he actually collect taxes, though?

[00:07:51] Yeah.

[00:07:52] Okay, good.

[00:07:53] In a way.

[00:07:54] It's false advertising.

[00:07:55] It's false advertising.

[00:07:56] He works for a crime lord called The Wizard.

[00:07:59] Anyway, um...

[00:08:00] I'm the wizard.

[00:08:02] I need to get hungry.

[00:08:03] But it's just so funny how the Shot Caller of the Bloods gang, Bone, played by Clee Sloan from Training Day, like that character returns.

[00:08:16] So I'm like, awesome.

[00:08:17] Finally, you're...

[00:08:18] It's not just the same actor.

[00:08:20] You're having the character cross over.

[00:08:23] A minor character.

[00:08:25] In a good way.

[00:08:26] So we'll also briefly talk about Deputy and the Training Day show.

[00:08:31] Um, but...

[00:08:32] Another Training Day show.

[00:08:34] Yeah, it...

[00:08:35] It does not get the love it deserves.

[00:08:38] A lot of people kept going, hey, that's the last thing Bill Paxton worked on.

[00:08:41] I'm like, yeah, and he was good in it.

[00:08:42] And they actually wrapped it up before the show got canceled and he died.

[00:08:49] Um...

[00:08:51] Bill's best work was big love.

[00:08:54] There you go.

[00:08:55] Everybody will gravitate to Twister because it's so easy to flip to.

[00:08:59] Twister's a mainstream one.

[00:09:00] And Aliens.

[00:09:02] I'd go mainly Frailty and Aliens, but...

[00:09:04] Yes.

[00:09:04] Right, so you're special about that.

[00:09:06] Near Dark, Apollo 13.

[00:09:09] Gotta put that in there.

[00:09:10] Like, that's a PG-13 movie that works.

[00:09:14] Because it's about...

[00:09:14] It's not about the spectacle.

[00:09:16] It's about the experience and the emotional impact that it...

[00:09:20] And most...

[00:09:21] I'm surprised that given the amount of snobbery, that one has not been attacked.

[00:09:26] Because it seems like every other high school film or...

[00:09:29] I don't know.

[00:09:31] Horror action movie has just decided, hey, it sucked then, it sucks now.

[00:09:35] I'm like, whoa, whoa, whoa.

[00:09:37] Just back.

[00:09:38] Hold up.

[00:09:40] So...

[00:09:42] I didn't see any of these movies in order, but I did see a lot of them back in the day

[00:09:46] around 06.

[00:09:47] Like, by 06, 07, I knew who the hell David Iroh was.

[00:09:51] I was like, this dude.

[00:09:53] He's his own special bread and butter.

[00:09:56] He's not trying to...

[00:09:58] I see people trying to say, he's trying to lampoon or imitate Michael Mann or Tarantino.

[00:10:05] I'm like, I think he's his own special oyster.

[00:10:07] Because he actually knew cop friends.

[00:10:09] He knew ex-gang members.

[00:10:12] He knew other Latino friends.

[00:10:13] And he had...

[00:10:14] He was in the Navy, so he had kind of a director's approach.

[00:10:19] Yeah.

[00:10:21] And these are all unrecognizable performances.

[00:10:24] That is something I gotta give to...

[00:10:25] That I do not think he gets enough credit for.

[00:10:27] I never hear that...

[00:10:30] I'll see people say, hey, I didn't like that movie.

[00:10:33] But I never see anyone say that actor was miscast or was shitty.

[00:10:38] Dark Blue is my top favorite.

[00:10:40] That's the Street Kings.

[00:10:41] And the TV version, it's so funny.

[00:10:43] They kind of cut out a lot of the homophobia and slurs.

[00:10:47] So I just...

[00:10:48] I knew Kurt Russell was a piece of shit as Sergeant Perry.

[00:10:51] But I didn't hear some of the other fucked up shit that he says,

[00:10:54] if you see it uncut.

[00:10:56] And Bing Raines, great role for him as the commander.

[00:11:01] No, he wasn't the commander.

[00:11:03] He was the assistant chief.

[00:11:04] And the commander was Brendan Gleeson.

[00:11:06] And that was one of the first...

[00:11:08] I mean, I almost always see Brendan Gleeson in a hard-to-define, you know,

[00:11:12] authority figure or villain role.

[00:11:14] But it was the first time I saw him in, like, a suit, you know,

[00:11:18] when I'm used to seeing him as, you know, Harry Potter or stuff like Braveheart,

[00:11:21] where he's the epic guy.

[00:11:23] So, and man, you know, and it made sense to me how they basically had James Elroy

[00:11:30] from LA Confidential kind of reuse...

[00:11:34] his different ideas.

[00:11:38] You know, Elroy, for those who don't know, is just known as authoring LA Confidential,

[00:11:46] which was later adapted into a great movie.

[00:11:48] But he wrote all those LA Quartet, another just hard-boiled stuff.

[00:11:53] And he's one of those...

[00:11:54] You gotta just put his politics aside.

[00:11:57] And...

[00:11:57] Because...

[00:11:58] And he is kind of just one of those rarities, where he's like,

[00:12:00] hey, I don't know where you're going.

[00:12:01] That's a hot take, but you're a brilliant writer.

[00:12:05] And so, yeah, when I saw Street Kings, I was like,

[00:12:08] yeah, this is like the second side of Dark Blue.

[00:12:10] Like...

[00:12:10] And that's a great deal.

[00:12:12] Keanu and Forrest.

[00:12:14] Unbelievable.

[00:12:16] And I do not know why Keanu fans overstep this one.

[00:12:21] Like, they do not...

[00:12:22] I remember when this got announced.

[00:12:24] Other people can go to Wikipedia and IMDb and go,

[00:12:26] oh, it used to be in development known as the Nightwatchman.

[00:12:29] But I remember seeing...

[00:12:31] When my uncle had Entertainment Weekly,

[00:12:34] like, this was...

[00:12:35] This was a big-ass thing.

[00:12:36] I'm like, whoa.

[00:12:37] Keanu's getting fit again.

[00:12:39] It's not The Matrix.

[00:12:40] It's not sci-fi.

[00:12:41] And that's what?

[00:12:42] Two years after The Matrix ended?

[00:12:45] Five.

[00:12:45] Yeah.

[00:12:46] Five years.

[00:12:46] Yeah, two years.

[00:12:47] No, five.

[00:12:49] Oh, five years.

[00:12:50] Oh, yeah.

[00:12:51] 2009.

[00:12:53] No, 08.

[00:12:54] And...

[00:12:54] Okay.

[00:12:55] Well, it was so wild.

[00:12:56] I'm like, whoa.

[00:12:56] Forrest Whitaker's in this.

[00:12:58] It's similar to his role in The Shield.

[00:13:00] Whoa, shit.

[00:13:01] You know, I hadn't seen it yet.

[00:13:02] But I'm like, I...

[00:13:03] I see all the ads.

[00:13:05] I'm seeing all the Emmy attention.

[00:13:07] And...

[00:13:07] I think Tom Ludlow is just as cool a role.

[00:13:11] Because, again, he starts off as a shitty cop.

[00:13:14] Covers up crime scenes.

[00:13:16] And then realizes he's being used as a fall guy.

[00:13:20] And that...

[00:13:22] You know, this isn't right.

[00:13:23] This starts eating him up.

[00:13:25] I like...

[00:13:26] Any...

[00:13:27] A lesser movie would have shown him...

[00:13:28] In fact, I think that's a good stepping stone

[00:13:30] before we get into the other movies.

[00:13:32] I think...

[00:13:34] This movie, by this time, I was just like, whoa.

[00:13:37] You know, I'd seen some of the other Iron movies.

[00:13:39] I'm like, Terry Crews.

[00:13:41] And...

[00:13:44] Cleese Sloan.

[00:13:44] And Noah G.

[00:13:46] You know, those are guys that are in all these other movies.

[00:13:48] And they're being reused again.

[00:13:49] Kenneth Choi, same deal.

[00:13:51] And I like how...

[00:13:53] I remember one reviewer who actually liked it,

[00:13:56] compared it favorably to...

[00:13:58] Even some users compared this to Colors.

[00:14:01] Yes.

[00:14:02] And that was a favorite of growing up.

[00:14:04] It was always on Spike TV, late at night.

[00:14:06] And AMC.

[00:14:07] AMC would air the shit out of it, too.

[00:14:09] I miss those days.

[00:14:10] Now it's just...

[00:14:11] They're airing more recent stuff.

[00:14:13] I'm like, come on, guys.

[00:14:14] Play a...

[00:14:16] Less talked about...

[00:14:17] I don't know, drama or war movie nowadays.

[00:14:20] You know?

[00:14:22] But...

[00:14:23] This was the one that made me become a fan of Chris Evans.

[00:14:27] And I'm probably the only fucker on the planet who's going to say that.

[00:14:29] But I'm like, yeah.

[00:14:30] I like this guy.

[00:14:31] What are you going to call him?

[00:14:32] Disco.

[00:14:34] As the internal affairs detective.

[00:14:36] And...

[00:14:36] Again, Keanu is playing...

[00:14:38] This was a fun throwback to his roles in Point Break and Speed as the hardball.

[00:14:44] Yeah.

[00:14:44] Definitely.

[00:14:45] You know?

[00:14:45] Except instead of playing an FBI guy or a hotshot SWAT guy.

[00:14:50] Yeah.

[00:14:50] He's a crooked detective who's realizing, hey.

[00:14:53] You know?

[00:14:53] This is not me.

[00:14:54] You know?

[00:14:55] I gotta deprogram myself.

[00:14:58] And we don't...

[00:15:00] A lesser movie would have spent so much time on him being a widower.

[00:15:05] And it would have probably also been like...

[00:15:08] You know?

[00:15:09] Instead, they wisely are like Dark Blue where they're like, hey.

[00:15:12] I'm not proud of who I am.

[00:15:13] But I'm way beyond the point of forgiveness.

[00:15:16] So if the last thing I can do is just put this shitty conspiracy to rest.

[00:15:22] Like...

[00:15:23] And I like how they force him into it.

[00:15:26] He's like, whoa.

[00:15:27] No.

[00:15:27] This was a good call.

[00:15:28] I did not shoot my partner.

[00:15:31] I had a fight with him because he was an internal affairs guy.

[00:15:36] You know?

[00:15:36] Working with internal affairs to snitch on me.

[00:15:39] That's another good movie.

[00:15:41] That is a good one.

[00:15:42] Yeah.

[00:15:43] I'm just calling it into organization.

[00:15:44] But yeah.

[00:15:45] Richard Jere.

[00:15:46] Evil Richard Jere.

[00:15:48] And everybody is just all unrecognizable in this.

[00:15:51] So it took me multiple viewings to figure out who the gunmen were.

[00:15:57] Because when you first watch it, you know, it goes so fast.

[00:16:00] You think, oh, it's the...

[00:16:02] You know, it's the two, you know, shady guys.

[00:16:07] It's like Scream.

[00:16:07] It is like Scream.

[00:16:09] You're like, who is the actual killer?

[00:16:11] And the movie within the movie almost.

[00:16:14] And I love how you think at first.

[00:16:16] It's like, these are the...

[00:16:20] This is the...

[00:16:23] The fake guys.

[00:16:24] It's like, no.

[00:16:25] Those were actually the crooked cops.

[00:16:27] But they dressed up that way so they would think you could put it on the other gangsters who...

[00:16:34] The career criminals.

[00:16:35] And I was like one of three people online.

[00:16:39] I've commented with a few other people back in the day when John Wick 2 was announced.

[00:16:42] And I saw Common was in there.

[00:16:44] I'm like, this is a Street Kings reunion.

[00:16:45] And only three people, like, favorited and retweeted that.

[00:16:49] Oh, yeah.

[00:16:51] But I was like, see...

[00:16:54] This dude is known for being a nice guy.

[00:16:57] Both in public and just in some other movies.

[00:17:00] Mm-hmm.

[00:17:00] I'm like, how'd the R&B soul guy go from that to being this, you know, shady, manipulative,

[00:17:07] you know?

[00:17:08] He's got the charisma for it.

[00:17:10] That's what he is.

[00:17:11] And the trailer downplays it a lot.

[00:17:14] Like, he is responsible for a lot of shit that goes down in the movie.

[00:17:18] Oh.

[00:17:20] And unfortunately, most people are going to just go, oh, that's the one where evil force

[00:17:25] would occur versus anti-hero Keanu.

[00:17:27] I'm like, it is more than that.

[00:17:29] More than that.

[00:17:31] But...

[00:17:31] Mm-hmm.

[00:17:31] So I saw this in the years of Mega Upload.

[00:17:34] I snuck in a bunch of R-rated movies growing up.

[00:17:37] But I loved Hugh Glory as the captain of internal affairs.

[00:17:42] I was like, yes, Dr. House gets to curse.

[00:17:48] I already knew he was a Brit.

[00:17:50] And he had been in plenty of movies that I had seen but didn't realize.

[00:17:54] And for me, he was always like, oh, yeah, it's the dad in Stuart Little.

[00:17:58] I don't know.

[00:18:02] Yeah, no.

[00:18:04] Why do you think it's gone forgotten?

[00:18:06] Why do you think it's just...

[00:18:08] Because...

[00:18:09] It's uncomfortable or some shit?

[00:18:10] I don't get it.

[00:18:11] It's the era where...

[00:18:12] Like, it's the era...

[00:18:14] Because OA was a big-ass year.

[00:18:15] You know, Incredible Hulk, Iron Man.

[00:18:18] Yeah.

[00:18:19] And it was kind of a bunch of other like-it-or-hate-it Oscar contenders.

[00:18:24] True.

[00:18:25] And you look at the time frame for everything coming out.

[00:18:29] People were trying...

[00:18:30] It was late 2000s, so...

[00:18:32] Tropic Thunder.

[00:18:35] That's what really blanketed every film that came out.

[00:18:39] That was like the only comedy everyone could agree on.

[00:18:42] The rest were manipulative.

[00:18:43] Judd Hapitost.

[00:18:44] No.

[00:18:46] Seriously.

[00:18:47] That was the main talking point for 08 was Tropic Thunder.

[00:18:52] And going back to our original conversation about 99 and 2000s films failing and trying something new.

[00:19:00] You know, here it is.

[00:19:01] Late 2000s coming up on 2010s.

[00:19:05] Absolutely.

[00:19:06] So people are...

[00:19:08] Directors are rushing to make something that's going to stand the test of time.

[00:19:12] And try to outdo the previous decade.

[00:19:16] So yeah, Street Kings does stand the test of time.

[00:19:20] And there were so many good Pride thrillers back then.

[00:19:22] I saw some people who wanted to compare it to two other unlike things.

[00:19:26] But both it and Pride and Glory...

[00:19:29] Yeah, Pride and Glory is good.

[00:19:30] That was good.

[00:19:32] Now, I didn't care for it when I first saw it.

[00:19:34] But I came around to it.

[00:19:35] And I think it was just kind of like The Kingdom.

[00:19:38] The War on Terror movie.

[00:19:40] It just came out at the worst possible time.

[00:19:43] Yeah, that happens a lot.

[00:19:44] But 07 was just a lame year in general.

[00:19:46] Like, I mean, it was a good year.

[00:19:48] But I saw other people...

[00:19:49] Again, they were like,

[00:19:50] Why does no one want to go to the movies?

[00:19:52] I'm like, gee, I don't know.

[00:19:53] Maybe no one wants to go to the movies this year.

[00:19:56] It's just...

[00:19:57] We're going for so much.

[00:19:58] We were still having...

[00:20:00] Being politically torn.

[00:20:01] We were still...

[00:20:03] Oh, that was when Twilight came out.

[00:20:06] Yeah, yes.

[00:20:07] Oh my god.

[00:20:09] Yeah, so you had Tropic Thunder and Twilight.

[00:20:12] And Iron Man.

[00:20:13] And all these other surprises.

[00:20:15] Harry Potter, too.

[00:20:16] Coming up on its end.

[00:20:19] Yeah, so you had those three.

[00:20:23] And other...

[00:20:24] It's...

[00:20:25] Then the last...

[00:20:26] The last gasp of good Disney was

[00:20:29] The Princess and the Frog in 2009.

[00:20:32] There you go.

[00:20:33] Yeah.

[00:20:33] See, I didn't see most of those movies

[00:20:35] because I think...

[00:20:36] That's just it.

[00:20:38] I was disgruntled.

[00:20:40] Well, because they were doing away

[00:20:42] with the whole 2D animation department.

[00:20:44] I'm like, whoa, whoa, whoa.

[00:20:46] What's going on here?

[00:20:47] You know?

[00:20:48] Yeah.

[00:20:49] You know, it wasn't like with Warner Brothers

[00:20:53] where they're going to try a new variation of Louis Tunes

[00:20:55] and Scooby-Doo every few years for TV.

[00:20:59] I'm like, that's okay.

[00:21:00] That's going to always have an audience.

[00:21:03] You know, that's...

[00:21:03] Some of those are going to actually be pretty good.

[00:21:07] Yeah.

[00:21:07] And I guess...

[00:21:08] I guess he was...

[00:21:09] For a guy who kept coming on to different projects,

[00:21:13] he...

[00:21:13] I still...

[00:21:14] I knew he had hit something

[00:21:15] because I got a signature from him.

[00:21:17] He knew how to make these...

[00:21:19] Oh, cool.

[00:21:20] ...be more than just cops and robbers.

[00:21:22] You know, like...

[00:21:23] Yeah.

[00:21:23] Training Day is a great double feature with Heat,

[00:21:25] but it's also a great double feature with Collateral,

[00:21:28] which came after.

[00:21:29] You know, I was always like,

[00:21:30] see, I'm sorry.

[00:21:31] Tom Cruise, you took something from Denzel.

[00:21:38] So...

[00:21:38] So...

[00:21:39] When did you see...

[00:21:42] Detective Alonzo Harris and Jake?

[00:21:45] Oh, man.

[00:21:47] The night.

[00:21:48] Jake!

[00:21:48] Get back here, Jake!

[00:21:49] Jake!

[00:21:51] It's...

[00:21:53] They're driving around in a Monte Carlo.

[00:21:55] I used to have a Monte Carlo.

[00:21:58] Such a brutal just...

[00:22:01] Cheer fight.

[00:22:03] And it's funny as shit, too.

[00:22:06] Like, it's one of those...

[00:22:07] It is so quotable,

[00:22:09] but deliberately funny also.

[00:22:10] Darkly humorous.

[00:22:12] Why'd you shoot Roger?

[00:22:15] And it's got the right...

[00:22:17] It's got the right energy, too.

[00:22:18] Like, it came out at the right time frame.

[00:22:21] Yeah.

[00:22:21] Because that was 2001.

[00:22:23] Like, literally,

[00:22:24] it's right after the millennium.

[00:22:26] It's like, hey, we're doing great.

[00:22:27] That's how this happened.

[00:22:29] I was big on Antoine Fuqua

[00:22:30] from seeing some of his other movies

[00:22:32] like Replacement Killers

[00:22:33] and Tears of the Sun.

[00:22:35] This can't not be in his top ten, though.

[00:22:37] Like, this is...

[00:22:39] I was in love with it.

[00:22:41] There was 90s icon Scott Glynn,

[00:22:43] you know, as Roger, the drug dealer.

[00:22:45] I'm like, whoa, whoa.

[00:22:46] He's never done anything like this.

[00:22:47] I've seen him be the asshole

[00:22:49] or the traitor

[00:22:50] or the serious, you know...

[00:22:52] Just watch Silence of the Lambs

[00:22:54] or Hunt for Red October.

[00:22:55] But then you see all these other guys

[00:22:58] who've been in all kinds of crime stuff.

[00:23:00] You know, Cliff freaking Curtis

[00:23:02] from Deep Rising

[00:23:04] and Whale Rider

[00:23:05] and Die Hard 4, you know,

[00:23:07] as the main Mexican cartel guy

[00:23:10] who's like,

[00:23:11] you didn't lay a hand on my daughter,

[00:23:13] did you?

[00:23:14] And I'm like...

[00:23:16] You ever heard your shit show, Ben?

[00:23:19] Yeah, you ever heard your shit show, Ben?

[00:23:21] And he's a New Zealander.

[00:23:22] And I'm just like,

[00:23:23] how is he slaying this Hispanic gangbang leader?

[00:23:27] I'm like, whoa, whoa, whoa.

[00:23:29] You know, and...

[00:23:29] I didn't know that.

[00:23:30] What a great convenience, you know?

[00:23:32] It's just like...

[00:23:35] I didn't feel like a highway robbery

[00:23:37] like with all the other plot twists

[00:23:39] that were coming out

[00:23:40] trying to be like Sixth Sense or Fight Club.

[00:23:43] I was like, whoa, how awesome.

[00:23:45] Jake tries to do the right thing

[00:23:47] and he gets a reward from it in the future

[00:23:49] where, you know, the gal who we try to...

[00:23:54] Oh, yeah, Eva Longoria.

[00:23:57] No, no, no, Eva Mindez.

[00:24:01] It's close.

[00:24:02] Close.

[00:24:03] Because I was thinking of her

[00:24:04] because she helped produce

[00:24:06] the first John Wick film.

[00:24:08] Yes, Longoria did, yes.

[00:24:10] And that surprised me.

[00:24:11] Wow.

[00:24:12] She's been producing a lot

[00:24:13] and directing a lot.

[00:24:15] Wow.

[00:24:16] But yeah, Mindez,

[00:24:17] this was one of the first things

[00:24:18] I saw her in

[00:24:18] and you see her in all her glory.

[00:24:22] But to be fair,

[00:24:24] a lesser director would have given her

[00:24:25] not much to do

[00:24:25] and I like how

[00:24:26] kind of just

[00:24:27] all these minor characters

[00:24:29] like all the sit-down scenes

[00:24:31] when people are talking

[00:24:33] you kind of...

[00:24:34] You get the uncomfortability

[00:24:35] in the room.

[00:24:36] Like, Hawk did good as just...

[00:24:38] This is very much like

[00:24:40] Dark Knight and Silence of the Lambs

[00:24:41] where the villain

[00:24:43] takes over the movie

[00:24:45] and the hero is the punching bag.

[00:24:48] But...

[00:24:48] And honestly,

[00:24:49] when you look at all his films

[00:24:51] it's literally

[00:24:52] the blueprint

[00:24:52] of what his

[00:24:55] director's cut

[00:24:55] and Suicide Squad would do.

[00:24:58] I got that too

[00:24:59] and I think

[00:25:00] a lot of people

[00:25:02] it's kind of like

[00:25:03] when you explain to them

[00:25:03] that Star Trek

[00:25:04] is a neo-Western

[00:25:05] space war movie

[00:25:07] true

[00:25:08] cop show

[00:25:09] with doctors in space

[00:25:11] and

[00:25:11] they refuse to do that

[00:25:13] either because they don't

[00:25:14] like that other thing

[00:25:15] or they're just like

[00:25:16] no, I don't see it.

[00:25:17] I'm like, well

[00:25:18] it's all there

[00:25:19] it's following the same steps

[00:25:20] it's just

[00:25:22] they can't

[00:25:23] they can't shuffle it

[00:25:24] and I'm just like

[00:25:26] okay

[00:25:26] to me

[00:25:27] this is trying to be

[00:25:28] its own thing

[00:25:29] it's

[00:25:30] much like Colors

[00:25:31] was trying to be

[00:25:31] its own thing

[00:25:32] much like even

[00:25:33] Boys in the Hood

[00:25:33] was trying to be

[00:25:34] its own thing

[00:25:35] it's not trying to

[00:25:37] say

[00:25:38] you know

[00:25:38] a lesser production

[00:25:39] would have been like

[00:25:40] let's just take

[00:25:41] who directed

[00:25:42] 20 episodes of

[00:25:43] Homicide and the Shield

[00:25:43] hire them.

[00:25:45] I mean

[00:25:46] fuck

[00:25:47] that would have been

[00:25:48] good

[00:25:48] but I'm just saying

[00:25:49] I would love to see

[00:25:50] Clark Johnson do a film

[00:25:51] that would be cool

[00:25:52] oh he does

[00:25:53] when we get into this

[00:25:54] nice

[00:25:55] he homes what?

[00:25:57] oh wow

[00:25:59] that's cool

[00:26:00] and that's a good

[00:26:01] that's a good segue

[00:26:02] but um

[00:26:03] uh

[00:26:05] it's a shame

[00:26:06] that Dr. Dre

[00:26:06] is a piece of work

[00:26:07] in real life

[00:26:07] because I thought

[00:26:08] he did really good

[00:26:09] as the crooked cop

[00:26:10] Paul

[00:26:10] yeah

[00:26:11] he fits in so well

[00:26:12] it's like super

[00:26:13] you

[00:26:14] you

[00:26:15] I can't remember

[00:26:16] if Ethan

[00:26:16] actually punched him

[00:26:18] for real

[00:26:18] did Dr. Dre

[00:26:21] get punched

[00:26:22] for real

[00:26:22] on training day

[00:26:24] let me look it up

[00:26:26] I did not know this

[00:26:27] no he did

[00:26:28] no he did not

[00:26:29] but it looks so real

[00:26:33] um

[00:26:35] but I do

[00:26:36] I did see a funny

[00:26:38] interview

[00:26:38] where

[00:26:39] Antoine Foucault

[00:26:39] the director

[00:26:40] said he used

[00:26:41] Snoop Dogg and Dr. Dre

[00:26:42] to get Ethan Hawke

[00:26:42] in the movie

[00:26:45] nice

[00:26:47] um

[00:26:47] you know

[00:26:48] would be a good

[00:26:49] fucking time

[00:26:51] The Shield

[00:26:53] because it's in the

[00:26:54] same fucking area

[00:26:55] I

[00:26:56] I have been

[00:26:57] trying to find

[00:26:58] a connection

[00:26:58] for years

[00:26:59] and

[00:27:01] I

[00:27:01] I think that's why

[00:27:03] that show

[00:27:04] appealed to me

[00:27:04] so much at first

[00:27:05] when

[00:27:06] I didn't

[00:27:07] I got into that later

[00:27:07] don't get me wrong

[00:27:08] it was only a few years

[00:27:09] after

[00:27:09] but

[00:27:10] it was

[00:27:11] one of those

[00:27:12] I think

[00:27:13] that's just it

[00:27:14] I think

[00:27:17] both this

[00:27:18] and training day

[00:27:18] took a while

[00:27:19] to soak up

[00:27:19] because

[00:27:20] unfortunately

[00:27:21] we were the

[00:27:22] reactionary

[00:27:22] kind of generation

[00:27:23] a lot of people

[00:27:24] were just so

[00:27:25] can you believe

[00:27:27] what they did

[00:27:28] in you know

[00:27:28] Gladiator

[00:27:29] and this is before

[00:27:30] social media

[00:27:31] is up to fuck off

[00:27:32] before

[00:27:32] yeah

[00:27:33] people

[00:27:35] tabloids

[00:27:35] were awful

[00:27:36] all that shit

[00:27:37] and I was always

[00:27:38] like well

[00:27:39] I

[00:27:40] I'm judging this

[00:27:41] as much as I judge

[00:27:42] any other movie

[00:27:42] from any other era

[00:27:43] that I grew up on

[00:27:44] what is it trying to say

[00:27:47] and why does it work

[00:27:48] I wasn't one of those

[00:27:49] chicken sheds

[00:27:50] who's like

[00:27:50] oh worth a watch

[00:27:51] good acting

[00:27:52] I'm like

[00:27:52] no

[00:27:53] good visuals

[00:27:54] no

[00:27:55] this

[00:27:55] this movie

[00:27:56] is saying so much

[00:27:57] and Richard Roper

[00:27:59] fires

[00:27:59] that was cool

[00:28:00] I just had some fires

[00:28:03] um

[00:28:03] fire

[00:28:04] fire

[00:28:04] um

[00:28:06] great score by

[00:28:07] Mark Mancino

[00:28:07] of Speed fame

[00:28:08] he

[00:28:09] this movie

[00:28:11] creates the gritty

[00:28:12] LA atmosphere

[00:28:13] I love

[00:28:15] the dark blue

[00:28:16] he did smart with that

[00:28:18] he used the blue tone

[00:28:19] for that shit

[00:28:20] yeah

[00:28:21] that was really

[00:28:21] fucking smart

[00:28:22] I love that

[00:28:24] it felt so different

[00:28:26] uh

[00:28:26] the lighting

[00:28:28] in all these movies

[00:28:28] is great

[00:28:29] um

[00:28:29] yeah

[00:28:30] I like how

[00:28:31] Street Kings

[00:28:33] is pretty much

[00:28:34] in the dark

[00:28:35] for the most part

[00:28:35] just in all

[00:28:36] dark corners

[00:28:37] like

[00:28:37] they're just

[00:28:38] showing you

[00:28:38] how

[00:28:39] there's nothing

[00:28:40] glamorous

[00:28:40] about this

[00:28:41] lifestyle

[00:28:41] and then you get

[00:28:43] into watch

[00:28:44] where it's just

[00:28:44] like here's what

[00:28:45] we do on the beat

[00:28:46] and it's fun

[00:28:47] that did good

[00:28:49] and so wise

[00:28:50] to make it look

[00:28:51] the entire time

[00:28:52] like it's on

[00:28:54] someone's

[00:28:54] you know

[00:28:54] police vest camera

[00:28:56] yeah

[00:28:56] that was good

[00:28:57] I love that

[00:28:58] body cam

[00:28:59] and that seemed

[00:29:00] to be the one

[00:29:00] that everybody

[00:29:01] agreed on

[00:29:02] and I'm like

[00:29:02] why did it

[00:29:02] take five

[00:29:03] times

[00:29:04] just to

[00:29:06] was it the

[00:29:07] cast that not

[00:29:07] everyone got into

[00:29:08] I don't know

[00:29:09] and here's the funny

[00:29:10] thing

[00:29:10] I watched that

[00:29:11] beforehand

[00:29:13] and enjoyed it

[00:29:14] like it was so

[00:29:15] fucking good

[00:29:16] and then

[00:29:17] I rewatched it

[00:29:18] and still enjoyed it

[00:29:19] and I rewatched it

[00:29:21] again because

[00:29:22] I was going

[00:29:23] through Anna Kendrick's

[00:29:25] filmography

[00:29:26] and I didn't realize

[00:29:27] she was in this

[00:29:28] like she's in this

[00:29:29] I remember her

[00:29:31] telling me that

[00:29:31] and then I was

[00:29:32] like oh she did

[00:29:33] shit

[00:29:34] so she mentions

[00:29:35] it in her

[00:29:36] autobiography

[00:29:37] yeah

[00:29:38] I think she did

[00:29:39] I'm trying to

[00:29:40] remember

[00:29:42] maybe she did

[00:29:43] I'm trying to

[00:29:44] remember

[00:29:44] but yeah

[00:29:45] mostly her

[00:29:46] autobiography

[00:29:47] was about

[00:29:48] her time

[00:29:50] and

[00:29:51] mostly it was

[00:29:52] about her

[00:29:53] growing up

[00:29:54] ballet

[00:29:55] uh

[00:29:56] tv

[00:29:58] then

[00:29:58] getting the

[00:30:00] call for

[00:30:00] doing

[00:30:01] twilight

[00:30:01] and how

[00:30:03] if

[00:30:03] yeah seriously

[00:30:04] someone had to

[00:30:05] do it

[00:30:05] yeah if she

[00:30:06] hadn't

[00:30:07] this is the

[00:30:07] sad part about

[00:30:08] twilight

[00:30:09] if she hadn't

[00:30:11] gotten that

[00:30:12] gig

[00:30:12] she'd still be

[00:30:13] living in her

[00:30:14] car

[00:30:15] because that's

[00:30:15] where she was

[00:30:16] at that time

[00:30:17] yeah

[00:30:18] and it was

[00:30:19] crazy for that

[00:30:20] time frame

[00:30:20] like I didn't

[00:30:21] even know

[00:30:22] that

[00:30:22] I just wanted

[00:30:23] her autobiography

[00:30:24] just to hear

[00:30:24] her story

[00:30:25] and shit

[00:30:26] like hearing

[00:30:26] about twilight

[00:30:27] I was like

[00:30:28] I hate that

[00:30:29] franchise

[00:30:30] but I can

[00:30:30] respect it a

[00:30:31] lot more

[00:30:31] for her career

[00:30:33] we got a

[00:30:34] good actor

[00:30:34] um

[00:30:35] definitely

[00:30:36] man

[00:30:37] I mean her

[00:30:37] her scenes

[00:30:38] were short

[00:30:39] but got me

[00:30:40] through it

[00:30:42] yes

[00:30:42] oh man

[00:30:46] and the way

[00:30:48] end the watch

[00:30:49] ends on a

[00:30:50] funny note

[00:30:50] like it ends

[00:30:51] sad and then

[00:30:52] it comes back

[00:30:54] to the humor

[00:30:54] I'm like

[00:30:55] damn

[00:31:00] and Aaron

[00:31:00] is like

[00:31:01] nah

[00:31:01] we're gonna

[00:31:01] make this

[00:31:02] funny as shit

[00:31:02] people need

[00:31:03] to laugh

[00:31:03] it's like

[00:31:04] an explanation

[00:31:05] of just

[00:31:06] kind of the

[00:31:07] okay so

[00:31:08] training day

[00:31:09] is literally

[00:31:09] just that

[00:31:10] how these

[00:31:10] crooked

[00:31:12] in street

[00:31:12] king

[00:31:14] introduces

[00:31:14] how these

[00:31:16] rookies

[00:31:16] get

[00:31:17] bullied

[00:31:18] into being

[00:31:19] bad cops

[00:31:19] by the other

[00:31:20] guys who've

[00:31:21] gotten away

[00:31:21] with it

[00:31:21] and leveled

[00:31:22] up

[00:31:22] street king

[00:31:23] showed guys

[00:31:24] who had

[00:31:24] leveled up

[00:31:25] and were

[00:31:25] now deprogramming

[00:31:26] themselves

[00:31:27] when

[00:31:27] especially

[00:31:29] when it

[00:31:29] meant their

[00:31:29] own actual

[00:31:30] career

[00:31:30] dark blue

[00:31:33] same deal

[00:31:34] and this way

[00:31:35] that was even

[00:31:36] cooler because

[00:31:36] it was showing

[00:31:37] a personal

[00:31:37] salvation

[00:31:38] it's like

[00:31:38] I can't

[00:31:39] get my

[00:31:40] divorced wife

[00:31:41] and kid

[00:31:42] back

[00:31:42] and I

[00:31:43] can't get

[00:31:44] but it's

[00:31:45] like the

[00:31:46] opposite of

[00:31:46] Stargate

[00:31:50] yes

[00:31:50] yeah

[00:31:51] it is the

[00:31:52] opposite of

[00:31:52] that because

[00:31:53] in Stargate

[00:31:54] he wants to

[00:31:55] blow his

[00:31:55] brains out

[00:31:56] because his

[00:31:56] kid's dead

[00:31:57] in this

[00:31:57] one he's

[00:31:58] doing

[00:31:58] redemption

[00:32:00] because he

[00:32:01] has his

[00:32:01] wife

[00:32:01] and kids

[00:32:02] bingo

[00:32:03] yeah

[00:32:03] there we go

[00:32:04] and I

[00:32:06] mean it was

[00:32:07] also cool

[00:32:07] with dark

[00:32:08] blue how

[00:32:10] he doesn't

[00:32:11] have any

[00:32:14] he doesn't

[00:32:15] believe his

[00:32:15] rookie guy

[00:32:16] is gonna

[00:32:16] come through

[00:32:17] yeah

[00:32:18] that was

[00:32:19] the one

[00:32:19] where I

[00:32:19] was like

[00:32:20] okay

[00:32:20] Scott

[00:32:20] Spiderman

[00:32:21] is actually

[00:32:21] a decent

[00:32:22] actor

[00:32:22] and

[00:32:22] he was

[00:32:23] more than

[00:32:24] just the

[00:32:24] underworld

[00:32:24] guy

[00:32:25] or the

[00:32:25] oh

[00:32:25] that's

[00:32:26] before

[00:32:26] underworld

[00:32:27] shit

[00:32:27] yeah

[00:32:28] yeah

[00:32:28] yeah

[00:32:28] I only

[00:32:29] know

[00:32:29] he's a

[00:32:30] franchise

[00:32:30] guy

[00:32:31] as being

[00:32:31] triple

[00:32:32] x and

[00:32:32] other

[00:32:32] stuff

[00:32:32] for

[00:32:33] sony

[00:32:33] and I

[00:32:33] see him

[00:32:33] in that

[00:32:34] I'm like

[00:32:34] okay

[00:32:34] he's good

[00:32:35] as a

[00:32:35] fuck

[00:32:35] guy

[00:32:37] and

[00:32:38] I thought

[00:32:39] it was

[00:32:39] cool

[00:32:41] how

[00:32:42] I mean

[00:32:43] he

[00:32:43] feels

[00:32:44] responsible

[00:32:44] for the

[00:32:45] guy's

[00:32:45] death

[00:32:45] when he

[00:32:46] gets

[00:32:46] jumped

[00:32:46] by the

[00:32:46] gangbangers

[00:32:47] on the

[00:32:47] crooked

[00:32:49] commanders

[00:32:50] yeah

[00:32:51] I gotta

[00:32:51] rewatch

[00:32:52] that

[00:32:52] shit

[00:32:53] it's

[00:32:53] been

[00:32:53] so

[00:32:54] long

[00:32:54] it has

[00:32:55] your girl

[00:32:56] from

[00:32:56] homicide

[00:32:57] Mika

[00:32:57] Michelle

[00:32:59] no shit

[00:33:00] from ER

[00:33:00] yeah

[00:33:01] and that's

[00:33:02] the first

[00:33:02] thing I saw

[00:33:02] her in

[00:33:03] I'm like

[00:33:03] I know

[00:33:03] this

[00:33:04] girl

[00:33:04] I've seen

[00:33:04] her face

[00:33:05] she's

[00:33:05] seen

[00:33:06] her ass

[00:33:06] somewhere

[00:33:08] I've seen

[00:33:09] her ass

[00:33:09] somewhere

[00:33:12] but yeah

[00:33:13] no I

[00:33:13] like how

[00:33:16] no

[00:33:17] he

[00:33:18] nothing

[00:33:19] else

[00:33:19] he can

[00:33:20] do

[00:33:20] so

[00:33:20] Russell's

[00:33:21] just like

[00:33:22] as the

[00:33:23] sergeant

[00:33:23] he's like

[00:33:24] I'm gonna

[00:33:24] just turn

[00:33:25] this entire

[00:33:25] department

[00:33:26] in

[00:33:27] I was

[00:33:28] just

[00:33:28] thinking

[00:33:29] about

[00:33:29] Callie

[00:33:29] Thorne

[00:33:31] oh

[00:33:31] the Brad

[00:33:32] Pitt movie

[00:33:33] no

[00:33:33] no

[00:33:34] no

[00:33:34] no

[00:33:34] Callie

[00:33:35] Thorne

[00:33:38] that is

[00:33:38] a decent

[00:33:39] movie

[00:33:39] I haven't

[00:33:40] watched that

[00:33:40] in decades

[00:33:41] no

[00:33:42] Callie

[00:33:42] Thorne

[00:33:43] she was

[00:33:44] on

[00:33:44] Homicide

[00:33:46] and then

[00:33:48] oh yes

[00:33:48] the wire

[00:33:49] no not

[00:33:50] rescue me

[00:33:53] yep

[00:33:54] rescue me

[00:33:55] in the wire

[00:33:55] yep

[00:33:55] love that

[00:33:56] gal

[00:33:56] she's like

[00:33:58] she's not

[00:34:00] Romanian

[00:34:01] she's

[00:34:02] French

[00:34:03] no

[00:34:03] Italian

[00:34:04] Armenian

[00:34:05] yeah

[00:34:05] supposed to

[00:34:07] fuck it

[00:34:09] fuck it

[00:34:10] we'll do

[00:34:10] it long

[00:34:11] fuck it

[00:34:11] we'll do

[00:34:12] it

[00:34:12] a lot

[00:34:14] yeah

[00:34:14] no

[00:34:15] she

[00:34:15] she was

[00:34:16] good

[00:34:17] actress

[00:34:19] now

[00:34:21] and this

[00:34:22] is it

[00:34:22] like

[00:34:23] Ira

[00:34:24] was just

[00:34:24] for me

[00:34:25] this was

[00:34:26] like

[00:34:26] almost

[00:34:27] like

[00:34:28] a

[00:34:28] G.I.

[00:34:29] Joe

[00:34:29] of just

[00:34:30] collecting

[00:34:31] all these

[00:34:31] guys

[00:34:32] and also

[00:34:33] the time

[00:34:33] frame for

[00:34:34] that is

[00:34:37] that's

[00:34:37] you figure

[00:34:38] this is

[00:34:39] two years

[00:34:39] after

[00:34:40] Homicide

[00:34:40] went off

[00:34:41] the air

[00:34:42] and

[00:34:43] you still

[00:34:44] have

[00:34:44] Law and

[00:34:44] Order

[00:34:45] going

[00:34:45] you still

[00:34:46] have

[00:34:46] ER

[00:34:47] I was

[00:34:47] going to

[00:34:48] have

[00:34:48] shows

[00:34:48] like

[00:34:48] that

[00:34:49] yeah

[00:34:49] yeah

[00:34:49] you still

[00:34:50] have

[00:34:50] there's

[00:34:50] still

[00:34:51] cop

[00:34:51] shows

[00:34:51] on

[00:34:51] dark

[00:34:52] blue

[00:34:52] just

[00:34:52] flunked

[00:34:53] like

[00:34:53] no one

[00:34:53] saw

[00:34:54] it

[00:34:54] I'm

[00:34:54] like

[00:34:55] you're

[00:34:55] kidding

[00:34:56] I mean

[00:34:58] it's

[00:34:58] understandable

[00:35:00] like they

[00:35:01] had limited

[00:35:02] festival release

[00:35:03] and then they

[00:35:03] came out a

[00:35:04] year later

[00:35:04] and I'm

[00:35:05] like

[00:35:05] what

[00:35:06] so did

[00:35:07] they

[00:35:07] come out

[00:35:07] in 02

[00:35:08] or 03

[00:35:08] yes

[00:35:09] oh

[00:35:11] they came

[00:35:11] out in the

[00:35:12] festival zone

[00:35:12] too

[00:35:12] and then

[00:35:13] everyone

[00:35:13] saw them

[00:35:13] a year

[00:35:14] later

[00:35:14] I liked

[00:35:15] Foam Booth

[00:35:16] I do

[00:35:17] too

[00:35:19] after a

[00:35:20] while

[00:35:20] I'm like

[00:35:20] this

[00:35:21] movie

[00:35:21] stupid

[00:35:22] you

[00:35:23] suck

[00:35:25] great

[00:35:26] villain

[00:35:28] it was

[00:35:29] a good

[00:35:29] plot twist

[00:35:30] the end

[00:35:30] of that

[00:35:31] show

[00:35:31] where he's

[00:35:31] just like

[00:35:32] walking

[00:35:32] past

[00:35:33] I'm like

[00:35:33] no

[00:35:38] rewatch it

[00:35:38] I know

[00:35:39] you like

[00:35:39] it

[00:35:40] and that

[00:35:41] and he

[00:35:41] was

[00:35:41] that was

[00:35:42] what

[00:35:42] 03

[00:35:43] right

[00:35:43] or 02

[00:35:44] yep

[00:35:44] well

[00:35:44] it was

[00:35:45] much like

[00:35:45] dark blue

[00:35:46] it was

[00:35:46] released in 02

[00:35:47] at the

[00:35:47] festivals

[00:35:48] then it

[00:35:48] came out

[00:35:49] a year

[00:35:49] later

[00:35:49] nationwide

[00:35:50] no free

[00:35:51] so that's

[00:35:52] a good

[00:35:52] segue

[00:35:52] so like

[00:35:53] SWAT

[00:35:54] that was

[00:35:55] the year

[00:35:55] for me

[00:35:56] I was

[00:35:57] going to

[00:35:57] say

[00:35:57] Colin Farrell

[00:35:58] was working

[00:35:59] Boone Booth

[00:36:00] and Daredevil

[00:36:01] at that time

[00:36:01] Daredevil

[00:36:02] and then

[00:36:03] SWAT

[00:36:03] and then

[00:36:04] it's just

[00:36:05] so wild

[00:36:05] how

[00:36:06] that's

[00:36:07] three in a row

[00:36:08] that's a lot

[00:36:08] of work

[00:36:09] a few years

[00:36:10] prior

[00:36:10] people had

[00:36:11] seen him

[00:36:12] work with

[00:36:12] Schumacher

[00:36:13] on Tigerland

[00:36:13] some other

[00:36:14] bit parts

[00:36:15] and be

[00:36:16] the good

[00:36:16] cop

[00:36:17] in Minority

[00:36:17] Report

[00:36:18] and

[00:36:20] unfortunately

[00:36:20] you know

[00:36:21] Freeman

[00:36:22] he and

[00:36:23] Ben Affleck

[00:36:23] were kind

[00:36:24] of on that

[00:36:24] same deal

[00:36:25] where people

[00:36:25] were like

[00:36:26] they're

[00:36:27] handsome

[00:36:27] but they're

[00:36:28] not great

[00:36:28] actors or their

[00:36:29] movies suck

[00:36:30] and I'm like

[00:36:30] whoa

[00:36:32] and you look

[00:36:33] at the roles

[00:36:33] he did

[00:36:34] as well

[00:36:34] like he did

[00:36:35] Bullseye

[00:36:36] and that

[00:36:37] was an easy

[00:36:37] I didn't think

[00:36:38] he was the worst

[00:36:39] part of Daredevil

[00:36:39] I think a lot

[00:36:40] of people just

[00:36:41] wanted to put

[00:36:41] all the blame

[00:36:42] on him

[00:36:42] I'm like

[00:36:43] I thought

[00:36:44] it was

[00:36:44] decent

[00:36:45] and just

[00:36:45] needed less

[00:36:46] visuals

[00:36:47] and more

[00:36:48] focus on

[00:36:49] that's what

[00:36:50] the director

[00:36:50] said

[00:36:53] I love

[00:36:54] no I love

[00:36:55] that because

[00:36:55] I remember

[00:36:56] there was an

[00:36:56] interview about

[00:36:58] them picking

[00:36:59] Michael Clark

[00:37:00] Duncan

[00:37:00] as Kingpin

[00:37:03] I'm actually

[00:37:04] surprised he

[00:37:04] wasn't in

[00:37:05] any of these

[00:37:05] movies

[00:37:06] he was in

[00:37:08] everything

[00:37:08] growing up

[00:37:10] and it's

[00:37:12] I look at

[00:37:13] him and

[00:37:13] it's like

[00:37:14] yeah he's

[00:37:14] a great

[00:37:15] fucking

[00:37:15] kingpin

[00:37:16] it was a

[00:37:17] great

[00:37:17] fucking

[00:37:18] pick

[00:37:18] and the

[00:37:18] guy who

[00:37:19] was doing

[00:37:19] the interview

[00:37:20] said there

[00:37:20] was nobody

[00:37:21] physically

[00:37:22] fit like

[00:37:23] him for

[00:37:24] the role

[00:37:24] and at the

[00:37:25] time I

[00:37:26] was like

[00:37:26] yeah that's

[00:37:27] right now

[00:37:27] I'm older

[00:37:28] I'm like

[00:37:28] what about

[00:37:29] Big Show

[00:37:30] that would

[00:37:31] have fit

[00:37:31] perfectly

[00:37:31] yes

[00:37:32] and then

[00:37:33] I look at

[00:37:34] you know

[00:37:35] like yeah

[00:37:35] the fight

[00:37:36] between Daredevil

[00:37:37] and Kingpin

[00:37:37] could have been

[00:37:38] a lot more

[00:37:39] especially

[00:37:40] physically

[00:37:41] it could have

[00:37:41] been a lot

[00:37:42] more

[00:37:42] fair enough

[00:37:42] no like

[00:37:44] it's pretty

[00:37:44] fair like

[00:37:45] it's a good

[00:37:45] fucking movie

[00:37:46] but that fight

[00:37:48] could have been

[00:37:48] a lot more

[00:37:49] but it was also

[00:37:50] about you

[00:37:51] know

[00:37:52] you can tell

[00:37:53] Michael was

[00:37:54] playing it safe

[00:37:55] and Ben

[00:37:57] was more like

[00:37:58] let's do

[00:37:59] probably wanted

[00:38:00] to do

[00:38:00] more

[00:38:01] I mean

[00:38:02] it would

[00:38:02] have been

[00:38:03] nice to

[00:38:03] have seen

[00:38:04] like a full

[00:38:05] physical fight

[00:38:06] between the

[00:38:06] two of them

[00:38:07] because that's

[00:38:08] one's a

[00:38:09] jacked up

[00:38:10] brick

[00:38:10] brick

[00:38:11] shithouse

[00:38:11] and the

[00:38:12] other ones

[00:38:12] you know

[00:38:13] your basic

[00:38:13] average

[00:38:14] build

[00:38:15] and still

[00:38:16] they got

[00:38:17] skills

[00:38:17] and shit

[00:38:19] but you

[00:38:19] know

[00:38:20] you got

[00:38:20] what you

[00:38:20] got

[00:38:21] and I'm

[00:38:21] happy with

[00:38:22] it

[00:38:22] fuck it

[00:38:22] it's good

[00:38:23] stuff

[00:38:25] and then

[00:38:26] going to

[00:38:27] Colin

[00:38:27] you know

[00:38:27] he went

[00:38:28] from doing

[00:38:28] bullseye

[00:38:29] and then

[00:38:29] doing

[00:38:30] squat

[00:38:30] which is

[00:38:31] more

[00:38:31] high

[00:38:32] maintenance

[00:38:32] and more

[00:38:33] depth

[00:38:34] and then

[00:38:35] he did

[00:38:36] foam booth

[00:38:36] which was

[00:38:37] just you know

[00:38:37] I'm stuck

[00:38:38] in the

[00:38:38] fucking

[00:38:38] foam booth

[00:38:39] for 90

[00:38:40] fucking

[00:38:41] minutes

[00:38:41] get me out

[00:38:42] of here

[00:38:43] but I

[00:38:44] actually have

[00:38:44] a song

[00:38:45] don't kill

[00:38:46] me

[00:38:46] don't kill

[00:38:46] me

[00:38:46] I'm surprised

[00:38:47] I'm going to go on

[00:38:48] the fucking

[00:38:48] ice

[00:38:49] he

[00:38:51] he fits

[00:38:51] so well

[00:38:52] in this

[00:38:52] what

[00:38:52] because like

[00:38:53] he was

[00:38:54] he's charismatic

[00:38:55] it's

[00:38:55] he was charismatic

[00:38:56] but he wasn't

[00:38:58] it was shared

[00:38:59] with him

[00:38:59] like I was

[00:39:00] like for me

[00:39:01] it was also

[00:39:01] good to see

[00:39:02] Michelle Rodriguez

[00:39:02] and Cool J

[00:39:03] in this

[00:39:04] because I was

[00:39:04] like okay

[00:39:05] so they can

[00:39:06] do more

[00:39:06] than shoot

[00:39:07] sharks

[00:39:08] yeah they can

[00:39:09] do more

[00:39:09] than shoot

[00:39:10] zombies

[00:39:10] and sharks

[00:39:11] they can

[00:39:11] actually

[00:39:12] be some

[00:39:13] tough

[00:39:14] tough

[00:39:15] cookies

[00:39:15] and

[00:39:17] Sam Jackson

[00:39:17] Allen is

[00:39:18] already going

[00:39:18] to want to

[00:39:19] see it

[00:39:19] anyway

[00:39:19] I remember

[00:39:20] seeing that

[00:39:21] trailer in

[00:39:22] theaters

[00:39:22] I think it

[00:39:23] was before

[00:39:23] Lord of the

[00:39:24] Rings or

[00:39:24] some shit

[00:39:25] and I was

[00:39:27] just like

[00:39:29] interesting

[00:39:29] and then

[00:39:31] oh yeah

[00:39:31] a lot

[00:39:32] or that's

[00:39:32] right

[00:39:32] I forgot

[00:39:33] about that

[00:39:33] shit

[00:39:34] that's another

[00:39:35] reason why

[00:39:36] a lot of

[00:39:36] these

[00:39:37] suffer

[00:39:37] because

[00:39:38] you had

[00:39:38] your big

[00:39:39] blockbusters

[00:39:39] them years

[00:39:40] you had

[00:39:40] two towers

[00:39:42] in Return

[00:39:43] of the Kings

[00:39:44] yeah

[00:39:45] everything

[00:39:46] was dead

[00:39:46] on arrival

[00:39:47] it just

[00:39:47] wasn't any

[00:39:47] fun

[00:39:48] it was before

[00:39:48] the internet

[00:39:49] got crazy

[00:39:50] four years

[00:39:50] later

[00:39:52] but yeah

[00:39:53] I saw a lot

[00:39:53] of people

[00:39:54] who didn't

[00:39:54] really like

[00:39:55] it and

[00:39:55] then Roger

[00:39:56] Eber and

[00:39:56] company

[00:39:56] really dug

[00:39:57] it

[00:39:58] I think

[00:40:00] Clark

[00:40:01] Johnson was

[00:40:01] good for

[00:40:02] this because

[00:40:02] he was good

[00:40:03] at just

[00:40:03] kind of

[00:40:04] utilizing

[00:40:05] I mean I

[00:40:06] remember him

[00:40:06] describing it

[00:40:07] as high noon

[00:40:07] meets top gun

[00:40:08] I'm like

[00:40:08] yeah it is a

[00:40:10] bunch of

[00:40:10] immature guys

[00:40:11] you got to

[00:40:11] get their

[00:40:11] shit together

[00:40:13] but if

[00:40:14] you don't

[00:40:14] like cop

[00:40:14] movies

[00:40:15] even remotely

[00:40:15] then you're

[00:40:16] gonna probably

[00:40:16] find it

[00:40:17] shitty

[00:40:18] but I

[00:40:18] thought

[00:40:20] it's better

[00:40:21] if you watch

[00:40:21] it on cut

[00:40:22] because they

[00:40:22] cut out so

[00:40:23] much language

[00:40:24] which unfortunately

[00:40:25] is crucial to

[00:40:26] the development

[00:40:27] of the characters

[00:40:28] on TV

[00:40:29] you do actually

[00:40:30] miss

[00:40:31] maggot farmer

[00:40:32] give me your

[00:40:33] maggot farming

[00:40:34] car

[00:40:35] I mean

[00:40:35] Jeremy Renner

[00:40:36] has the best

[00:40:37] part where he

[00:40:37] goes fuck

[00:40:38] you when

[00:40:38] he's leaving

[00:40:40] oh no

[00:40:41] Hawkeye

[00:40:41] said a

[00:40:42] curse

[00:40:43] but yeah

[00:40:44] I had seen

[00:40:45] him in

[00:40:45] this and

[00:40:47] 28 weeks

[00:40:48] later and

[00:40:49] some other

[00:40:49] bit parts

[00:40:50] and

[00:40:51] senior trip

[00:40:52] but yeah

[00:40:53] it was so

[00:40:54] funny how

[00:40:55] he's in

[00:40:55] this

[00:40:56] and

[00:40:58] he's just

[00:40:59] really

[00:40:59] just

[00:41:01] at being

[00:41:02] that

[00:41:02] I like

[00:41:03] how

[00:41:03] I've seen

[00:41:04] people compare

[00:41:04] this to the

[00:41:05] movie Speed

[00:41:05] is like

[00:41:06] yeah

[00:41:06] similar

[00:41:07] ex just

[00:41:08] riddled

[00:41:08] cop

[00:41:09] decides

[00:41:10] to do

[00:41:11] a get

[00:41:11] rich

[00:41:11] scheme

[00:41:13] and

[00:41:13] there's

[00:41:14] no

[00:41:14] bus

[00:41:15] there

[00:41:16] isn't

[00:41:16] a bus

[00:41:16] but it's

[00:41:17] just

[00:41:17] similar

[00:41:18] in the

[00:41:18] cop

[00:41:19] and robber

[00:41:20] deal

[00:41:20] and I

[00:41:21] love how

[00:41:22] the main

[00:41:23] guy

[00:41:23] he's a

[00:41:24] smart ass

[00:41:24] but he

[00:41:24] keeps his

[00:41:25] composure

[00:41:25] and

[00:41:27] I love

[00:41:29] some of

[00:41:29] the other

[00:41:29] plot twists

[00:41:30] that they

[00:41:31] do

[00:41:31] in this

[00:41:31] and my

[00:41:32] cousins

[00:41:32] really dug

[00:41:33] this one

[00:41:33] a lot

[00:41:33] because they

[00:41:34] love

[00:41:34] heist

[00:41:34] movies

[00:41:34] and

[00:41:36] other

[00:41:36] crazy

[00:41:37] shit

[00:41:37] going down

[00:41:38] but yeah

[00:41:39] that's right

[00:41:39] heist came

[00:41:40] out that

[00:41:40] year too

[00:41:41] no that was

[00:41:41] a year

[00:41:42] a few

[00:41:42] years ago

[00:41:42] I'm just

[00:41:43] talking to

[00:41:44] heist

[00:41:44] movies in

[00:41:44] general

[00:41:44] but that

[00:41:45] is a good

[00:41:45] movie

[00:41:47] and yes

[00:41:48] Kellerman

[00:41:49] from Homicide

[00:41:50] has a cameo

[00:41:50] as an officer

[00:41:51] yep

[00:41:53] Clark Johnson

[00:41:55] yes

[00:41:56] oh shit

[00:41:57] I love Reed

[00:41:58] and

[00:41:58] miss that

[00:41:59] bastard

[00:42:00] yep

[00:42:01] he's still

[00:42:02] working

[00:42:02] he was so

[00:42:03] to me

[00:42:04] he was so

[00:42:05] underrated

[00:42:06] in Homicide

[00:42:06] like

[00:42:07] he came

[00:42:08] on the

[00:42:08] he's underrated

[00:42:09] in the

[00:42:09] shield

[00:42:09] he's only

[00:42:10] in two

[00:42:10] of us

[00:42:13] like yeah

[00:42:14] we're taking

[00:42:14] care of it

[00:42:15] he's great

[00:42:15] on bones

[00:42:17] I

[00:42:17] I thought

[00:42:18] he was great

[00:42:18] on underground

[00:42:19] and doesn't

[00:42:20] need survivor

[00:42:20] he was the

[00:42:21] main FBI

[00:42:21] guy and so

[00:42:22] that's where

[00:42:22] I was like

[00:42:23] leveling up

[00:42:23] my dude

[00:42:24] leveling up

[00:42:28] but

[00:42:28] he's actually

[00:42:29] a very smart

[00:42:30] guy

[00:42:30] and I

[00:42:31] think he's

[00:42:31] come a

[00:42:31] long way

[00:42:32] in that

[00:42:32] he

[00:42:32] he always

[00:42:34] wanted to

[00:42:34] be the

[00:42:35] character

[00:42:35] actor

[00:42:35] as opposed

[00:42:36] to

[00:42:37] someone

[00:42:37] who

[00:42:38] wanted to

[00:42:40] hug

[00:42:41] everyone's

[00:42:41] attention

[00:42:42] yeah

[00:42:43] definitely

[00:42:44] like

[00:42:44] he's more

[00:42:45] he's the

[00:42:46] MTC

[00:42:47] of a show

[00:42:49] that

[00:42:50] captivates

[00:42:51] you more

[00:42:52] than the

[00:42:52] main

[00:42:52] quest

[00:42:53] bingo

[00:42:54] yeah

[00:42:54] he really

[00:42:55] is

[00:42:55] yes

[00:42:56] he sticks

[00:42:57] out so well

[00:42:58] like he went

[00:42:58] from being a

[00:42:59] detective

[00:43:00] with Baltimore

[00:43:00] Homicide

[00:43:02] and then he

[00:43:02] joins the FBI

[00:43:05] yeah

[00:43:06] yeah

[00:43:06] that's

[00:43:07] yeah

[00:43:07] fuck

[00:43:08] I can't

[00:43:08] believe I

[00:43:08] remember

[00:43:08] that

[00:43:09] yeah

[00:43:09] he did

[00:43:10] because he

[00:43:11] quit then

[00:43:12] no he

[00:43:12] went

[00:43:13] PI

[00:43:13] he was

[00:43:14] a PI

[00:43:15] that's

[00:43:15] right

[00:43:15] either way

[00:43:16] same

[00:43:17] difference

[00:43:17] I mean

[00:43:18] Dominic

[00:43:19] Lumber

[00:43:19] wait I'm

[00:43:20] doing this

[00:43:21] backwards

[00:43:21] he was

[00:43:22] he was

[00:43:23] with the

[00:43:23] FBI

[00:43:24] then he

[00:43:24] came to

[00:43:25] Homicide

[00:43:25] then he

[00:43:26] left to

[00:43:26] be a PI

[00:43:27] no I

[00:43:28] think you're

[00:43:28] getting that

[00:43:28] mixed up

[00:43:29] with

[00:43:29] Carlos

[00:43:29] Pesito

[00:43:30] he was

[00:43:30] the FBI

[00:43:30] liaison

[00:43:31] who became

[00:43:31] a detective

[00:43:32] or worked

[00:43:33] for the

[00:43:33] cop

[00:43:33] anyway

[00:43:34] either way

[00:43:35] I mean

[00:43:35] we got

[00:43:36] Dominic

[00:43:37] Lumber

[00:43:37] Dazi

[00:43:37] you know

[00:43:38] who you know

[00:43:38] as Herc

[00:43:39] on the

[00:43:39] wire

[00:43:39] and I

[00:43:39] liked how

[00:43:40] he was

[00:43:40] one of

[00:43:40] the

[00:43:40] henchmen

[00:43:41] yes

[00:43:42] Herc

[00:43:42] is a

[00:43:43] fucking

[00:43:43] on a

[00:43:43] buzz

[00:43:44] so there

[00:43:44] you go

[00:43:45] oh no

[00:43:47] Reggie

[00:43:48] Cathy

[00:43:48] who you know

[00:43:49] is the

[00:43:49] assistant

[00:43:49] warden

[00:43:50] on Oz

[00:43:50] I

[00:43:51] miss

[00:43:51] Reg

[00:43:52] rest in

[00:43:53] peace

[00:43:54] yeah

[00:43:55] good man

[00:43:56] yeah this

[00:43:57] is one of

[00:43:57] the first

[00:43:57] movies I

[00:43:58] also saw

[00:43:58] Josh

[00:43:59] Charles

[00:43:59] and

[00:43:59] Ashley

[00:44:00] Scott

[00:44:01] in

[00:44:03] they've

[00:44:04] been

[00:44:04] stuff like

[00:44:05] Dead Poets

[00:44:05] Society

[00:44:06] and

[00:44:07] TV show

[00:44:08] Jericho

[00:44:08] but

[00:44:08] I think

[00:44:10] that's just

[00:44:11] it like

[00:44:12] it's so

[00:44:13] funny how

[00:44:14] Iyer

[00:44:15] rescues all

[00:44:16] these movies

[00:44:16] in a way

[00:44:17] but

[00:44:19] a lot

[00:44:19] of people

[00:44:20] don't

[00:44:21] think highly

[00:44:21] of them

[00:44:22] unless they

[00:44:22] like

[00:44:23] fun

[00:44:24] popcorn

[00:44:25] stuff like

[00:44:25] this

[00:44:26] I don't

[00:44:26] know

[00:44:27] it's

[00:44:28] the cop

[00:44:29] genre

[00:44:29] it's

[00:44:30] it's

[00:44:30] the most

[00:44:30] underrated

[00:44:31] genre

[00:44:32] ever

[00:44:32] because

[00:44:32] when people

[00:44:34] think of

[00:44:34] cop

[00:44:35] movies

[00:44:36] they

[00:44:36] think

[00:44:36] of

[00:44:37] the

[00:44:40] they

[00:44:41] think

[00:44:42] of the

[00:44:42] bigger

[00:44:43] stars

[00:44:43] like

[00:44:44] De Niro

[00:44:44] or Pacino

[00:44:45] or

[00:44:47] whoever

[00:44:48] else

[00:44:48] they don't

[00:44:49] really

[00:44:49] think of

[00:44:50] like

[00:44:50] other

[00:44:52] A-listers

[00:44:52] that took

[00:44:53] up the

[00:44:54] role

[00:44:54] and

[00:44:55] made

[00:44:55] it

[00:44:55] something

[00:44:56] they

[00:44:56] see

[00:44:56] Sam

[00:44:57] Jackson

[00:44:57] was

[00:44:57] just

[00:44:58] cool

[00:44:58] the

[00:44:58] dude

[00:44:59] is

[00:44:59] just

[00:44:59] cool

[00:44:59] and

[00:45:00] everything

[00:45:00] but

[00:45:01] I

[00:45:01] think

[00:45:01] that's

[00:45:01] it

[00:45:02] in the

[00:45:03] 2000s

[00:45:04] people

[00:45:04] if they

[00:45:05] didn't

[00:45:05] see

[00:45:05] Star Wars

[00:45:06] or

[00:45:06] Tarantino

[00:45:07] movies

[00:45:07] they were

[00:45:07] just

[00:45:08] like

[00:45:08] oh

[00:45:09] he's

[00:45:09] just

[00:45:24] and

[00:45:24] he

[00:45:24] doesn't

[00:45:25] really

[00:45:25] yell

[00:45:25] at

[00:45:25] this

[00:45:26] he's

[00:45:26] just

[00:45:26] kind

[00:45:26] of

[00:45:26] more

[00:45:26] like

[00:45:27] uh-huh

[00:45:27] all right

[00:45:28] all right

[00:45:28] you want

[00:45:29] to go

[00:45:29] that way

[00:45:29] let's

[00:45:30] go

[00:45:30] that

[00:45:30] way

[00:45:30] um

[00:45:32] it

[00:45:33] was

[00:45:33] very

[00:45:33] interactive

[00:45:33] um

[00:45:34] but I

[00:45:35] gotta talk

[00:45:35] about

[00:45:35] harsh

[00:45:36] times

[00:45:36] like

[00:45:36] that

[00:45:37] that

[00:45:37] was

[00:45:38] where

[00:45:38] I

[00:45:38] was

[00:45:38] like

[00:45:38] Christian

[00:45:39] bell

[00:45:39] this

[00:45:39] dude

[00:45:40] is

[00:45:40] an

[00:45:40] actor

[00:45:42] I'd

[00:45:43] already

[00:45:43] seen

[00:45:43] psycho

[00:45:44] I'd

[00:45:44] already

[00:45:44] seen

[00:45:44] Batman

[00:45:45] I'd already

[00:45:46] seen

[00:45:46] Reign of

[00:45:47] Fire

[00:45:48] like

[00:45:48] the

[00:45:49] Reign of

[00:45:49] Fire

[00:45:49] equilibrium

[00:45:50] but I

[00:45:51] seen

[00:45:51] him in

[00:45:51] this

[00:45:52] I'm

[00:45:52] like

[00:45:52] this

[00:45:52] dude

[00:45:53] is

[00:45:53] a

[00:45:53] fucking

[00:45:53] actor

[00:45:53] this

[00:45:54] dude

[00:45:54] is

[00:45:54] an

[00:45:54] absolute

[00:45:55] actor

[00:45:56] and

[00:45:56] he's

[00:45:57] he's

[00:45:57] one

[00:45:57] of

[00:45:58] those

[00:45:58] that

[00:45:58] was

[00:45:58] committed

[00:45:59] to

[00:45:59] the role

[00:45:59] for

[00:46:00] any

[00:46:00] film

[00:46:01] he had

[00:46:02] done

[00:46:02] a few

[00:46:03] years

[00:46:03] before

[00:46:04] and

[00:46:05] this

[00:46:05] was

[00:46:05] after

[00:46:05] and

[00:46:06] then

[00:46:06] it

[00:46:06] got

[00:46:06] a

[00:46:06] much

[00:46:08] here's

[00:46:08] so

[00:46:09] here's

[00:46:09] the

[00:46:09] thing

[00:46:09] yeah

[00:46:10] he

[00:46:10] keeps

[00:46:10] doing

[00:46:11] movies

[00:46:12] for

[00:46:12] MGM

[00:46:12] or

[00:46:13] that

[00:46:13] get

[00:46:14] delayed

[00:46:14] and

[00:46:14] so

[00:46:14] that's

[00:46:15] just

[00:46:15] it

[00:46:15] like

[00:46:16] I

[00:46:17] see

[00:46:17] other

[00:46:18] people

[00:46:18] who

[00:46:19] I

[00:46:19] knew

[00:46:19] in

[00:46:19] high

[00:46:19] school

[00:46:19] who

[00:46:40] know

[00:46:40] it's

[00:46:41] not

[00:46:41] so

[00:46:44] I

[00:46:44] I

[00:46:45] still

[00:46:45] Terminator

[00:46:45] Salvation

[00:46:46] and

[00:46:46] like

[00:46:46] you

[00:46:47] I

[00:46:47] am

[00:46:47] a

[00:46:47] fan

[00:46:47] I

[00:46:48] think

[00:46:48] a lot

[00:46:48] of

[00:46:49] people

[00:46:49] just

[00:46:49] can't

[00:46:49] separate

[00:46:50] the

[00:46:50] art

[00:46:50] but

[00:46:51] he'll

[00:46:51] always

[00:46:52] be

[00:46:52] the

[00:46:52] guy

[00:46:52] for

[00:46:52] me

[00:46:52] from

[00:46:53] Big

[00:46:53] Short

[00:46:59] Terminator

[00:46:59] Salvation

[00:47:00] and

[00:47:01] Free

[00:47:01] Tendi

[00:47:01] Yuma

[00:47:02] Rescue

[00:47:02] Dawn

[00:47:04] and

[00:47:04] the

[00:47:05] fighter

[00:47:05] I vaguely

[00:47:06] remember

[00:47:07] Rescue

[00:47:07] Dawn

[00:47:08] I

[00:47:08] didn't

[00:47:08] watch

[00:47:08] it

[00:47:08] though

[00:47:09] but

[00:47:09] I

[00:47:09] remember

[00:47:09] the

[00:47:09] title

[00:47:10] and

[00:47:11] One

[00:47:11] in

[00:47:11] the

[00:47:11] Chamber

[00:47:12] is

[00:47:13] another

[00:47:13] good

[00:47:13] one

[00:47:13] but

[00:47:15] much

[00:47:15] like

[00:47:16] Harsh

[00:47:16] Times

[00:47:17] that

[00:47:18] made

[00:47:18] me

[00:47:18] want

[00:47:19] to

[00:47:19] see

[00:47:19] them

[00:47:19] in

[00:47:19] more

[00:47:19] crime

[00:47:20] movies

[00:47:20] like

[00:47:21] obviously

[00:47:21] there's

[00:47:21] some

[00:47:22] action

[00:47:22] and

[00:47:22] there's

[00:47:22] some

[00:47:22] mystery

[00:47:23] but

[00:47:24] I

[00:47:25] mean

[00:47:25] a lot

[00:47:25] of

[00:47:25] people

[00:47:26] just

[00:47:26] wrote

[00:47:26] it

[00:47:26] off

[00:47:26] as

[00:47:27] this

[00:47:27] is

[00:47:27] a

[00:47:27] shitty

[00:47:28] taxi

[00:47:29] driver

[00:47:29] falling

[00:47:30] down

[00:47:30] type

[00:47:30] movie

[00:47:30] I'm

[00:47:31] like

[00:47:31] it's

[00:47:31] not

[00:47:32] at

[00:47:32] all

[00:47:32] it's

[00:47:33] similar

[00:47:33] but

[00:47:33] it's

[00:47:34] not

[00:47:34] no

[00:47:34] I

[00:47:35] mean

[00:47:36] and

[00:47:37] unfortunately

[00:47:37] the

[00:47:37] trailers

[00:47:38] did

[00:47:38] a

[00:47:38] disservice

[00:47:39] it

[00:47:39] looked

[00:47:39] on

[00:47:39] focus

[00:47:40] all

[00:47:40] they

[00:47:41] did

[00:47:41] was

[00:47:41] just

[00:47:41] show

[00:47:42] scenes

[00:47:42] where

[00:47:42] they're

[00:47:42] running

[00:47:42] around

[00:47:43] fighting

[00:47:44] jumping

[00:47:44] out

[00:47:45] of

[00:47:45] cars

[00:47:45] with

[00:47:45] guns

[00:47:45] I'm

[00:47:46] like

[00:47:46] see

[00:47:46] trailer

[00:47:47] making

[00:47:47] at

[00:47:48] this

[00:47:48] time

[00:47:48] sucked

[00:47:49] people

[00:47:50] would

[00:47:50] just

[00:48:07] upload

[00:48:08] shit

[00:48:09] on

[00:48:09] youtube

[00:48:09] and

[00:48:10] yeah

[00:48:10] I

[00:48:10] impressed

[00:48:11] some

[00:48:11] hispanic

[00:48:12] classmates

[00:48:12] for the

[00:48:13] fact

[00:48:13] that

[00:48:13] I

[00:48:13] already

[00:48:13] seen

[00:48:14] blood

[00:48:14] in

[00:48:14] blood

[00:48:14] out

[00:48:15] nice

[00:48:17] what did

[00:48:18] I

[00:48:18] see

[00:48:18] recently

[00:48:19] oh

[00:48:19] somebody

[00:48:20] uploaded

[00:48:20] spider-man

[00:48:21] into the

[00:48:21] spider-verse

[00:48:22] on

[00:48:22] xvideos.com

[00:48:25] in

[00:48:25] Spanish

[00:48:29] I'm like

[00:48:30] damn

[00:48:30] all right

[00:48:31] you ran

[00:48:32] out of

[00:48:32] different

[00:48:33] kinds

[00:48:33] of

[00:48:33] movies

[00:48:34] to

[00:48:34] watch

[00:48:35] I

[00:48:35] don't

[00:48:36] feel

[00:48:36] like

[00:48:36] beating

[00:48:36] my

[00:48:37] dick

[00:48:37] I'm

[00:48:37] gonna

[00:48:37] watch

[00:48:37] me

[00:48:37] some

[00:48:38] spider-verse

[00:48:40] sloppy

[00:48:41] seconds

[00:48:41] um

[00:48:43] so this

[00:48:44] is a great

[00:48:44] role for

[00:48:44] jk

[00:48:45] simmons

[00:48:45] and I

[00:48:46] like how

[00:48:47] I saw

[00:48:47] I'd seen

[00:48:48] some people

[00:48:48] who hated

[00:48:49] this movie

[00:48:49] and liked

[00:48:50] this movie

[00:48:50] just say

[00:48:51] oh it's

[00:48:51] a training

[00:48:51] day

[00:48:51] invitation

[00:48:52] and I'm

[00:48:53] like

[00:48:54] yes

[00:48:54] and no

[00:48:55] they drive

[00:48:56] around

[00:48:56] pointlessly

[00:48:57] but there's

[00:48:58] no reward

[00:48:58] it's just

[00:48:59] showing

[00:49:00] and as a

[00:49:01] loser

[00:49:01] growing up

[00:49:02] I did

[00:49:02] relate

[00:49:02] to this

[00:49:04] don't get

[00:49:04] me wrong

[00:49:04] I did

[00:49:05] not relate

[00:49:05] to the

[00:49:05] characters

[00:49:06] at all

[00:49:06] they're

[00:49:07] psychopaths

[00:49:08] oh I

[00:49:08] relate to

[00:49:09] every

[00:49:09] psychopath

[00:49:10] shit

[00:49:12] and your

[00:49:13] girl

[00:49:13] Eva Longoria

[00:49:14] is in

[00:49:14] here

[00:49:15] and so

[00:49:16] I saw

[00:49:17] her in

[00:49:17] this

[00:49:17] I saw

[00:49:18] her in

[00:49:18] Clark

[00:49:18] Johnson's

[00:49:19] The Sentinel

[00:49:19] I saw

[00:49:20] her in

[00:49:22] I mean

[00:49:22] I had

[00:49:22] seen part

[00:49:23] of Desperate

[00:49:23] Housewives

[00:49:23] but I

[00:49:24] didn't think

[00:49:24] that was

[00:49:24] a good

[00:49:24] show

[00:49:25] um

[00:49:26] yeah

[00:49:26] it sucks

[00:49:28] um

[00:49:29] I saw

[00:49:30] her

[00:49:33] for you

[00:49:34] second

[00:49:35] Noah

[00:49:37] second

[00:49:38] Noah

[00:49:38] you'll

[00:49:39] never

[00:49:39] guess

[00:49:40] who's

[00:49:40] in

[00:49:40] that

[00:49:40] ah

[00:49:42] you'll

[00:49:42] never

[00:49:43] guess

[00:49:43] James

[00:49:44] Marsden

[00:49:44] nope

[00:49:46] close

[00:49:47] with

[00:49:47] J

[00:49:48] close

[00:49:49] with the

[00:49:49] J

[00:49:49] but not

[00:49:50] James

[00:49:50] Sean

[00:49:51] there's a

[00:49:53] lot of

[00:49:53] J's but I

[00:49:54] don't

[00:49:54] recognize

[00:49:54] go ahead

[00:50:00] Jared

[00:50:01] letter

[00:50:01] oh fuck

[00:50:03] that

[00:50:06] anyway

[00:50:07] um

[00:50:08] so yeah

[00:50:08] I was

[00:50:08] surprised

[00:50:09] because I

[00:50:09] watched that

[00:50:10] growing up

[00:50:11] and didn't

[00:50:11] know who

[00:50:12] he was

[00:50:13] yeah

[00:50:13] and I

[00:50:14] liked it

[00:50:14] because it

[00:50:15] was such

[00:50:15] a good

[00:50:16] series

[00:50:16] I was

[00:50:17] surprised

[00:50:17] and it

[00:50:17] got

[00:50:18] canceled

[00:50:18] it's a

[00:50:18] pretty

[00:50:19] well rated

[00:50:19] show

[00:50:20] um

[00:50:21] so

[00:50:22] Eva

[00:50:23] Longoria

[00:50:23] I'd

[00:50:23] seen

[00:50:24] in

[00:50:25] uh

[00:50:27] you said

[00:50:28] Sentinel

[00:50:28] yeah

[00:50:29] I'd seen

[00:50:30] her in

[00:50:30] the Baytown

[00:50:31] Outlaws

[00:50:32] and Frontera

[00:50:33] and so

[00:50:33] I'm like

[00:50:33] yeah

[00:50:34] this chick's

[00:50:34] pretty cool

[00:50:35] um

[00:50:37] uh

[00:50:37] and

[00:50:39] she's

[00:50:40] worked on

[00:50:40] George Lopez

[00:50:40] on a few

[00:50:41] movies and

[00:50:41] shows

[00:50:42] and now

[00:50:42] she's

[00:50:42] directing

[00:50:43] but

[00:50:43] yeah

[00:50:43] when I saw

[00:50:44] her in

[00:50:44] this

[00:50:44] it was

[00:50:44] like

[00:50:45] see

[00:50:46] instead of

[00:50:46] being a

[00:50:47] cliche

[00:50:47] kind of

[00:50:48] latina

[00:50:48] guy

[00:50:48] where

[00:50:49] she's

[00:50:49] like

[00:50:49] get

[00:50:49] out of

[00:50:49] my

[00:50:50] face

[00:50:50] essay

[00:50:50] you know

[00:50:51] no

[00:50:52] stereotypes

[00:50:52] like

[00:50:53] and I

[00:50:53] knew

[00:50:54] Rodriguez

[00:50:54] from

[00:50:55] Dead

[00:50:55] Presidents

[00:50:56] and Planet

[00:50:57] Terror

[00:50:58] yeah

[00:50:58] it's definitely

[00:50:59] one of the

[00:50:59] first times

[00:51:00] where I'm

[00:51:00] like

[00:51:00] whoa

[00:51:00] whoa

[00:51:01] he's

[00:51:01] playing

[00:51:01] in

[00:51:01] every

[00:51:02] day

[00:51:03] how do

[00:51:04] you go

[00:51:04] from

[00:51:04] scrubs

[00:51:05] to this

[00:51:06] oh god

[00:51:07] it's

[00:51:07] six feet

[00:51:08] under

[00:51:08] dude

[00:51:10] it's

[00:51:10] wild

[00:51:11] seeing

[00:51:11] people

[00:51:12] transition

[00:51:13] from

[00:51:13] different

[00:51:13] roles

[00:51:14] they

[00:51:14] can't

[00:51:14] all do

[00:51:14] it

[00:51:15] we

[00:51:15] remember

[00:51:15] the

[00:51:16] bad

[00:51:16] ones

[00:51:16] like

[00:51:16] Matt

[00:51:16] LeBlanc

[00:51:17] you know

[00:51:17] he can

[00:51:17] only play

[00:51:18] Joey

[00:51:18] and

[00:51:18] friends

[00:51:18] so

[00:51:19] he

[00:51:19] should

[00:51:19] stick

[00:51:20] to

[00:51:20] though

[00:51:20] he

[00:51:21] can

[00:51:21] stay

[00:51:21] in

[00:51:21] lost

[00:51:21] in

[00:51:22] space

[00:51:22] oh

[00:51:23] my

[00:51:23] god

[00:51:24] yeah

[00:51:25] I

[00:51:25] like

[00:51:25] that

[00:51:26] movie

[00:51:26] I

[00:51:27] liked

[00:51:27] it

[00:51:27] growing up

[00:51:28] it wasn't

[00:51:28] very good

[00:51:30] so

[00:51:31] what do you

[00:51:31] think of

[00:51:32] Terry

[00:51:32] Cruz in

[00:51:32] this

[00:51:32] movie

[00:51:35] yes

[00:51:36] he's

[00:51:36] in

[00:51:36] it

[00:51:37] wow

[00:51:38] I

[00:51:39] don't

[00:51:39] remember

[00:51:40] he's

[00:51:40] one of

[00:51:40] the drug

[00:51:41] dealers

[00:51:41] who's goofing

[00:51:41] around

[00:51:52] fails

[00:51:52] the drug

[00:51:53] test

[00:51:54] no

[00:51:55] I

[00:51:56] don't

[00:51:56] I

[00:51:57] haven't

[00:51:57] watched

[00:51:58] that

[00:51:58] I

[00:51:59] remember

[00:52:00] watching

[00:52:01] it

[00:52:01] I

[00:52:02] did

[00:52:02] watch

[00:52:02] it

[00:52:02] I

[00:52:03] just

[00:52:03] don't

[00:52:03] remember

[00:52:04] anything

[00:52:04] about

[00:52:05] it

[00:52:05] so

[00:52:05] rewatch

[00:52:06] it

[00:52:06] when

[00:52:06] you

[00:52:06] get

[00:52:06] a

[00:52:06] chance

[00:52:07] but

[00:52:07] you'll

[00:52:08] love

[00:52:08] yeah

[00:52:10] once again

[00:52:10] Kenneth

[00:52:10] Choi is

[00:52:11] in this

[00:52:11] you know

[00:52:12] before

[00:52:12] Captain

[00:52:12] America

[00:52:12] and

[00:52:13] movies

[00:52:13] like

[00:52:13] War

[00:52:14] with Jet

[00:52:14] Lee

[00:52:14] I

[00:52:22] J.K. Simmons

[00:52:23] is one of the

[00:52:23] agents

[00:52:24] in here

[00:52:24] and he

[00:52:25] just

[00:52:26] roasts

[00:52:26] Christian

[00:52:26] Bailey

[00:52:27] he's like

[00:52:27] do you

[00:52:27] think

[00:52:28] you're

[00:52:28] up to

[00:52:28] this

[00:52:28] I

[00:52:29] don't

[00:52:29] think

[00:52:29] you're

[00:52:29] taking

[00:52:29] this

[00:52:29] exam

[00:52:30] very

[00:52:30] serious

[00:52:31] and

[00:52:31] you know

[00:52:34] he

[00:52:34] he's

[00:52:35] trying to

[00:52:35] join

[00:52:35] Homeland

[00:52:36] Security

[00:52:36] and

[00:52:37] can

[00:52:37] you

[00:52:37] just

[00:52:37] imagine

[00:52:38] the

[00:52:38] terror

[00:52:38] of

[00:52:38] a

[00:52:39] non-stable

[00:52:39] you know

[00:52:42] shell-shocked

[00:52:44] loser

[00:52:44] he's already

[00:52:45] filled to being

[00:52:46] a cop

[00:52:46] and he's

[00:52:46] trying to

[00:52:47] join

[00:52:47] Homeland

[00:52:47] Security

[00:52:48] a year

[00:52:51] before

[00:52:52] but

[00:52:53] this is

[00:52:53] funny

[00:52:54] because

[00:52:54] he's

[00:52:55] they do

[00:52:56] a good

[00:52:56] job of

[00:52:57] showing

[00:52:57] instead

[00:52:58] of

[00:52:58] telling

[00:52:58] and

[00:52:58] they

[00:52:59] show

[00:52:59] the

[00:52:59] war

[00:52:59] and

[00:53:00] he

[00:53:00] wakes

[00:53:01] up

[00:53:01] like

[00:53:01] it's

[00:53:01] a

[00:53:01] violent

[00:53:02] nightmare

[00:53:02] so

[00:53:03] we

[00:53:03] can

[00:53:03] infer

[00:53:03] okay

[00:53:04] he

[00:53:04] this

[00:53:05] is

[00:53:05] how

[00:53:05] he

[00:53:05] wakes

[00:53:06] up

[00:53:06] every

[00:53:06] day

[00:53:06] he's

[00:53:07] got

[00:53:07] PTSD

[00:53:07] but

[00:53:09] I

[00:53:09] loved

[00:53:09] how

[00:53:11] uh

[00:53:12] and

[00:53:13] just

[00:53:14] uh

[00:53:15] he

[00:53:16] is

[00:53:16] trying

[00:53:17] to

[00:53:17] cheat

[00:53:17] on the

[00:53:18] urine

[00:53:18] test

[00:53:18] for

[00:53:19] Homeland

[00:53:19] Security

[00:53:19] and

[00:53:19] they're

[00:53:20] like

[00:53:20] dude

[00:53:20] we're

[00:53:21] not

[00:53:21] dumb

[00:53:23] this

[00:53:23] is

[00:53:24] not

[00:53:24] your

[00:53:24] piss

[00:53:25] um

[00:53:25] now

[00:53:26] I

[00:53:26] get

[00:53:27] he

[00:53:28] fills

[00:53:47] a

[00:53:47] out

[00:53:48] how

[00:53:48] it

[00:53:48] was

[00:53:48] going

[00:53:48] to

[00:53:48] end

[00:53:48] before

[00:53:48] it

[00:53:49] started

[00:53:49] you

[00:53:50] knew

[00:53:50] you

[00:53:50] had

[00:53:50] your

[00:53:51] good

[00:53:52] top

[00:53:52] and

[00:53:53] just

[00:53:53] like

[00:53:53] war

[00:53:53] movies

[00:53:54] wave

[00:53:55] the

[00:53:55] flag

[00:53:58] but

[00:53:58] now

[00:53:59] you know

[00:53:59] this

[00:54:00] is

[00:54:00] 2000

[00:54:01] so

[00:54:02] they're

[00:54:03] switching

[00:54:04] things

[00:54:04] up

[00:54:05] and

[00:54:05] making

[00:54:06] it

[00:54:06] more

[00:54:06] creative

[00:54:07] and

[00:54:07] I

[00:54:07] would

[00:54:07] say

[00:54:07] the

[00:54:07] most

[00:54:08] creative

[00:54:08] film

[00:54:09] top

[00:54:10] wise

[00:54:11] that

[00:54:12] I

[00:54:12] that

[00:54:13] I

[00:54:17] that

[00:54:18] was

[00:54:18] a

[00:54:19] great

[00:54:19] role

[00:54:21] yeah

[00:54:22] that

[00:54:22] was

[00:54:23] her

[00:54:23] first

[00:54:23] film

[00:54:24] as a

[00:54:24] cop

[00:54:25] I

[00:54:25] was

[00:54:25] like

[00:54:25] that

[00:54:25] was

[00:54:25] really

[00:54:26] good

[00:54:40] they

[00:54:48] because

[00:54:49] he

[00:54:49] felt

[00:54:49] yeah

[00:54:50] he

[00:54:51] felt

[00:54:51] that

[00:54:51] that

[00:54:52] was

[00:54:52] wrong

[00:54:52] I

[00:54:53] was

[00:54:53] like

[00:54:53] damn

[00:54:55] and

[00:54:55] he

[00:54:55] pushed

[00:54:56] against

[00:54:56] that

[00:54:56] too

[00:54:57] because

[00:54:57] the

[00:54:57] director

[00:54:57] is

[00:54:57] like

[00:54:57] you

[00:54:57] two

[00:54:58] need

[00:54:58] to

[00:54:58] kiss

[00:54:58] him

[00:54:58] he's

[00:54:58] like

[00:54:58] no

[00:54:59] that's

[00:54:59] wrong

[00:55:00] that's

[00:55:00] not

[00:55:01] my

[00:55:01] brain

[00:55:02] I

[00:55:17] interesting

[00:55:18] couple

[00:55:18] film

[00:55:19] it's

[00:55:19] a

[00:55:19] good

[00:55:19] thing

[00:55:20] yeah

[00:55:20] it

[00:55:21] really

[00:55:21] is

[00:55:21] so

[00:55:22] good

[00:55:22] but

[00:55:23] yeah

[00:55:23] like

[00:55:24] you

[00:55:24] look

[00:55:24] at

[00:55:24] you

[00:55:25] know

[00:55:25] bone

[00:55:25] collector

[00:55:26] and

[00:55:26] then

[00:55:26] going

[00:55:27] forward

[00:55:27] you

[00:55:28] had

[00:55:28] your

[00:55:29] you

[00:55:30] know

[00:55:30] you

[00:55:30] had

[00:55:31] your

[00:55:31] basic

[00:55:32] formula

[00:55:32] for

[00:55:33] cop

[00:55:33] films

[00:55:33] yep

[00:55:34] but

[00:55:34] they

[00:55:35] decided

[00:55:35] to

[00:55:36] warp

[00:55:36] it

[00:55:37] and

[00:55:37] make

[00:55:37] it

[00:55:37] more

[00:55:38] focused

[00:55:38] on

[00:55:39] you

[00:55:39] know

[00:55:39] how

[00:55:40] their

[00:55:41] lives

[00:55:42] are

[00:55:42] instead

[00:55:43] of

[00:55:43] just

[00:55:44] being

[00:55:44] the

[00:55:45] same

[00:55:45] shit

[00:55:46] and

[00:55:46] you

[00:55:48] got

[00:55:49] a day

[00:55:49] in the

[00:55:50] life

[00:55:50] of

[00:55:50] orio

[00:55:50] yeah

[00:55:51] pretty much

[00:55:52] you got

[00:55:53] third

[00:55:53] watch

[00:55:54] which

[00:55:54] covered

[00:55:55] cops

[00:55:56] lives

[00:55:57] and

[00:55:57] firefighters

[00:55:58] lives

[00:55:58] they're all

[00:55:59] one side

[00:56:00] of the

[00:56:00] same

[00:56:07] shield

[00:56:07] is

[00:56:07] beyond

[00:56:08] criminal

[00:56:08] and

[00:56:08] right

[00:56:08] without

[00:56:08] that

[00:56:09] you

[00:56:09] don't

[00:56:09] get

[00:56:09] breaking

[00:56:09] bad

[00:56:10] but

[00:56:10] without

[00:56:10] it

[00:56:11] at

[00:56:11] all

[00:56:11] like

[00:56:12] you

[00:56:12] don't

[00:56:13] you

[00:56:13] cable

[00:56:14] tv

[00:56:14] would

[00:56:14] have

[00:56:14] kept

[00:56:15] sucking

[00:56:15] it

[00:56:15] would

[00:56:16] have

[00:56:16] just

[00:56:16] been

[00:56:17] let's

[00:56:17] just

[00:56:18] be

[00:56:18] edgy

[00:56:18] but

[00:56:19] not

[00:56:19] too

[00:56:19] much

[00:56:20] because

[00:56:20] we

[00:56:21] don't

[00:56:21] want

[00:56:21] to

[00:56:21] get

[00:56:21] in

[00:56:21] trouble

[00:56:21] even

[00:56:22] though

[00:56:22] we

[00:56:22] could

[00:56:22] go

[00:56:22] the

[00:56:22] full

[00:56:23] route

[00:56:23] but

[00:56:24] it

[00:56:24] was

[00:56:24] the

[00:56:25] first

[00:56:25] where

[00:56:25] they

[00:56:25] told

[00:56:25] the

[00:56:26] advertisers

[00:56:26] hey

[00:56:27] we're

[00:56:28] not

[00:56:28] asking

[00:56:28] to

[00:56:37] like

[00:56:37] no

[00:56:38] it's

[00:56:39] called

[00:56:39] fiction

[00:56:39] and

[00:56:40] they

[00:56:40] want

[00:56:40] to

[00:56:40] air

[00:56:41] something

[00:56:41] cool

[00:56:41] that

[00:56:42] hasn't

[00:56:42] been

[00:56:43] done

[00:56:43] yet

[00:56:43] and

[00:56:43] win

[00:56:44] some

[00:56:44] Emmys

[00:56:44] and

[00:56:45] it

[00:57:08] i

[00:57:09] had

[00:57:09] already

[00:57:09] liked

[00:57:10] him

[00:57:10] from

[00:57:10] spider

[00:57:10] man

[00:57:10] is

[00:57:11] one

[00:57:11] of

[00:57:11] the

[00:57:12] college

[00:57:12] student

[00:57:12] guys

[00:57:12] but

[00:57:13] oh

[00:57:13] yeah

[00:57:13] i

[00:57:13] didn't

[00:57:14] even

[00:57:14] recognize

[00:57:15] yeah

[00:57:15] i mean

[00:57:18] after

[00:57:18] true

[00:57:19] blood

[00:57:19] and

[00:57:19] magic

[00:57:19] mike

[00:57:20] he

[00:57:20] comes

[00:57:20] back

[00:57:20] doing

[00:57:20] some

[00:57:21] more

[00:57:21] of

[00:57:21] these

[00:57:21] tough

[00:57:21] guy

[00:57:22] movies

[00:57:22] i

[00:57:23] think

[00:57:23] there

[00:57:23] was

[00:57:23] arch enemy

[00:57:24] which

[00:57:24] was

[00:57:24] based

[00:57:24] on

[00:57:25] a

[00:57:25] comic

[00:57:25] i'm

[00:57:25] like

[00:57:25] see

[00:57:25] i

[00:57:26] would

[00:57:26] actually

[00:57:27] not

[00:57:28] mind

[00:57:28] him

[00:57:28] being

[00:57:28] in

[00:57:28] some

[00:57:29] more

[00:57:29] tough

[00:57:29] guy

[00:57:29] stuff

[00:57:30] he

[00:57:30] seems

[00:57:30] to

[00:57:31] just

[00:57:31] be

[00:57:31] the

[00:57:31] hands

[00:57:33] yeah

[00:57:35] like

[00:57:36] like

[00:57:36] he's

[00:57:37] a

[00:57:37] very

[00:57:37] geeky

[00:57:38] guy

[00:57:38] um

[00:57:40] so

[00:57:42] why

[00:57:43] do

[00:57:43] you

[00:57:44] think

[00:57:44] this

[00:57:44] movie

[00:57:44] just

[00:57:44] flopped

[00:57:45] because

[00:57:45] he's

[00:57:45] literally

[00:57:46] still

[00:57:46] doing

[00:57:47] what

[00:57:47] he

[00:57:47] did

[00:57:48] in

[00:57:48] street

[00:57:48] kings

[00:57:48] and

[00:57:49] into

[00:57:49] watch

[00:57:49] where

[00:57:50] he's

[00:57:50] giving

[00:57:50] you

[00:57:50] those

[00:57:51] first

[00:57:52] POV

[00:57:52] shots

[00:57:53] he's

[00:57:53] showing

[00:57:53] you

[00:57:54] how

[00:57:55] these

[00:57:55] guys

[00:57:55] are

[00:57:56] above

[00:57:56] the

[00:57:56] law

[00:57:58] sabotage

[00:57:59] that

[00:57:59] was

[00:58:00] 2014

[00:58:00] and

[00:58:01] okay

[00:58:01] so

[00:58:02] arnold

[00:58:02] had

[00:58:02] already

[00:58:03] been

[00:58:03] in

[00:58:03] some

[00:58:03] of

[00:58:03] expendable

[00:58:04] movies

[00:58:04] and

[00:58:04] skate

[00:58:05] playing

[00:58:06] he

[00:58:07] hadn't

[00:58:07] done

[00:58:07] maggie

[00:58:08] yet

[00:58:08] but

[00:58:08] that

[00:58:08] came

[00:58:09] out

[00:58:09] a year

[00:58:09] later

[00:58:09] and

[00:58:09] same

[00:58:09] deal

[00:58:10] i

[00:58:10] thought

[00:58:10] it was

[00:58:10] good

[00:58:11] and

[00:58:11] his

[00:58:11] fans

[00:58:12] dug

[00:58:12] it

[00:58:12] but

[00:58:13] no one

[00:58:14] saw

[00:58:14] it

[00:58:14] i'm

[00:58:15] like

[00:58:15] you're

[00:58:15] kidding

[00:58:15] me

[00:58:16] i

[00:58:16] rented

[00:58:17] that

[00:58:17] i paid

[00:58:18] six

[00:58:19] bucks

[00:58:19] to

[00:58:19] see

[00:58:19] that

[00:58:20] on

[00:58:20] xbox

[00:58:21] i

[00:58:22] was

[00:58:22] so

[00:58:22] excited

[00:58:23] because

[00:58:23] i

[00:58:23] was

[00:58:23] like

[00:58:23] wow

[00:58:24] arnold

[00:58:24] playing

[00:58:25] with

[00:58:26] the

[00:58:26] zombie

[00:58:27] daughter

[00:58:28] and

[00:58:28] i

[00:58:28] loved

[00:58:32] it

[00:58:32] but

[00:58:33] yeah

[00:58:33] going

[00:58:34] back

[00:58:34] to

[00:58:34] he's

[00:58:35] here

[00:58:35] with

[00:58:35] marcus

[00:58:35] from

[00:58:36] terminator

[00:58:36] salvation

[00:58:36] so

[00:58:37] i

[00:58:37] already

[00:58:37] thought

[00:58:37] that's

[00:58:38] a win

[00:58:38] two

[00:58:38] terminators

[00:58:39] in one

[00:58:39] movie

[00:58:39] he's

[00:58:40] with

[00:58:40] terrence

[00:58:40] howard

[00:58:40] that

[00:58:41] instantly

[00:58:41] means

[00:58:42] i

[00:58:42] have

[00:58:42] to

[00:58:42] see

[00:58:42] it

[00:58:43] what

[00:58:44] made

[00:58:44] that

[00:58:45] fail

[00:58:46] this

[00:58:47] is

[00:58:47] how

[00:58:48] it

[00:58:48] works

[00:58:48] you

[00:58:49] look

[00:58:49] at

[00:58:50] ayer's

[00:58:50] career

[00:58:51] and

[00:58:51] how

[00:58:51] he

[00:58:51] started

[00:58:52] like

[00:58:52] his

[00:58:52] stronger

[00:58:53] stuff

[00:58:53] was

[00:58:54] always

[00:58:54] at

[00:58:54] the

[00:58:54] beginning

[00:58:55] and

[00:58:55] now

[00:58:55] it's

[00:58:56] 2014

[00:58:56] so

[00:58:57] you

[00:58:57] know

[00:58:58] he's

[00:58:58] winding

[00:58:58] down

[00:59:00] and

[00:59:02] people

[00:59:03] you know

[00:59:04] they advertise

[00:59:05] you know

[00:59:05] it's

[00:59:05] arnold's

[00:59:06] film

[00:59:06] they're

[00:59:07] advertising

[00:59:07] it

[00:59:07] like

[00:59:08] that

[00:59:08] so

[00:59:08] that

[00:59:10] i

[00:59:12] i

[00:59:13] would

[00:59:13] just

[00:59:13] call

[00:59:13] this

[00:59:13] criminal

[00:59:14] minds

[00:59:14] meets

[00:59:16] i

[00:59:16] don't

[00:59:17] know

[00:59:18] like

[00:59:18] one of

[00:59:19] the

[00:59:19] other

[00:59:19] serpico

[00:59:20] like

[00:59:20] this

[00:59:21] is a

[00:59:21] down

[00:59:21] and

[00:59:22] dirty

[00:59:22] 70s

[00:59:22] movie

[00:59:23] in

[00:59:23] 2010

[00:59:24] blood

[00:59:25] but

[00:59:26] yeah

[00:59:26] and

[00:59:27] there's

[00:59:27] two

[00:59:27] actors

[00:59:27] from

[00:59:28] lost

[00:59:28] in

[00:59:28] this

[00:59:28] and

[00:59:29] it's

[00:59:29] still

[00:59:29] flopped

[00:59:30] come

[00:59:42] the

[00:59:43] mcu

[00:59:43] is

[00:59:43] not

[00:59:44] in

[00:59:44] a

[00:59:44] wheelchair

[00:59:44] anymore

[00:59:45] the

[00:59:45] mcu

[00:59:46] is

[00:59:46] in

[00:59:47] full

[00:59:47] swing

[00:59:48] so

[00:59:48] comic book

[00:59:49] films

[00:59:49] are

[00:59:50] dominating

[00:59:50] people

[00:59:51] are

[00:59:51] seeing

[00:59:51] the

[00:59:51] purge

[00:59:52] and

[00:59:54] everything

[00:59:55] else

[00:59:55] and

[00:59:56] disney

[00:59:56] too

[00:59:56] so

[00:59:57] you

[00:59:57] have

[00:59:57] all

[00:59:58] that

[00:59:58] dominating

[01:00:00] the

[01:00:01] theater

[01:00:01] and

[01:00:01] dreamworks

[01:00:02] too

[01:00:02] dreamworks

[01:00:03] had how to train

[01:00:04] dragon

[01:00:04] but yeah

[01:00:05] you had

[01:00:05] all that

[01:00:06] going on

[01:00:06] and then

[01:00:07] sabotage

[01:00:08] just

[01:00:08] kind

[01:00:08] got

[01:00:09] max

[01:00:09] martini

[01:00:10] from pacific

[01:00:11] rent

[01:00:11] in the

[01:00:12] unit

[01:00:12] and no

[01:00:13] one

[01:00:13] sees

[01:00:13] this

[01:00:14] i'm

[01:00:14] like

[01:00:14] you would

[01:00:15] think

[01:00:15] you would

[01:00:15] want to

[01:00:16] see

[01:00:16] this

[01:00:16] just

[01:00:16] because

[01:00:17] there's

[01:00:17] all

[01:00:17] these

[01:00:17] great

[01:00:18] actors

[01:00:18] in

[01:00:19] it

[01:00:20] it

[01:00:20] comes

[01:00:21] off

[01:00:21] like

[01:00:21] an

[01:00:22] fx

[01:00:22] original

[01:00:23] but

[01:00:23] flopped

[01:00:24] because

[01:00:25] of

[01:00:25] its

[01:00:26] affiliation

[01:00:27] i guess

[01:00:28] you don't

[01:00:29] think

[01:00:30] my god

[01:00:31] chiklis

[01:00:31] could be

[01:00:32] in this

[01:00:32] movie

[01:00:32] with

[01:00:32] me

[01:00:33] i

[01:00:36] don't

[01:00:36] just

[01:00:37] see

[01:00:37] my

[01:00:37] movie

[01:00:37] i

[01:00:38] was

[01:00:39] waiting

[01:00:39] on you

[01:00:39] at

[01:00:42] then

[01:00:43] he

[01:00:43] took

[01:00:44] a break

[01:00:44] for

[01:00:44] two

[01:00:45] years

[01:00:45] and

[01:00:46] then

[01:00:46] went

[01:00:46] on

[01:00:46] suicide

[01:00:47] squad

[01:00:47] and

[01:00:49] then

[01:00:49] that

[01:00:49] bombed

[01:00:50] because

[01:00:50] people

[01:00:50] i mean

[01:00:50] they

[01:00:51] promoted

[01:00:51] this

[01:00:51] on wwe

[01:00:52] dude

[01:00:52] i know

[01:00:53] because

[01:00:55] i know

[01:00:55] i remember

[01:00:56] that

[01:00:56] because

[01:00:56] arnold

[01:00:57] was on

[01:00:58] raw

[01:00:59] for a

[01:00:59] while

[01:00:59] that

[01:01:02] was back

[01:01:03] when i

[01:01:04] did

[01:01:04] watch

[01:01:04] wwe

[01:01:05] and

[01:01:05] then

[01:01:05] i

[01:01:05] quit

[01:01:06] you

[01:01:07] quit

[01:01:08] no

[01:01:11] it

[01:01:11] wasn't

[01:01:12] just

[01:01:13] him

[01:01:13] promoting

[01:01:13] sabbatos

[01:01:14] there

[01:01:15] was

[01:01:15] something

[01:01:15] else

[01:01:16] i

[01:01:17] wanted